FERRUCCIO RONTINI 1893 Romito - 1964 Livorno In Prayer

Framed oil painting on canvas, Two Workers with Donkey, signed lower right F. Rontini (Ferruccio Rontini, Italy, 1893-1964), signed and dated 1960 on the reverse, sight: approx 28"h, 20"w, overall: ap

Charles Lamb RHA RUA (1893-1964) In-shore Fishermen Oil on canvas, 50 x 60cm (19¾ x 23½) Signed Exhibited: Dublin, Hugh Lane Gallery, Charles Lamb Memorial Exhibition 1969 Certainly not

Charles Lamb RHA RUA (1893-1964) Portrait of a Fisherman with Lobster Oil on canvas, 93 x 87cm (36½ x 34¼) Signed Provenance: In private ownership with the same family since acquired Cha

Charles Lamb RHA RUA (1893-1964) Cloudy Day Oil on board, 32 x 39cm (12½ x 15¼) Signed; inscribed on artists label verso

Charles Lamb RHA (1893-1964) Coastal Landscape Near Carraroe, Connemara Oil on board, 26 x 34cm (10¼ x 13¼) Signed

An Austrian patinated bronze figure of a fencerafter the model by Edwin Grienauer (1893-1964)third quarter 20th centuryIncised GRIENAUER.height 11in (28cm); width 5in (12.5cm); depth 3in (7.5cm) P

Jacob Anchutin (North Carolina, 1893-1964) oil on canvas laid down on board painting titled "New Found Gap Looking Towards Gatlinburg, Tennessee," depicting a view of the Newfound Gap in the Great Smo

Margaret H. McDonald (1893-1964) for Rookwood Pottery porcelain Vellum glaze vase with mandevilla decoration, shape number 270 Cincinnati, Ohio, 1930 matte glazed ceramic impressed factory marks, pain

Charles Vincent Lamb RHA RUA (IRISH, 1893 - 1964) oil painting on wooden board depicting a coastal landscape scene. Mounted in a gold gilt wooden frame. Board measures approx. 6" height x 9 1/2" width

Margaret H. McDonald (1893-1964) for Rookwood Pottery Decorated Porcelain scenic vase with unusual rose-colored sky, shape number 913C Cincinnati, Ohio, 1939 high glazed ceramic impressed factory mark

Lloyd Raymond Ney (American, 1893-1964) Untitled (Abstract Composition), 1953, mixed media and watercolor on paper. Framed. Size: 9'' x 11.5'', 23 x 29 cm (sight); 19.75'' x 22'', 50 x 56 cm (frame).

ARTIST: William Willard Crocker (California, 1893 - 1964) TITLE: Landscape MEDIUM: oil on canvas CONDITION: Very good. No visible inpaint under UV light. ART SIZE: 16 x 20 inches / 40 x 50 cm FRAME SI

Hans Kruuse (Denmark 1893-1964). Oil on canvas, impressionist urban landscape. Signed lower right; in gilt frame. 23 x 20 in.

Margaret H. McDonald (1893-1964) for Rookwood Pottery Mat vase, #900C Cincinnati, Ohio, 1929 matte glazed ceramic impressed marks, inscribed maker's mark, retailer's label 5"dia x 8 3/4"h

Joan Miro ( Spanish 1893 - 1983 ) 1964 Plate No. IX " Obra Inedita Recent " Original Color Lithograph on Guarro Paper Edition of 100 Pencil Signed & Numbered 94/100 Printed by Lithografia Foto-Repro B

Luis Quintanilla (Spanish/American, 1893-1978) Bullfighter, 1964 oil and collage signed lower left 39 1/2" x 29" Provenance: Treadway Toomey Auctions, Oak Park, Illinois, 20th Century Art & Design, 05

Joan Miró (Spanish, 1893-1983) L'Amazone, 1964 lithograph signed and numbered 72/75 in pencil 24 x 35 inches. Estimate $3,000-5,000 Provenance: Irving Galleries, Milwaukee, Wisconsin

Reuven Rubin (Israeli, 1893-1974), Bon voyage, 1964, watercolor, pencil and ink on paper, 21X28 cm. Signed, described, dated and dedicated.

The first depicting a cowled monk kneeling in prayer. Provenance: Butterfields,SF. 1964. 16in. H x 10in. W. The second, oil on board, depicting Saint Theresa of Avila, 15in. H x 11in. W. The third, oi

JOAN MIRO (SPANISH 1893-1983), ETCHING ON PAPER, 1964, H 20", L 23 1/2", "PREPARATIF D'OISEAU III" A limited edition etching titled "Preparatif d'Oiseau III" by Joan Miro. This piece depicts biomorphi

JOAN MIRO (SPANISH 1893-1983), ETCHING ON PAPER, 1964, H 20", L 23 1/2", "PREPARATIF D'OISEAU III" A limited edition etching titled "Preparatif d'Oiseau III" by Joan Miro. This piece depicts biomorphi

Joan Miro, color lithograph, 1964, Joan Miro (Spanish, 1893-1983), from Obra Inedita Recent plate IV (Mourlot 356), on Guarro wove, pencil initialed and numbered 25/100, with printed text verso, print

Joan Miró (Spanish, 1893–1983), "Flux de l'aimant," 1964, color etching with drypoint, pencil signed lower right, edition 34/75, image: 17"h x 20"w, overall (with frame): 27"h x 30.25"w

includes 38 half dollars (mix of 1964 Kennedy's, Franklin's, Liberty's, and an 1893 Barber), 35 quarters (most Washington's, and one each Barber and Seated Liberty with worn dates), 85 dimes (most Roo