Domenico Maggiotto (attr.)

Attributed to Domenico Maggiotto (Italian, 1713–1794) A Man Restraining a Card Player From Attacking His Opponent Oil on canvas 32 x 43 1/8 in. (81.3 x 109.5cm) PROVENANCE: Private Collection, New Y

Follower of Domenico Maggiotto (Italian 1713-1794) "Lot and His Daughters" Oil on canvas 18th century or later Christie's tag on verso, sold Sept 1 2010 lot 94 $1,62531 3/4" x 43"

(Savona, 1668 - Napoli, 1746) Visitazione Olio su tela, cm 104X79 Fratello minore di Bartolomeo, Domenico svolse il suo apprendistato nella bottega paterna. Si presume che il giovane viaggiò in Emili

Venetian Master of the 18th Century, Domenico Fedeli's circle, known as Maggiotto, Pair of portraits: Boy Reading a Book and Boy Holding an AppleThis pair of images shows children reading a book and h

ATTRIBUTED TO DOMENICO DI GIACOMO DI PACE BECCAFUMI ('Called: Il Mecherino') C. 1486 Montaperti (Siena) - 18 May 1551 Siena HOLY FAMILY WITH THE JOHN THE BAPTIST Oil on canvas lay down on plate. 77 x

(Haarlem, 1633 o 1624 - Roma, 1696) Fuga in Egitto Olio su tela, cm 43X33 Provenienza: Roma, collezione Sacchetti, n. 144 (?) Roma, Fabio Massimo Megna (come Domenico Gargiulo) La tela presenta una co

ATTRIBUTED TO ZAO WOUKI ; ZHAO WUJI (CHINESE / FRENCH, 1920-2013) ABSTRACT COMPOSITION OIL ON CANVAS , SIGNED IN CHINESE , LOWER RIGHT , MARKED ZAO WOU-KI , 5.1. 64 , INVERSO - OIL SIZE IS 19 1/2" x 1

Attributed to Qiu Ying, Ming Painter (Chinese, 1494-1552). "Palace Courtyard", gouache and ink on paper laid down on three wood panels, signed and sealed. Monumental exquisitely painted scene depictin

Attr. Louis C. Tiffany Company, Associated Artists (NY, 1881-1883) (3) Moorish Filigree Screens Jeweled glass and bronze-dust coated copper wire. Three rectangular panels, the center panel with oval c

A great and large chandelier. Apparently unsigned. (3) bulbs at base. (24) clear bulbs throughout. (114) 5" snowflakes. From a Waterbury, CT estate. Dimensions: 77" h; receiver Bowl 15" dia; widest po

olio su tela, W. 183 - H. 143 Cm

Attr. Tiffany Studios, New York Wisteria Trellis Doors circa 1920. Mahogany and leaded glass. pendant wisteria blossoms in mottled and striated textured opalescent glass, supported by leafage and vine

attributed TO BERNARD BUFFET (FRENCH , 1928-1999) OIL ON BOARD FLOWER BOUQUET STILL LIFE , TITLED "IRIS BLEU", 1983 - 10 1/2" x 13 3/4" ; 16 1/2" x 20 1/2" OVERALL (FROM THE ESTATE OF A PROMINENT FREN

Height:54 in. (137.16 cm) Width:54 in. (137.16 cm) Depth:7.5 in. (19.05 cm) Country of Origin:USA Style:Religious Maker:Tiffany Studios Condition:Original Year:c. 1890 Magnificent antique 19th C. laye

(Roma, 1731 - Varsavia, 1818) Ritratto del re di Polonia Stanislao Augusto Poniatowski Ritratto di Elisabeth of Württemberg Olio su tela, cm 119X80,5 (2) Pittore di Sua Maestà Stanislao Augusto, Re

Fine Louis XIV Bronze-Mounted Inlaid Tortoiseshell, Boulle and Ebonized Commode, c. 1725, attr. Nicolas Sageot, later verte marble top, two short drawers above two long drawers, h. 34 in., w. 47 in.,

18th century oil on canvas, depicting a shepherd resting with his flock, attributed to Philipp Peter Roos, (German-Italian, 1655/57-1706), 60"h x 87"w, overall size including frame 65"h x 93"w x 6"d.

Attributed to Cartier, Panther Panthere cuff bracelet designed with 18K yellow gold and onyx, set with 2 emeralds and over 200+ brilliant-cut diamonds. Presented in box. Stamped to interior Cartier 17

Swiss double open-face The (Dutch) Kitchen automaton pocket watch attributed to Pierre-Simon Gounouilhou (France/Switzerland, 1779-1847). 18K gold surround and stem, enamels, brass, and steel with bac

BIRGER SANDZEN (ATTR) OIL ON ACADEMY BOARD. 21.5 X 17.75 INCHES. EXCELLENT CONDITION.

A Rare Chippendale Cherry Chest on Chest, Attr. to Eliphalet Chapin Attributed to Eliphalet Chapin, circa 1750-1780. Carved fretwork and scroll top. Nice mellow patina. Literature: Fine Points of Furn

BIRGER SANDZEN OIL ON CANVAS (ATTR). 16 X 20 INCHES WITHOUT THE FRAME. DEPICTING OLD CEDARS. EXCELLENT CONDITION.

American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to John Henry Belter, New York, white marble turtle top, elaborately carved grape, floral and acanthus frieze, scrolled

Paul Follot (French, 1877-1941) attributed Art Deco oval extending pedestal dining table, ca. 1925, the top with a harlequin-marquetry pattern in oak, above a mahogany, ebony, and oak apron, resting o