Tim Davidson (b. 1952) American

FOOTBALL TACKLE, cast bronze sculpture with brown and green patinas, signed lower right, 27 x 32 x 19” including marble base.

Tim Lewis (American, b. 1952) Guardian Angels sandstone signed on lower edge 14 1/2 x 21 inches.

Tim Lewis (American, b. 1952) Noah's Ark sandstone signed on reverse 13 x 15 inches.

Tim Lewis (American, b. 1952) Garden of Eden sandstone signed on reverse 20 x 22 1/2 inches.

9th St Bridge New York City. Oil on Canvas. Signed verso. From an East 64 St NYC estate. - Dimensions: 30" h x 40" w.

Tim Folzenlogen, (2) small cityscape paintings, Tim Folzenlogen (American, b. 1952), incl. Taxi and Bridge, oil paintings, each signed "Folzenlogen" at lower right, Taxi dated '04, larger: 5"h x 7"w (

Tim Lewis (American, b. 1952) The Last Supper sandstone apparently unsigned Height 7 1/2 x width 21 1/2 x depth 9 inches. Size Height 7 1/2 x width 21 1/2 x depth 9 inch

Tim Lewis (American, b. 1952) Bear with Fish limestone Height 12 x length 20 inches. Size Height 12 x length 20 inches.

Tim Solliday (American, b. 1952) Through the Snow (The Mountainman), 1983 oil on canvas signed lower right titled, dated and inscribed UOG-70 ... 1983 verso 30" x 24" Provenance: Alterman Galle

Tim Folzenlogen, oil on Masonite, 1990, Tim Folzenlogen (American, b. 1952), "Triangle Shadow", signed and dated "Tim Folzenlogen, 1990" at upper left, signed, titled, and dated verso, 11.75"h x 17.5"

Cake (Blake)," 2011 Oil on digital ink jet print and acrylic and ink on two wood panels Signed: Jim Shaw; dated and inscribed "Blake" in pencil on the verso of the smaller panel; titled by repute L

From the 'Drops' series, glass drops on bent and etched glass on bruised mild steel. This piece was bequeathed from a private foundation to Ringling School of Art & Design. Size: 68 x 32 in.Kathleen M

Carbon Steel "Rocker" Chairs, 1993 Carbon steel Signed and dated: Eastman / 1993; further numbered: U26 and U27 Each: 32.75" H x 33.25" W x 27" D

Female bust in green art glass, etch-signed 'Richard' at base. This piece was bequeathed from a private foundation to Ringling School of Art & Design.Richard Jolley was born in Wichita, Kansas, and ha

MEANDER, 1995, kinetic wood sculpture, a signature not found, 31 x 22 x 6”, from an edition of 150, running time 10 hours according to the artist’s website, comes with artist mounting tem

FUSION, 1999, kinetic wood sculpture, a signature not found, 36 x 29 x 6”, from the edition of 150, running time 4 hours according to the artist’s website, comes with artist mounting temp

BRUNO SCHMIDT, 1993, oil painting on canvas, signed and dated and titled on verso, 14 x 9”, framed. Provenance: Tatistcheff Gallery, New York.

'After the Swim' oil on panel. Framed 13in. x 13in. (33cm. x 33cm) Provenance: Paul Thiebaud Gallery, San Francisco Eileen Da

YOUNG MAN, 1991, color pastel on paper, 20 x 16”, framed. Provenance: Tatistcheff Gallery, New York.

Two elongated blown glass vessels, etch-signed Kathleen Mulcahy. These pieces were bequeathed from a private foundation to Ringling School of Art & Design. Since 1969, Kathleen Mulcahy has been creati

"Untitled," 2000 Mixed media on board under glass Initialed lower left: D. M.; titled and dated on a gallery label affixed to the frame's backing paper 7.75" H x 5.5" W Provenance: PDX Contempora

THE BATTLE OF NORTH DAKOTA, 2013, oil painting on canvas, signed and dated and titled canvas verso, 24 x 34”, frame 25 ¼ x 35 ¼”. Provenance: Ota House, Marina Del Rey. From

SUBMERGED DREAM, color lithograph, signed in ink and numbered 102/500 in pencil, printed by S2 Editions with blind stamp, sheet 28 x 35”, frame 36 x 43” with Plexiglas.

IT’S THE HAT THAT MAKES THE DUDE, color lithograph, signed in ink and numbered 248/350 in pencil, printed by S2 Editions with blind stamp, sheet 29 ½ x 22 ½”, frame 38 x 31&