GIANNI BERTINI Untitled.

untitled, 1968;colored lithograph on paper, 69,5 x 49 cm Signature, date and numbering (26/100) provenance: Private collection

Gianni Bertini (Italian, 1922-2010). Artist proof color screen print on paper. Untitled. A mid 20th Century modernist abstract in bold colors of orange, yellow, green, blacks and browns. Signed lower

Giuseppe Nerone and Gianni Patuzzi (Italian, 20th century) Untitled (Two Wall Panels), Gruppo NP2, Italy, 1966 Acid-etched and patinated aluminum on plywood backing.Etched signature: "NP. 2 Torino Ita

Untitled. 1955. Mixed media on paper. Cm 27,00 x 21,00. Signed and dated lower right. Meeting Gallery by Gianni Frezzato, Venezia, authenticity certificate. Prov. Private collection, Modena. Private C

GIANNI COLOMBO (1937-1993) Senza titolo 1978 Serigrafia su carta cm 50x50 esemplare PA opera eseguita in 99 esemplari+ alcune PA provenienza: Collezione privata, Vimercate Untitled 1978 silckscreen on

Untitled. Polaroid. Cm 10,00 x 10,00. Signature lower centre. Gianni Salvaterra authenticity certificate. Frame present

Oil painting on canvas by F.N. Souza, signed and dated 'Souza 61' on the upper left

LYNDA BENGLIS (B. 1941) Untitled, from the Volcano Series, 1993 stainless steel, wire mesh and bronze 27 x 24 x 8 in. 68.6 x 61 x 20.3 cm. Footnotes: Provenance Jack Brogan, Los Ange

Acrylic painting on canvas by M.F. Husain, signed 'Husain' on the upper left and dated '2nd April 2011' on the lower left

William Gollings (1878-1932), Untitled (Cowboy on Horseback), oil on board, 14 x 10, signed lower right: Gollings, 1913, with artist's cipher, Provenance: From the Collection of D. William Kroupa & Al

Jun Kaneko Untitled (Dango) 2000glazed stoneware 86 h x 28 w x 17 d in (218 x 71 x 43 cm) A monumental example of this form. Incised signature and date to underside 'Kaneko 2k'.

Maria Lassnig and Arnulf Rainer Untitled (collaboration between Maria Lassnig and Arnulf Rainer) 1949/50 mixed media on cardboard; framed 51 x 76 cm signed and dated on the lower right: M. Lassnig 194

Sam Gilliam Untitled #8 acrylic and handmade paper collage with embossing on canvas 48 h × 96 w in (122 × 244 cm) Provenance: Private Collection This

A Joan Mitchell (American, 1925-1992) untitled pastel on paper depicting a mass of various colored lines. Signed lower right. Presented in wood frame with double mat behind glass. From private collect

About the Item: GIANNI VERSACE A BLACK EVENING DRESS IN HEAVY LYCRA NET EFFECT, TULLE AND LACE BODICE WORN BY STEPHANIE SEYMOUR IN AVEDON'S AUTUMN/WINTER CAMPAIGN 1993/94. Was auctioned in 2001 on Sot

ANDRÉ BUTZER (B. 1973) Untitled (Monochromes Bild) 2007 signed and dated '07 on the reverse oil on canvas 340.6 by 260.2 cm. 134 1/8 by 102 7/16 in. Footnotes: This work will be in

Cy Twombly (American, 1928-2011) Untitled, 1965 pencil and wax crayon signed Cy Twombly, dated and inscribed (lower right) 26 1/2 x 34 inches. Provenance: Private Collection, Rome Galerie Ascan Crone,

Keith Haring (1958-1990) Free South Africa (Untitled 1-3: The complete Suite) (Littmann pp.42-43) The complete set of three lithographs in colours, 1985, on wove paper, signed and dated in pencil, two

Vija Celmins Untitled (Ocean) 1972lithograph on Roll Rives image: 6 h × 41.5 w in (15 × 105 cm) sheet: 28 h × 45 w in (71 × 114 cm) Signed, dated and numbered to low

Martha Jungwirth Untitled 1998 oil on canvas; framed 100 x 70 cm signed on the lower left: Martha Jungwirth signed and dated on the reverse: Martha Jungwirth 98 2010 Galerie Wolfgang Exner, Vienna; si

Karel Appel (Dutch, 1921-2006) Untitled (Figure) oil on canvas signed K. Appel (lower left) 36 x 24 inches.

Acrylic painting on canvas by Ram Kumar, signed and inscribed 'Ram Kumar / 33 x 52' on the reverse

Keith Haring Untitled 4 (from The Fertility Suite) 1983screenprint in colors on BFK Rives image: 40.75 h × 45 w in (104 × 114 cm) sheet: 41.5 h × 50 w in (105 × 127 cm) Signed, dated a

Alexander Calder Untitled 1933colored ink and graphite on paper 23 h × 30.5 w in (58 × 77 cm) Signed and dated to verso 'Calder 1933'. This work is registered in the archives of th