Charles Giroux (attrib.), painting, c. 1850

Charles Giroux (attrib.), painting, c. 1850, Attributed to Charles Giroux (American, 1828-1885), Bayou Marsh, oil on panel, no signature visible, typed label on verso reads "Painted by C. Giroux - c.

Group of (3) Mid-19th c. Ship Paintings, watercolor on paper, unsigned, note affixed to back reads "From the portfolio album of Charles Shoettel...(that) descended in the family of John D. Ottiwell, w

Friedrich von Kaulbach (attrib.), painting, 1881, Attributed to Friedrich August von Kaulbach (German, 1850-1920), Woman with King Charles Spaniel, oil on canvas, signed ''FA Kaulback" and dated lower

An antique mid 19th century oil painting by an unknown artist, unsigned. The painting depicts a gallant society gathered in a large living room around Johann Sebastian Bach and musicians. Inscribed ve

Thomas Badger (1792–1868). Oil on panel painting of Minnehaha Falls in Minneapolis, MN, ca. 1850. The painting is inscribed and signed along the verso. Provenance: Private collection, Minnesota

Chinese ancestor painting, c.1850, painting 43" x 33" in a frame 66" x 40".

Charles Renard, painting, c. 1890, Charles Renard (French, 19th c.), The Fisherman, oil on canvas, signed "CH. Renard" lower right, metal artist label mounted to frame, 18"h x 28"w (sight), 33"h x 43"

Charles Renard, painting, c. 1890, Charles Renard (French, 19th c.), The Fisherwomen, oil on canvas, signed "CH. Renard" lower right, metal artist label mounted to frame, 18"h x 28"w (sight), 32"h x 4

Edward Charles Williams (attrib.), oil painting, Attributed to Edward Charles Williams (British, 1807-1881), Pastoral Scene, 1872, oil on canvas, signed "E. Williams" and dated at lower left, 16"h x 2

Rosewood Etagere Attrib. Alexander Roux Circa 1850. A nice example with the original Marble top. Open latticework crown and display shelves with reticulated galleries and scroll supports. Provenance:

Charles C. Gruppe (American, 1928 - 2019). This large impressionist oil painting on board is signed lower left. It depicts several schooners docked at a harbor. The work is housed in a rugged wooden f

Chinese Export Reverse Painting on Glass, c.1850. Period Hardwood Frame, 16" by 11"

Charles C. Gruppe (American, b. 1928), "Shrimp Boats," oil on canvas, signed lower right, gallery label (Zantman Art Galleries, Carmel, CA) affixed verso, overall (with frame): 38"h x 54.25"w

Charles-Theodore Frere (attrib.), painting, Attributed to Charles-Theodore Frere (French, 1814-1888), "Un Sakie Haute", oil on panel, signed "T. H. FRERE" lower left, 11"h x 5.75"w (sight), 21.75"h x

Painting of woman in oval frame, c.1850. Painting: 21"x 27.5" in a frame: 24.25"x 28.5".

Painting on panel, house and lake, c.1850. Painting: 9.25"x 6" in a frame: 12.75"x 9".

Charles Allenbrook Painting, UrbanTown c.1940's Charles Allenbrook (British/American 1905-1968) Urban town with roaming chickens Medium: watercolor and graphite on paper Signed lower right: Allenbrook

Set of 5 Chinese paintings on silk, C.1850, nicely gilt framed and matted; 10" x 8" x 1/2".

18th-19th c Painting of Charles Wesley, oil on vellum, late 18th-early 19th c, unsigned, inscribed on back "a painting of unknown cleric, Mrs Rush, Early Methodists, 10-3/4" x 8-3/4", framed 13" x 11"

ROCOCO REVIVAL ROSEWOOD ETAGERE WITH WHITE MARBLE ATTRIB. TO THOMAS BROOKS C. 1850 (106" X 55" X 21")

American c.1850. This painting housed the painting "The Marriage of Washington to Martha Custis" by Junius Brutus Stearns, (1810 - 1885) which hung in the Virginia museum. Provenance: The historic per

C 1850 gouache painting on paper of newts. In a 19th century gold leaf frame. GC. Handwritten on the back of the watercolor is a biological information of newts. Total framed size is approximately 9"x

Portrait painting of 16th century woman, c.1850. Possibly after one of Tintoretto's portraits. Painting: 19"x 26.75" in a frame: 28"x 35.5".

Painting of young boy writing, c.1850 23 1/4" x 28 1/2"