Christopher Compton Hall (British 1930-2016)/Country

Christopher Wood (British, 1901-1930) Drying Sails, Mousehole, Cornwall oil on board 40.6 x 50.8 cm. (16 x 20 in.) Painted in 1930 Footnotes: Provenance Mr and Mrs L.K. Elmhirst, thence by descent

Oil on board. Featuring an impressionist harbor scene. Signed and attributed to Christopher Wood (British, 1901-1930) on lower right corner, 3 holes on surface, 13 x 9 inches (33 x 22.86 cm). PROVENAN

British Walnut Hall Table c.1930 - 30 in tall x 42 x 20

Rear Admiral R G Heaslip and Commander P R Compton-Hall signed RNSC(5)3 Cover commemorating the 45th Anniversary of the sinking of the Italian Cruiser Giovanni Delle Bande Nere by HM Submarine Urge. 3

Dame Elisabeth Frink R.A. (British, 1930-1993) Lying Down Horse signed and numbered 'Frink 4/6' (on the left flank) and stamped with foundry stamp (on the underside) bronze with a dark brown patina 43

Dame Elisabeth Frink R.A. (British, 1930-1993) Man with Goggles signed and numbered 'Frink 0/0' (on the base) bronze with a dark brown patina 108.3 cm. (42 5/8 in.) high Conceived in 1969, the present

Oil on canvas Signed, dated 1853.Harry Hall(British, 1814-1822)

Dame Elisabeth Frink R.A. (British, 1930-1993) Viszla A (Wiseman 124) Etching and aquatint printed in colours, 1980, on wove, signed and numbered 15/75 in pencil, printed by Kelpra Studio, London, pub

Trevor Bell (British, 1930-2017) Tethera signed, titled and dated 'TETHERA/2003/Trevor Bell' (on canvas verso) acrylic on canvas 160 x 168cm (63 x 66 1/8in). (unframed) Footnotes: Pro

§ Gerald Benney C.B.E. (British 1930-2008) Box, London 1980 silver, bark effect textured surface to the sides, hallmarked and stamped 'GERALD BENNEY / LONDON / ENGLAND' (6.5cm high, 23cm wide, 11.5

Dame Elisabeth Frink R.A. (British, 1930-1993) Shearwater, from 'Seabirds' (Wiseman 90) Lithograph printed in colours, 1974, on wove, signed and numbered 30/150 in pencil, printed by Curwen Studio, Ch

ELISABETH FRINK (BRITISH 1930-1993) Drawing #2, 1957 ink wash 71 x 53.5 cm (28 x 21 in.) [sight] signed and dated lower right PROVENANCE Bertha Schaefer Gallery, NY (label on verso) Acquired from the

Trevor Bell (British, 1930-2017) As Whites Rose signed, titled and dated 'AS WHITES ROSE/2007/Trevor Bell' (on canvas verso) acrylic on canvas 151 x 155cm (59 7/16 x 61in). (unframed) Footnotes:

Dame Elisabeth Frink R.A. (British, 1930-1993) Resting Horse (Wiseman 126) Lithograph printed in colours, 1981, on Rives, signed and inscribed 'A/P II/X' in pencil, one of ten artist's proofs aside fr

Walter Greaves (British, 1846-1930) Nocturne, Battersea Bridge signed 'W.Greaves' (lower right) oil on canvas 51 x 61cm (20 x 24in). Footnotes: Provenance With Roland, Browse, and

Phillip Eustare Stretton (British 1863-1930) Oil on Canvas "A Dandie Dinmont Terrier", signed and dated lower right in period gilt frame 20 in. x 30 in. Framed 24.5 in. x 34.5 in.

Lamplough, Augustus Osborne (British, 1877-1930), Ruins in the Egyptian Desert, 1912, watercolor on paper, signed and dated lower left, 20.5 x 29 inches, matted, framed and glazed 28 x 37 inches. Prov

Vincent Clare (British, 1855-1930) "Flowers and Bird Nest in a Hedgerow" oil on canvas signed lower right. Period frame. 12" x 18", framed 20-1/4" x 25-1/4"

THOMAS EDWIN MOSTYN (1864–1930), BRITISHENCHANTED GARDENOil on canvas; signed "Mostyn" lower left, signed and inscribed indistinctly to the top stretcher in pencil, titled to gallery label verso

"Thames Backwater Near Windsor" or "Near Windsor on Thames" by Henry Hillier Parker (British, 1858 - 1930). Oil painting on canvas. Late 19th - early 20th century. Parker is part of the proud traditio

THOMAS EDWIN MOSTYN (British, 1864-1930)The Haven of Peace, 1918Oil on canv

Christopher Dresser (British, 1834-1904) Covered Soup Tureen, Model 2123, circa 1880, Hukin & Heath Electroplated silver, later wood handles 8 x 12-1/4

Christopher R. W. Nevinson (British 1889-1946)- ''Quartier Latin''- drypoint, 1922, signed in pencil, edition of 40, very slightly light struck. 14 x 9 3/4''

British Art Deco ash and burlwood veneered console / sideboard, in the manner of the Epstein Brothers (Active London, 1920-1940) rectangular top above a long drawer lined with green felt for silver st