Circle of Samuel John Egbert Jones (1797-1861) British.

Framed aquatints on paper, after Samuel John Egbert Jones (British, 1797-1861), including: (1) "Horses Watering," (1) "Horses Going to a Fair," sight: 13-1/2" H, 16-1/2" W, overall: 16-1/2" H, 19-1/2"

Pair of Antique 19th C Oil Paintings by Samuel J E Jones. Each of a hunting scene, oil on canvas, framed and signed. Samuel John Egbert Jones, (1797 - 1861) was active/lived in United Kingdom. Each me

"The Smugglers Alarmed" Large Folio Aquatint Published C1825, London. Engraved George Sidney Hunt after Samuel John Egbert Jones. Fine, contemporary hand colour. Paper Size: 27 x 20.5 inch (69 x 52cm)

Philip Burne-Jones (1861-1926) British. Study of a Ceiling Fresco, Watercolour, Signed with Initials, Circular, 19.75".

After William Hogarth (British, 1697-1764) "Taste in High Life" engraving on paper engraved by Samuel Phillips (British, act. 1797-1808) and commissioned from John Boydell for a posthumous edition of

Samuel John Carter, ROI (British, 1835-1892) A scurry of squirrels signed and dated 'Saml Carter/.1876. (lower left) oil on canvas 61.6 x 51.4cm (24 1/4 x 20 1/4in). Footnotes:

Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

Arthur John Elsley (British, 1861-1952) Love at First Sight signed and dated 'Arthur J Elsley/ 1907' (lower left) oil on canvas 107 x 143cm (42 1/8 x 56 5/16in). Footnotes: Provenance</

(British, 1734-1797) Reverend John C. Carver of Morthen, South Yorkshire, wearing a brocaded dark blue velvet coat, waistcoat and holding a tricorn hat, 1760, inscription verso oil on canvas, 50-1/8 x

Artist/ School: Circle of John Vanderbank (1694-1739) British Title: The Annunciation Medium: ink and wash drawing, framed Size: image: 9.5&rdquo; x 7.5&rdquo; (24.2 x 19cm) framed: 17 x 13 inches Pro

Herbert St. John Jones (English, 1870-1939) Inca Maxim, circa 1915 Oil on canvas 16&#34; x 20&#34; The portrait of a chestnut shire horse (the largest horse breed), signed by the artist t

(British, 1759-1828) Four fox hunting scenes: Breaking Cover, 22-3/8 x 28-5/8 in.; Over the Fence, 22-1/4 x 28-1/2 in.; The Chase, 22-1/4 x 28-5/8 in.; The Kill, 22-1/4 x 28-5/8 in., some bearing sign

107 Ton schooner "William and Mary" dated July 18th, 1797. Captain Samuel Briard (1762-1806) of Portsmouth, NH. The "William and Mary" mounted with no guns was active in the West Indies trade. Signed

In the manner of John Hoppner (British, 1758-1810)Portrait of Master Robin Vaneckeoil on canvas54 1/2 x 36in (138 x 91.5cm)

John Frederick Herring, Jnr. (British, 1815-1907)Cattle in a pasture, 1842oil on canvassigned lower center J F Herring and dated, with old handwritten label to reverse Mr. Lemur / Pair of Cattle / pai

John Frederick Herring, Jnr. (British, 1815-1907)Cattle in a pasture, 1842oil on canvassigned lower center J F Herring and dated, with old handwritten label to reverse Mr. Lemur / Pair of Cattle / pai

Five British and Italian silver accessoriesvarious makerslate 18th-20th centuryComprising a Scottish silver and stone mounted horn snuff mull, unmarked, two vinaigrettes by Samuel Pemberton, Birmingha

John Bentham Dinsdale, British (1927-2008) Painting Oil on Canvas. "The Battle of Camperdown". Signed Lower Left. Dated October 11th, 1797, Titled, and Described on the back. Beautifully Framed. Condi

Curtis, John British Entomology Being Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland. London: printed for the author and sold by E. Ellis and Co., 1823-40.

Gwen John (British, 1876-1939) House in Trees stamped with estate stamp 'Gwen John' (lower right) gouache and pencil on paper 11 x 8.5cm (4 5/16 x 3 3/8in). Painted in the late 1920s Footnotes:

Lot 113 Edward Burne-Jones British (1833-1898) The Beguiling of Merlin stained glass window hand-painted stained and leaded glass panel, after the 1877 painting depicting Merlin spying on Nimue, the L

HOYLAND, John, (British, 1934-2011): Untitled abstract composition, Watercolor/Acrylic/Paper, Fine Gallery label verso with date, blind stamp upper left corner, 20" x 28", framed 24.5" x 32.75". Condi

New York, 18th C. One chair from the set resides in Yale University Collection of American Decorative Arts. 38"h x 20-1/2"w x 17"d (seat) Provenance: Cornelia Haring Jones (1741-1821) and Samuel Jones

Mark Brazier-Jones (British, b. 1956) Pair of "Dolphin Tail" Chairs, England, 1996 Numbers 18 and 19 from an Edition of 200Patinated bronze, upholsteryEngraved signature and date: "Mark Brazier-Jones