CHARLES CATTON, THE YOUNGER (ENGLISH, 1756-1819).

After Charles Catton the Younger (1759 - 1819) Aquatint Animals Drawn from Nature. London: printed for the author and sold by I. and J. Taylor, [1787]-1788. Image Size: 8 x 11 in. Overall Framed Size:

John Charles Maggs (English, 1819-1896) Mail Coaches with Hunting Figures, 1880 oil on canvas signed J.C. Maggs Bath and dated (lower right) 14 x 26 inches. Provenance: Philip Suval, New York City, No

John Charles Maggs (English, 1819-1896) Mail Coaches with Hunting Figures oil on canvas signed J.C. Maggs (lower left) 14 x 26 1/4 inches. Provenance: Philip Suval, New York City Property from the Col

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Copper Plates Published 1790, London for "The English Peerage; or a View of the Ancient & Present State of the English Nobility" by Charles Catton. Paper Size: 13.5 x 9.5 inch (34 x 24cm) Good Conditi

Labels verso from Judy Cormier. "English Peerage," published London 1790. Dimensions: (Frame) H 17.75" x W 16.75", (Sight) H 9.75" x W 8.75" Condition: Some toning and small spots to paper. Light fram

JOHN CHARLES MAGGS (BRIT. 1819-1895), OIL ON CANVAS, 19TH C ENGLISH SCHOOL, H 14", W 26", "PASSING STONEHENGE":John Charles Maggs (British 1819 - 1995). Depicts passing stagecoaches at Stonehenge. Car

KINGSLEY, Charles, Rev. (1819–1875). Hereward the Wake, “Last of the English”. London and Cambridge: Macmillan and Co., 1866. 2 volumes, 8vo. Half–titles. Original gilt–s

Joseph Mallord William Turner (English, 1775-1851). The Loretto Necklace. Antique engraving on wove paper after the original by master engraver Charles Cousen (French, 1819 - 1889). Year: 1865. Signat

Thomas Stothard. (English, 1755 - 1834). The Bathers (Diana and her Nymphs Bathing). Antique Engraving on wove paper after the original oil on canvas by master engraver Charles Cousen (British, 1819 -

(lot of 2) Framed oil on canvas paintings, Landscapes, signed lower right A Pether, (Abraham Pether, English, 1756-1812), sight: approx 16.5"h, 24.5"w, overall: approx 23"h, 31.5"w, 28lbs total Start

MORRIS, James Charles, (English, 1851-1888): Scottish Highland Landscape with Shepherd, his Dog, Wife, and Flock of Sheep with Loch in the Background, Oil/Canvas, 36" x 60", signed lower left, framed,

John Miers (English 1756-1821). Oval portrait silhouette or shadow of a gentleman on porcelain, signed, "Miers" in his signature highlighted or bronzed technique. The oval portrait is surrounded by a

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Charles Neal (English, b.1951) 'Reflections, Byfleet Manor...' Oil on Canvas Undated, signed lower right, depicting a colorful landscape with a bridge; painted frame; provenance: Chicago, Illinois est