Joseph Albers: Chalk Green Facade

Joseph Albers "Homage to the Square" Green, Blue, Offset Lithograph. Measures (approx): 16.4 x 16.6. Verso is blank.

Artist/Designer; Manufacturer: Josef Albers (1888-1976) Marking(s); notes: signed, blind stamp, marking(s); ed. 23/125; 1966 Country of origin; materials: German; two-color lithograph made with alumin

Joseph Albers, “White line square - III”, serigraph in colours, marked lower left “WLS – III 60-125”, monogrammed lower right and dated 66’, blind stamp lower right

Josef Albers (1888-1976): Joseph Albers at the Metropolitan Museum of Art: P-Black Screenprint in colors on wove paper, 1971, signed, titled and dated in pencil, numbered 23/50. 28 1/2 x 21 in. (sheet

Needlework Panel, After Joseph Albers 37 1/4 x 37 in., framed. 

Joseph Albers Reverse Serialgraph 1888-1976. Circa 1969. Picture only measures 14" Wide and 14.5" Long. Entire piece measures 23" Wide and 24" High. Excellent condition.

Joseph Albers (1888-1976): Untitled Screenprint in colors on wove paper, unsigned, numbered 280/500 on the folio. 8 1/2 x 10 in. (sheet, folded), unframed.  The Collection of Niall Smith. Propert

Joseph Albers print OA H14-1/4" W 40-1/8"

Jospeh Albers print. Copyright 1972 by Harry N. Abrams, Inc. and Ives - sillman Inc. Portfolio 2 Folder 32

Joseph Albers (American 1888-1976)- ''Variant II''- silkscreen in colors, 1966, initialed, dated, titled and numbered 167-200 in pencil. 11 x 11 3/8''

Homage to the Square. Two images on folded sheet. Unsigned. Dimensions: (Frame) H 13.25" x W 22.25", (Sight) H 7" x W 14.25" Condition: Paper with age toning. Frame with rubbing and marks.

Joseph Albers; Silkscreen in 3 Colors; signed "A 71" and numbered 5/50; matted and framed. Appears in good condition, not examined out of frame. Visible height of art 17 1/2 inches (44.5 cm.) X visibl

Joseph Albers. Group of twelve (12) Screenprints Portfolio. Formulation. Articulation. Published by Harry N. Abrams New York and Ives-Sillman, New York-1972. Unsigned. 15" x 20"

Artist: Josef Albers (German/American, 1888 - 1976). Title: "Green Gray Shield A: Homage to the Square [miniature edition]". Medium: Original color silkscreen. Date: 1962. Printed 1965. Lot Note(

HOMAGE TO THE SQUARE, 1999, four ceramic plates, each hallmarked on verso, from a limited sold-out edition, Made in Italy for MOCA, each plate 11 ¾ x 11 ¾”, in original boxes. (4)

Josef Albers (1886-1976, American (b. Germany): Tenayuca (b), 1942. Screen print on paper, unsigned, unframed. Page taken from Joseph Albers: The American Years Catalogue. Josef Albers was a German-bo

Joseph Albers Homage to the Square (E), 1971. Silkscreen on wove paper. Printed on both sides. Dimensions: + Size of the sheet: 27 x 26 cm / 10,6 x 10,2 in. + Size of the image: 22,5 x 22,5 cm / 8,8 x

Joseph Albers Homage to the Square (G), 1971. Silkscreen on wove paper. Dimensions: + Size of the sheet: 27 x 26 cm / 10,6 x 10,2 in. + Size of the image: 22,5 x 22,5 cm / 8,8 x 8,8 in. Issued from th

Joseph Albers Homage to the Square (D), 1971. Silkscreen on wove paper. Printed on both sides. Dimensions: + Size of the sheet: 27 x 26 cm / 10,6 x 10,2 in. + Size of the image: 22,5 x 22,5 cm / 8,8 x

Joseph Albers Homage to the Square (E), 1971. Silkscreen on wove paper. Printed on both sides. Dimensions: + Size of the sheet: 27 x 26 cm / 10,6 x 10,2 in. + Size of the image: 22,5 x 22,5 cm / 8,8 x

Josef Albers, a German-born American artist and educator, stands as a pivotal figure in the realm of modern art and color theory. His tenure at the Bauhaus, a renowned center of artistic innovation, k

Josef Albers, a German-born American artist and educator, stands as a pivotal figure in the realm of modern art and color theory. His tenure at the Bauhaus, a renowned center of artistic innovation, k

Joseph Albers Homage to the Square (F), 1971. Silkscreen on wove paper. Printed on both sides. Dimensions: + Size of the sheet: 27 x 26 cm / 10,6 x 10,2 in. + Size of the image: 22,5 x 22,5 cm / 8,8 x

Josef Albers, a German-born American artist and educator, stands as a pivotal figure in the realm of modern art and color theory. His tenure at the Bauhaus, a renowned center of artistic innovation, k