La Sainte Messe. Mit über ca. 200 handkolorierten

Omega Diamant-Herrenarmbanduhr Constellation. 1990er Jahre. 750 Gelbgold. Omega Quarzwerk. Datumanzeige. Gehäuse, Zifferblatt und Band gefasst mit einer Vielzahl von über 400 Diamanten, ca. 4–5 ct

PIERRE-AUGUSTE RENOIR (1841-1919) Enfants jouant à la balle lithograph, on laid Arches MBM paper, circa 1900, a proof printed in black (the edition was 200 in colors), printed by Auguste Clot, publis

Figur Tibet, ca. 17.Jh. Bronze, teilweise mit roter Kaltvergoldung. Hoher Lama mit rotem Hut, trägt über vergoldetem Gewand einen Mantel über den Schultern. Vajra und Bettelschale in den Händen, a

Candeliere mod. Flèche in metallo argentato., Ed. 20/200., Opera presentata alla XVI Esposizione Internazionale dell’Arte di Venezia., Prod. Christofle, Francia, 1928 ca, H. 21 Cm, U. La Pie

DESCRIPTION: A brilliant original Art Deco oil on canvas showing a beautiful woman reclined and reading with a night table beside her. The painting is illegibly signed at lower right along with the da

Ca. 200-300 AD. A grey schist carving of a standing Buddha. This excellent figure is backed by a circular halo and dressed in a flowing Kasaya (monastic robe). The head features thick, rich lips, an a

Important Pre-Columbian Calima Gold Nose Ornament from Colombia, ca. 200-600 CE. Large Breast plate in form of a nose ring. 10 1/2"x7 1/4". Provenance: Palm Beach private collection. High Carat gold.1

Ca. 200-300 AD A magnificent gold finger ring of a round hoop rounded on the exterior, flat on the interior, expanding to a large bezel set with a finely engraved carnelian intaglio with a bust of Sep

Pre-Columbian, Central Mexico, Teotihuacan, ca. 200 to 600 CE. An impressive stone mask of a characteristic angular form with boldly delineated facial features, carved from a rich greenstone of stunni

Ca. 200-300 AD or later. A mesmerizing schist head of a nobleman, a stunning masterpiece of art that reflects the remarkable fusion of Greek and Buddhist influences that characterized the Gandharan ci

Pre-Columbian, Central America, Costa Rica, Guanacaste/Nicoya region, ca. 200 to 600 CE. An incredible jadeite pendant of an abstract form that features a central humanoid figure framed by 4 birds, wo

Central Asia, Pakistan and Afghanistan, Gandharan Empire, ca. 200 BCE to 100 CE. One of the finest examples of a sculpted woman from this culture that we have seen, this is a sensitive and lifelike ca

Pre-Columbian Zapotec Pottery urn from Oaxaca, Monte Alban Period III-A, Mexico, ca. 200-450 CE. Gray pottery urn depicting seated deity wearing an alligator (glyph V) headdress. Some encrustation on

Mexico, ca. 200 BC - 300 AD. Imposing, yet sensitively rendered Nayarit terracotta figure of a warrior. Purchased at Rex Arrowsmith's in Santa Fe, NM in 1972. Lot including original certificate of aut

Pre-Columbian, West Mexico, Colima, ca. 200 BCE to 300 CE. A most unusual Colima redware vessel presenting a gadrooned squash form body supported by three shaman figures, each one wearing a horned hea

From ancient Rome, ca. 200 BC - 200 AD. From the floor of a Roman villa. Beautiful tesserae, all original. In metal frame suitable for wall hanging, or placed into/on floor or as a table top. We have

Edouard Cortes (French, 1882-1969) "En Attendant La Pratique", ca. 1920-1930 oil on panel signed lower left. Gold leaf frame. 9-1/4" x 9-1/4", framed 17-1/4" x 17-1/4" Provenance: Private collection,

Andre Pierre (Haitian/Port-au-Prince, 1916-2005) Ceremony for Agoue and La Siren, ca. 1963 Oil on masonite, 24 x 40 inches Framed dimensions: 33 x 49 1/2 inches Heydenryk Frame Illustrated: Kunst aus

Dalí, Salvador Les Douze Tribus d'Israël. Hommage à Israël pour son 25 ème anniversaire. Préface de Abba Eban. Mit 13 handkolorierten Original-Kaltnadelradierungen von S.

1 Paar Schränke China, Anfang 20.Jh. Hartholz mit Wurzelholzpaneelen und Messingbeschlägen. Quaderform mit Flügeltüren über vier Schubladen. Stiftverschluss. Zarge in leichtem Relief mit Mäander

Ritualpaddel Buka, Salomoninseln. Holz. Das obere Ende mit Januskopf über durchbrochener Schnitzarbeit und geometrischem Reliefdekor. L 140, B 16,5 cm. - Kopfpartie geklebt.

Ca. 100-200 AD A beautifully formed D-shaped, a hollow gold ring with garnet intaglio depicting a bust of God Mercury facing left (Greek Hermes - the messenger god and patron of businessmen), carrying

Ca. 100-200 AD.A marble head dating from the Trajanic/Hadrianic period. The nobleman's face exhibits the characteristic stylistic features of the era, with a rounded chin and deeply set eyes. The shor

Kurt Auer Golschmied, Zürich. 750 Gelbgold poliert/satiniert. Croisé-Modell mit Brillant ca. 1 ct G/H-vs/si, 29 kleinere Brillanten in diversen Grössen von 1–3,5 mm. Innen 6,2x5,2 cm,