Redware Jar, Possibly Burlington, VT.

New England Glazed Redware Jar, Possibly Connecticut, First Half Nineteenth Century. Of bulbous form with tall collar, footed base and applied lug handles, surrounded by tooled banding below the neck,

Lead-Glazed Redware Canning Jar, possibly New York State or Canada origin, mid 19th century, ovoid jar with tooled shoulder and narrow opening with flattened rim, the surface covered in a cream-colore

10" heigh redware storage jar possibly PA or OH. Early jar ca. 1840.

Glazed Redware Jar with Coggled Decoration, possibly Andrew Pitman, Stephens City, VA, first quarter 19th century, ovoid jar with footed base, thin rim, and distinctive angled shoulder decorated with

Ballard & Brothers, Burlington, Vt 1 gallon ovoid stoneware jars with Albany slip glaze, H N Ballard, Burlington Vt 1 1/2 gallon ovoid stoneware jar with Albany slip glaze, hts 8 1/2" to 9 1/2"

STAMPED "A. K. BALLARD / BURLINGTON, VT.", VERMONT DECORATED STONEWARE JAR, salt-glazed, "4" gallon capacity mark, cylindrical form with slight shoulder, flat-top rounded

Possibly Galena, Illinois, mid 19th century. Small apple butter jar with olive green glaze with orange spots. Faint inscribed initials "J_". Minor glaze wear on rim. 3.25"h.

19TH C. WITH FLORAL PANELS. DARK GLAZE. POSSIBLY SWOPE POTTERY LANCASTER PA Dimensions 6 1/2" X 3 1/2" PLEASE READ BEFORE BIDDING – PICKUP FOR THIS AUCTION WILL NOT BE UNTIL THE WEEK OF OCTOBER

redware, possibly NC. Possibly PA. 18th century 7.5" x 11"dia

Brown and green glazes with incised rings. Smaller example possibly Gonic 7 and 5 1/2 inches

Possibly Ontario. Redware. A pair of redware jars; one with a matching lid, the other without a lid has an exceptional and unusual glaze. Lot 1: 6.75" x 5.5". Lot 2: 7.5" x 6 ". From the June and late

19th century. The group including three large vessels, one of which appears to possibly be 18th century or earlier. That vessel is four handled with a copper glaze and is the smallest of the group. Sc

East Tennessee or Southwest Virginia, 19th C. Together with a glazed redware creamer, possibly Eastern Tennessee Jar: 14-1/4"h Creamer: 4"h Provenance: Property from the collection of William and Lind

possibly Norwalk, CT. Mid 1900s. Some roughness around rim. 9" tall.

PEDESTAL BASE WITH INTERIOR CUT-OUT. LID ALSO HAS UTENSIL CUT-OUT. POSSIBLY SUGAR OR HONEY POT. 4" X 3 1/2" H. PLEASE READ CAREFULLY - Terms for Purchasing and Shipping of Auction Items. Please read c

EGYPTIAN RED-POLISHED POTTERY JAR, POSS. CIRCA 3500-3000 B.C., H 4 3/4" DIA 3 1/2" POSSIBLY PRE-DYNASTIC PERIOD, NAQADA II-III, 3500-3000 B.C. A BURNISHED RED-WARE JAR WITH OVOID BODY AND A SMALL EVER

Large redware amphora form water jar with mustard toned glaze and three applied handles, possibly of Asian origin 16" x 17"

18th century, possibly Moravian. The vessel has a heavy red clay body with ovoid form and green led glazed upper body with incised decorated oak leaves surrounding the upper shoulder. The piece is in

Tony Da (1940-2008) - San Ildefonso Redware Jar with Turquoise and Avanyu c. 1960s, Condition: This pottery is in excellent condition. Signed "DA" on the bottom. Provenance: Acquired from Frances Hami

A FINE QUALITY CHINESE CIZHOU STONEWARE JAR, possibly Yuan/Ming Dynasty, together with a fitted hardwood stand, the cut away black slip decoration in the form of bands of formal scrolling foliage, 9.3

Popovi Da (1922-1971) - San Ildefonso Redware Jar with Feather Design c. 1965, Description/Condition: This pottery is in near excellent condition; with very minor surface wear. Signed and dated by the

Tony Da(San Ildefonso, 1940 - 2008)Redware Jar with Sgraffitofired clayinscribed underside: DAheight 3 5/8 x diameter 5 in. (9.21 x 12.70 cm.) Private Collection, Missouri

Exceptional Stepped Redware Jar with Slip Decoration, probably New England origin, circa 1800-1830, cylindrical jar with stepped and graduated form accented with circumferential tooled banding. Surfac

Tony Da (1940-2008) - San Ildefonso Redware Jar with Incised Design c. 1980s, Condition: This pottery is in near excellent condition; with very minor scratches. Signed by the artist on the bottom. See