Two William Hogarth (1697 - 1764), "Second Stage of

after William Hogarth (British, 1697 - 1764) Lot (5) original engravings including: Dog and Bear, The Reward of Cruelty, Gin Lane, Cruelty in Perfection, Second Stage of Cruelty. Condition: Very good

After William Hogarth (British, 1697 - 1764), "The Four Stages of Cruelty", set of four engravings including "The First Stage of Cruelty"; "The Second Stage of Cruelty"; "Cruelty in Perfection"; along

William Hogarth, set of (4) engravings, 1751, William Hogarth (English, 1697-1764), "The Four Stages of Cruelty" (The First Stage of Cruelty, The Second Stage of Cruelty, Cruelty in Perfection, The Re

William Hogarth (English, 1697-1764), Four Stages of Cruelty (Complete Suite of 4)each an etching and engraving on laid paper, 1751, plates to include "The First Stage of Cruelty," "The Second Stage o

Group of ten engravings, some hand-colored, including: two by William Hogarth (English, 1697-1764); one by John Sands (Australian, 1818-1873) after Thomas Allom (English, 1804-1872

Two Engravings, William Hogarth (British, 1697-1764).A Harlot's Progress Plate 1; Sq. Hudibras his passing worth the manner how he sallied forth.Largest framed dimensions: H: 21 x W: 23 3/8 in.

William Hogarth (British, 1697-1764) The Four Stages of Cruelty (the complete set of four prints), 1751 etching and engraving Each: 15 ½ x 12 ¾ inches. Property from the Madison Museum of Co

Artist: William HOGARTH (1697-1764). Medium: print multiple. Subject: The Stages of Cruelty. Size: 15 x 12 1/4 in. (paper size). Frame size: 22 3/4 x 19 1/4 in. Condition: lite toning, foxing to pape

Artist: William HOGARTH (1697-1764). Medium: print multiple. Subject: The Stages of Cruelty. Size: 15 x 12 1/4 in. (paper size). Frame size: 22 3/4 x 19 1/4 in. Condition: lite toning, foxing to pape

WILLIAM HOGARTHEngland, 1697-1764Two engravings from Hudibras by Samuel Butler: 1) ìCatechizedî, Plate 9.2) ìHudibras beats Sidrophel and his Man Whacum", Plate 8.11" x 14" sight. Frame

A GROUP OF TWO ETCHING AND LINE ENGRAVINGS FROM WILLIAM HOGARTH (English 1697-1764) "THE INDUSTRIOUS PRENTICE," LONDON, ENGLAND, 1747, LATER 19TH CENTURY PRINTING, comprising Plate 1 "The Fellow Prent

Plate one only of the two-plate set entitled "The Times", a dire view of the political and economic situation by satirist William Hogarth (1697-1764.) Below the print: Designed & Engraved by W. Hogart

After William Hogarth (1697-1764): John Wilkes Esq; The Bruiser; and France, Plate 1 Three engravings in black on laid paper, the first two on the same sheet, 1763 and 1756. 141/8 x 9 1/8 in. (plate),

Hogarth, after William, and Cook, Thomas (British, 1744–1818), Two Prints, hand colored (later) engravings after William Hogarth's (British, 1697-1764) noted Four Times of the Day series compri

A pair of framed prints after William Hogarth (English, 1697-1764) depicting illustrations from "The Analysis of Beauty". [Each, image: 16" H x 20 1/4" W; Each, frame: 23" H x 27" W]. In good conditio

After William Hogarth (English, 1697-1764), lot of two 19th century engravings on paper from the series "A Rake's Progress", 1) "Plate 2", depicting a group gathered in a parlor, swords drawn; and 2)

WILLIAM HOGARTH, (British, 1697-1764) "Gin Lane." and "Beer Street", 1751. Two Engravings, inscribred, Publish'd according to Act of Parliament Feb. 1, 1751, ....., l.c., titled upper center margin,

WILLIAM HOGARTH (1697-1764). Rare Group of Six 18th Century Engravings. Marriage A La Mode, featurings plates 1 through 6. I'm showing plate IV out of frame and I'm showing close-ups of plate IV. Each

Benjamin Smith (British, 1754-1833) after William Hogarth (1697-1764), engraving titled "Sigismonda mourning over the Heart of Guiscardo," published June 4, 1795, overall dimensions including frame 31

Complete set of six framed engravings by William Hogarth, (1697-1764) comprising the satirical series, "Harlots Progress". Below print: "Designed by W. Hogarth, Engraved by T. Cook, London Published b

Three antique etchings include: William Hogarth (1697-1764) 'Paul before Felix'; Luigi Rossini (1790-1857) 'Veduta del Tempio di Antonino, e Faustina'; and after Albrecht Durer (1471-1528) 'Christ Car

Thomas Cook (1744-1818) British after William Hogarth (1697-1764) British. "The Rake's Progress", Coloured Engraving published by J Robinson 1796, London, 16.25" x 14", and seven others in the series,

William Hogarth (1697-1764), 19th c. engraving "A MIDNIGHT MODERN CONVERSATION". Sight 14" x 19".

Five etchings to include (1) Charles Platt, moored sailboats; (2) Charles Platt canal boats and tugs; (3) After William Hogarth (1697-1764) Fisherman; (4) Samuel Chamberlain Haslams 16/100; and (5) Bi