1795 David Ramsay Preserving Health Charleston South Carolina

The October 1793 issue of The New York Magazine conating a length essay "A Dissertation of the Means of Preserving Health in Charleston and the adjacent Low Country…" by David Ramsay, 1790. This

Antique 18th c Tall Bureau Bookcase. Said to of been the property of Doctor David Ramsay (1749 -1815) who was an American physician, public official, and historian from Charleston, South Carolina. He

Mahogany and Mahogany Veneer Linen Press, Charleston, South Carolina, c. 1795. The top section crowned with dentil molding above a coved cornice and matched veneer fascia, raised on solid mahogany sid

[South Carolina/Revolution] David Ramsay. THE HISTORY OF THE REVOLUTION OF SOUTH-CAROLINA, From a British Province to an Independent State. Vol I (of 2). Trenton: Isaac Collins, 1785. The first work g

A southern federal garden bench from a Charleston, South Carolina estate, circa 1760. This curved white oak seat sits on classical brackets with carved grooves and scrolls and would be a thoughtful ad

Confederate Major General David R. Jones Signed Carte de Visite Measuring 2.25" x 3.75", Charleston, South Carolina, undated. A standing studio portrait of Jones, dressed in his military uniform. Sign

The History of South Carolina in 4 Volumes by David Duncan Wallace (Professor of History and Economics in Wofford College) . Published by The American Historical Society, Inc, New York, 1934. Weight o

MARY C. BALDWIN (NORTH CAROLINA, 1776/7-1836) CHARLESTON, SOUTH CAROLINA ATTRIBUTED SILK-EMBROIDERED NEEDLEWORK PICTURE, silk and paint on silk with linen backing, depicting a woman in a flowing blue

116154 ALFRED HUTTY WATERCOLOR CHARLESTON SOUTH CAROLINA Hutty, Alfred Heber (1877 - 1954) painting. Watercolor on paper - signed lower right. A woman stops to pause outside of the George Edwards-Gate

Circa 1850 ,Mid Atlantic States. The piece having a fine form and decoration centered at upper body by bold stamp Klinck & Wickenberg, Charleston S.C. Good condition throughout. H15 1/2" Sold from the

Offered is a truly wonderful and historic object. Residents of Charleston, South Carolina could hire slave labor on an “as-needed” basis from slaveowners during the late 1700s through the

Large oil on canvas depicting a blue heron with beak protruding through a freshly caught red drum / spottail bass, signed lower right "Amanda L. McLenon"; 48"W x 60"H; good condition---Amanda McLenon

Antoinette Francesca Guerard Rhett (Charleston, 1884-1964) Scarce Hand Colored Etching. "A Stairway on Glebe Street" inscribed with the title lower left and signed in pencil by the artist lower right.

(Charleston, South Carolina, 1915-1999) Summer?s Cauldron, signed lower right "Halsey", signed and titled on stretcher verso, oil on canvas, 72 x 52 in.; unframed Note: Original labels verso: Telfair

Alfred Hutty (American/New York/South Carolina, 1877-1954). "Street Vendor, Church and Tradd Streets, Charleston, South Carolina" -1947, watercolor. Signed and titled verso, also signed verso by Bessi

Alfred Heber Hutty (American, 1877-1954). Original watercolor and gouache painting on paper. A Charleston, South Carolina landscape street view of St Philip's Church. Artist signature lower right corn

(Charleston, South Carolina, 1879-1956) Original woodcut, storks in the marsh with charleston skyline in the distance. Very striking example with strong and bold details. Signed in pencil lower segmen

(Charleston, South Carolina, 1876-c.1958) By the Sea, signed lower right "Alice R.H. Smith", watercolor on paper, 8-1/2 x 12-1/4 in.; framed 16-3/4 x 21-1/4 in.

(Charleston, South Carolina, 1838-1921) Cotton Picker with Pipe, signed lower left "WA Walker", oil on board, 8 x 4 in.; gilt wood frame 14 x 10-1/4 in.

RUSSELL CHENEYMaine/California/Connecticut/Maryland, 1881-1945“Timrod Square, Charleston, South Carolina". Depicts the square and St. Michael’s Episcopal Church. Untitled but identifi

(Charleston, South Carolina, 1879-1956) Original woodcut lowcountry, South Carolina sceen titled, "Flailing Rice." Very nicely rendered and detailed example. Signed at lower portion and numbered 7. So

(Charleston, South Carolina, New York, 1877-1954) Original drypoint etching titled, "Fishing the Edisto." Brilliantly executed piece featuring a Lowcountry gentleman fishing next to moss hung live oak

Charleston, South Carolina slave badge, dated 1822. This example was issued for a "servant," someone who typically would do domestic work inside a home. The front is clearly struck “CHARLESTON /

Attributed to Philip Simmons, Charleston, South Carolina (1912-2009). H14" W15" D7 1/2" This piece is sold from the collection of a private Charleston, South Carolina lady. This work is the mate to an