1883 Axel Herman Haig An Old Twon Etching Drypoint

AXEL HERMAN HAIG, An Old German Mill Etching signed in plate by Axel Herman Haig framed 17" x 12 1/2"

Axel Herman Haig (Swedish 1835 - 1921) signed etching. Artist name ("A. H. Haig") signed in pencil lower right. Initialed and dated in plate "18HA81", lower right. Measures 6-7/8" x 10" (17.5cm x 25.5

Axel Herman Haig (Swedish, 1835-1921). Linlithgow Castle. Image size 8 3/8 x 11 3/4 inches. Antique etching on thick wove paper. 1902. Signed and Titled in the plate. This artwork is accompanied by a

Axel Herman Haig (Swedish, 1835–1921) etching on paper depicting a street city view with locals in traditional costumes. Signed in pencil lower right. Additionally inscribed on the back. Framed

Axel Herman Haig (1835-1921), Venice, etching,1898. Haig did not begin etching until 1870 and was essentially self-taught. His first exhibition of etchings, in 1880, was very well received. It was in

Axel Herman Haig Swedish (1835 - 1921) Durham Cathedral etching Biography from the Archives of askART: Axel Herman Haig (1835-1921), born in Sweden, was fascinated with the sea and ships and spent muc

Original 1890 Axel Herman Haig (Sweden 1835-1921) Pencil Signed Etching "Arab Students, Cairo." In frame measures 31"x24"x1". Weight 9 pds. PROVENANCE: A Charleston SC Private Estate. Axel Herman Haig

Axel Herman Haig (Swedish, 1835-1921). Pencil signed "Axel H. Haig" lr, 23 x 32 in., framed

Axel Herman Haig (Swedish, 1835-1921) Chateau du Vitre, 1907, etching. Size: 27.25" x 18", 69 x 46 cm (sheet).

Framed etching on paper, c. 1903, "The Church of St. Francis, Assisi," singed in pencil lower right Axel H. Haig (Axel Herman Haig, Sweden, 1835-1921), published by Robert Dunthorne (England, b.1851),

Framed etching on paper, c. 1910, "South Aisle, Toledo Cathedral," singed in pencil lower right Axel H. Haig (Axel Herman Haig, Sweden, 1835-1921), published by Robert Dunthorne (England, b.1851), sig

VOL. AXEL HERMAN HAIG AND HIS WORK BY E.A. ARMSTRONG W/ ORIG. SIGNED ETCHING THE FINE ART SOCIETY 1905

(Sweden, 1835 - 1921) Original drypoint engraving of cathedral interior signed in pencil lower right and in the plate lower left with date of 1894. Sight size: H19 1/2" W13 3/4" (without mat and frame

Etching. pencil signed. "Malines". 21 x 14 in. (plate), 27 1/2 x 21 in. (framed). Harbor scene. Axel Herman Haig (1835-1921), born in Sweden, was fascinated with the sea and ships and spent much of hi

A Group of Three Etchings Depicting Landscapes by Various Artists, 19th/20th Century, Including pieces by Axel Herman Haig (titled 'Canal Scene', signed and dated 1898), Caroline Helena Armington (tit

(American, 1883-1979), "Old Tavern Charleston" and "Close Neighbors", both signed, titled and numbered in the margin. Etching with drypoint. Some foxing and toning. Framed, not examined out of frames.

(Charleston, South Carolina, 1883-1979) Old Tavern, Charleston, 1925, edition 76/80, signed lower right "Elizabeth O‘Neill Verner" and titled lower left, drypoint etching on wove paper, 6-7/8 x 5 in

Le Dimanche Matin, 1883. Etching and drypoint. Signed and dated in graphite with artist's monogram lower right. Size: 15 1/4 in. x 7 1/4 in. (38.7 cm x 18.4 cm).Framed: 17 7/8 in. x 27 1/8 in. (45.4 c

Old Chelsea" Etching and Drypoint on Chine Colle. Artist's butterfly signature in plate upper left. James Abbott McNeill Whistler (American, 1834-1903). From a Northport, NY home. - Dimensions: plate

Two (2) World War I Works on Paper, including James McBey, Kerr Eby. 1st item: James McBey (United States/United Kingdom, 1883-1959) drypoint etching on paper titled "Beersheba November 1917" depictin

(Charleston, South Carolina, 1883-1979) Original drypoint etching titled, Pirates Courtyard, Charleston. Very nicely rendered example numbered 27/80. The piece has an early gallery label on verso. Sig

Reinhold H. Palenske (American, 1884-1954), Grand Old Man O'Waretching and drypoint on thin tissue, circa 1940s, pencil signed and numbered lower margin, in silvertone frame with matting. Frame dimens

(Charleston, South Carolina, 1883 - 1979) Original drypoint etching framed for display during the period of creation. The work depicts the First Presbyterian Church of Charleston, South Carolina. The

Gene Kloss (American, 1903-1996) Rain Dance Beginning at Old Tamáya, edition 50 drypoint etching signed Gene Kloss, titled and numbered (lower margin) 8 x 11 inches