1980 Print signed Robert Kakegamic, 14 1/2" x 19 1/2", "Beaver Hunter".

1980 Print signed Robert Kakegamic, 14 1/2" x 19 1/2", "Beaver Hunter".

SAND GLASS, 1969, color woodblock print, signed in pencil, character stamp lower right, image 14 ½ x 10”, sheet 19 x 12 ½”, in good condition.

DARK CHANGE 5, 1970, color woodblock print, signed, dated, titled and numbered 1/60 in pencil, image 19 ½ x 14 ¾”, full margins, frame 21 ¾ x 17 ¼”.

CIRCUS NO. 2, 1968, color woodblock print, signed in pencil, from the numbered edition 50, image 16 x 27 ¼”, sheet 19 ½ x 30 ¼”, hinges on verso, some stray printers ink and mild roughness in m

RINGO STARR, LOS ANGELES NOVEMBER 1974, gelatin silver print, signed and titled and numbered 14/75 in ink, blind stamp lower right margin, sight 15 ½ x 19 ½”, frame 22 ½ x 2

STAR GAZING, 1983, color woodblock print, signed in pencil, artist’s proof, image 19 ½ x 14”, sheet 24 ½ x 18 ½”, in good condition.

DOC BAKER’S REVUE, 1926, gelatin silver print, signed and dated and inscribed, 19 ½ x 15 ¼”.

2 Watercolours Signed Deirdre Roberts , 12 3/4 x 19 1/4" & 10 3/4 x 6 3/4", "Tibetan Woman"

Miro print,signed in pencil, 33" x 26.5" in frame, 19" x 12" without frame.////////////////////////////////////////////////////////////////////////While this might be a genuine lithograph, we have our

NANTUCKET SAILING (K. 182), 1980, color screenprint, signed in pencil, numbered 252/300, image 19 ½ x 24 ¼”, full margins, published by Knoedler NY, framed with glass.

HEDY LAMARR, gelatin silver print, signed on the mount in pencil lower right, stamped Edward Weston Collection 1981’ on verso, mount 19 ½ x 15 ½”, frame 29 ¼ x 25 ½

WILD GRAPE, 1968, color woodblock print, signed and numbered 49/100 in pencil, image 18 x 13 ¾”, sheet 25 x 19 ½”, frame 25 ¾ x 20 ¼” with glass. From the

MARILYN SWIMMING, photo-print, signed and numbered AP 19/30 in silver pen, sight 12 ¾ x 19 ¼”, framed.

"Summer in Aizu", pencil signed. Dimensions:Sight is 9 1/4" x 14", the frame 14 12" x 19 1/2".

KOHAN NO AME, MATSUE (Lakeside Shower Matsue), 1932, color woodblock print, signed with seals and stamps, image 9 ½ x 14 ¼”, full margins, frame 15 x 19 ½” with glass.

Old Master Style STUDY, ink drawing on paper, 6 ¼ x 19 ¾”, framed 12 ¼ x 25 ¾” with glass; Arthur Szyk PAUL JONES PLURIBUS UNUM, 1931, color print, signed and d

UNTITLED (Cactus Magazine Collage), 1980, gouache and collage on paper, signed and dated lower right in blue pencil, 21 ½ x 19 ¼”, frame 23 ¼ x 21” with glass. Provena

LEA AND LOGAN, 2023, giclee print on canvas, signed and numbered 210/1280 in ink, 26 x 19 ½”, frame 34 ½ x 28 ¼”. Provenance: Park West Gallery, with Certificate of Au

THE BULL from BEAUTY AND THE BEAST, BERTRAM ROSS, costume design, gouache on paper, signed and dedicated in ink lower right, sight 19 x 12 ¼”, frame 27 x 19” with glass. From the coll

A vintage Scandinavian woodcut print in colors (possibly aquatint). Signed and titled. Measures: H 19" x L 14" Plate: 12" x 8 3/4"

BARCLAY STREET STATION, 1936, gelatin silver print mounted to museum board, from the 1979 edition, signed lower right and inscribed E lower left in pencil on the museum board, image 15 ¼ x 19 ½”,

MARGOLIES, John (American, 1940-2016) Egyptian Theater, Dekalb, Illinois. 1980. (printed 1991) C-Print from Ecktachrome Slide. Image: 13 ½ x 19”. Sheet: 20 x 16”. Signed, titled and d

OYSTERS ON A PLATE; STRAWBERRIES, two color woodblock prints, each signed and titled in pencil, images 12 x 11 ¼”, sheets 17 x 15” & 19 x 17 ½”. (2)

Japanese Serigraph, c.1980, pencil signed and numbered 14/300 SIZE IN INCHES: 12 X 12 inches AY-O (b.1931) is a Japanese avant-garde visual and performance artist who has been associated with Fluxus s