A LARGE AND FINELY PAINTED RUSSIAN ICON

A LARGE AND IMPRESSIVE RUSSIAN ICON OF THE MOTHER OF GOD, 19TH CENTURY. Mstera or Mstera trained iconographer working in Moscow. An exceptional and finely painted icon depicting the Mother of God hold

A LARGE AND FINELY PAINTED ICON SHOWING THE RESURRECTION, THE ANASTASIS AND THE MAIN LITURGICAL FEASTS Zentralrussland, Anfang 19. Jh. Central Russian, early 19th century Aus zwei massiven Laubholz-Br

A FINELY PAINTED AND LARGE ICON OF THE ANASTASIS AND THE FESTIVAL CYCLE Russian, Palekh, late 18th century Tempera on wood panel with kovcheg. The central image depicting Christ's Descent into Hell, w

A FINELY PAINTED AND LARGE ICON OF THE DESCENT AND RESURRECTION WITHIN A SURROUND OF THE SIXTEEN GREAT AND LESSER FEASTS Russian, Vetka, mid 19th century Tempera on wood panel laid down on panel. The

Eastern Europe, Russia, ca. 19th century CE. Finely painted in egg tempera and gold leaf on gesso and linen atop wood, a large icon of Christ Pantokrator (or Pantocrator), Lord of the Universe, holdin

A FINELY PAINTED ICON OF THE PROTECTING VEIL OF THE MOTHER OF GOD Central Russian, circa 1880 Tempera on wood panel. Against the background of a large church. The upper part showing the Mother of God

TWO LARGE ICONS FROM A CHURCH ICONOSTASIS: THE EVANGELIST ST. MARK AND THE ADORATION OF CHRIST Russian, 18th century Tempera on wood panels. The finely painted images rendered in detail, predominantly

FINELY PAINTED RUSSIAN ICON WITH SILVER BASMA SHOWING THE DESCENT OF CHRIST INTO HADES AND THE RESURRECTION Basma: St. Petersburg 1794 Master's mark: H.M, probably Hans Joachim Muller 40,5 x 33 cm

FINELY PAINTED RUSSIAN ICON SHOWING THE TRANSFIGURATION OF CHRIST 18th c., 32 x 27,5 cm

FINELY PAINTED RUSSIAN ICON SHOWING SAINTS around 1800, 30,5 x 26,5 cm

FINELY PAINTED RUSSIAN ICON SHOWING ST. SOPHIA, THE HOLY WISDOM around 1900, 30,5 x 26,5 cm

FINELY PAINTED RUSSIAN ICON SHOWING ST. NICHOLAS 1st half of 19th c., 35,5 x 30 cm

Russia, ca. 19th century CE. A petite and finely painted Russian icon on wood created for the veneration of the Virgin Mary. The composition reveals the artist's command of line and use of breathtakin

Large hand painted Russian icon on wood panel depicting arch angels Michael, Raphael, and Gabriel seated together at a table in an old ancient city. Each are accented with a hand enameled halo/crown o

Eastern Europe, Russia, ca. 1875 CE. A gorgeous Russian icon finely painted in egg tempera, gold leaf, gesso, and faux enamel on linen and wood depicting the Theophany based upon the gospel narrative

A FINELY PAINTED FRAGMENT FROM A VITA ICON Russian, Mstera, circa 1900 Tempera on wood panel. THe icon showing St. Nicholas of Myra exorcising the Devil from a well. The faces rendered with dark shade

Large Russian icon gilt painted on wood depicting Archangel Michael seated on an ornate golden throne holding a scepter to right hand, jeweled golden globe with cross finial to left hand, and a child

A FINE RUSSIAN ICON OF CHRIST FEODOR RUCKERT C. 1900. Here is depicted a finely painted image of Christ as the Lord Almighty (Gospod Vsederzhitel) with his right hand Christ delivers a blessing and hi

A VERY FINE RUSSIAN ICON OF THE KAZAN MOTHER OF GOD, 17TH CENTURY. Finely painted in the traditional old style, the borders with various saints including Boris and Gleb, as well as Tikhon, and another

A SCARCE RUSSIAN ICON OF THE KAZAN MOTHER OF GOD WITH HISTORIC SCENES, PROBABLY MOSCOW, CIRCA 1890. At center a finely painted image of the Kazan Mother of God surrounded by 16 images depicting the a

FINE RUSSIAN ICON EMELIANOV WORKSHOP, MOSCOW C. 1910. Comprising a finely painted image of the Exaltation of the Cross rendered in the 16th century revivalist style attributed to the workshop of Nikol

FINE RUSSIAN ICON SAVIOR OF THE WET BEARD, ST. PETERSBURG 1901. Comprising a finely painted presentation icon being a variant of the Image Not Made By Hands. Here the face of Christ is shown with the

Russia, ca. late 19th century CE. A beautiful Russian Orthodox icon depicting the Old Testament Trinity in which three angels appeared to Abraham and Sarah (Genesis 18:1-19), finely painted in egg tem

Eastern Europe, Russia, dated 1838 and signed Evallpivio (sp) on lower left. A finely painted icon delineated in egg tempera and gold leaf on wood, and depicting St. Michael the Archangel (his name ab