a photograph by Weiguo Huang

Gu Weijun or Wellington Koo and Huang Huilan or Oei Hui-lan,Size 10x8 Inches (顾维钧 and 黄蕙兰）

Picture core: 136*35cm outer frame: 160*49 cm

Drawing center size 33*82 cm, frame size 45*108 cm

Huang Yan "Peach Blossoms" Photograph 1/15. Marc Richards Contemporary Art Label. Beautiful white frame. 38 1/2 inches high x 30 inches wide + 6 inch matte and frame. Total 50 1/2 Inches high x 42 inc

LOIS CONNER (American born 1951). Huang Shan, China, circa 1986, Platinum photograph. Framed. Not examined out of frame. - Sight: 6 1/4" x 16 1/4", Frame: 24 x 13 inches

Huang hua li scholars box. China. 18th century. Rectangular shape. 5" x 3-3/4" x 2-1/2". Prov: E & J Frankel This item may have additional high-resolution photographs, available to view at our Dropbox

Ink and color on paper, hanging scroll. Bering signature of Zhang Daqian. Provenance: From the collection of Huang Renjun family, who is a famous Chinese community leader in San Francisco. Photo is Hu

ANTON GIULIO BRAGAGLIA (1890–1960) | ‘The Cellist’, 1913 | Vintage silver print, sepia-toned, double-weight semi-matte paper on the original cardboard 34,5 x 31 cm, in excellent cond

RUDOLF SCHWARZKOGLER (1940–1969) | 3rd Action, Vienna, May 1965 | Photo by Ludwig Hoffenreich (1902–1975) Gelatin silver print, printed in 1973, double-weight matte paper, unique large for

DIANE ARBUS (1923–1971) | Kenneth Noland and Stephanie Gordon, New York 1966 | Vintage silver print, double-weight semi-matte Agfa paper, image in excellent condition (signs of wear do not affec

DAVID LACHAPELLE (*1963) | ‘Early Fall’, Los Angeles 2008–2011 | Chromogenic print, Alu-dibond mounted, in original frame with shadow gap 110 x 74,5 cm, in excellent condition From t

ARNULF RAINER (*1929) | Death mask Marie von Ebner-Eschenbach, 1978 | Gelatin silver print, double-weight matte paper, overpainted in mixed technique, unique art work in perfect condition From the ser

THOMAS HOEPKER (*1936) | Muhammad Ali’s Punch, Chicago 1966 | Vintage silver print, double-weight semi-matte paper, in very good condition 27,4 x 20,8 cm Signed in pencil on the reverse, various

NOBUYOSHI ARAKI (*1940) | Untitled, 1991 | Chromogenic print, printed later on Fuji Archive Crystal paper, in perfect condition From the series ‘Colorscapes’ 58 x 46 cm Signed by the artis

JAROSLAV RÖSSLER (1902–1990) | Untitled (Self-portrait), 1929 | Gelatin silver print, printed in the late 1950s / early 1960s on single-weight glossy paper, in perfect condition 18,5 x 18 c

RENÉ BURRI (1933–2014) | ‘Che Guevara y su tabaco’, Havana, January 1963 | Gelatin silver print, printed in the 1990s on double-weight semi-matte paper, in perfect condition 21,

AUGUST SANDER (1876–1964) | ‘Bauernmädchen’ (Country girls), Westerwald 1925 | Gelatin silver print, printed in 1990 by Gerd Sander, double-weight semi-matte paper, in perfect c

JULIAN SCHNABEL (*1951) | Untitled (Self-portrait), 2008 | Unique Polaroid 20x24 inch, in perfect condition 62 x 52 cm Numbered “508.0121.1” and annotated “ORIGINAL” on the rev

EDWARD S. CURTIS (1868–1952) | Wisham Indian spearing salmon in the Colombia River, 1909 | Vintage Orotone glass in original wooden frame 47 x 39 cm, in perfect condition From the series ‘

JIMMY NELSON (*1967) | Tufi, Papua New Guinea 2017 | Archival pigment print, mounted on aluminium, in the original artist frame 120 x 100 cm with museum glass, in perfect condition 100 x 80 cm Signed

NAN GOLDIN (*1953) | ‘James and Kyle backstage’, Magaschoni Show, New York 1995 | Cibachrome print, printed later, in perfect condition From the series ‘James King, supermodel’

ROBERT CAPA (1913–1954) | Collaborator, Chartres, August 16, 1944 | Gelatin silver print, printed in the 1970s on single-weight glossy paper, in excellent condition 19,5 x 29 cm Archive stamp of

LOTHAR RÜBELT (1901–1990) | ‘Perlen der Großstadt’ (Traffic regulation at Michaeler Platz), Vienna 1932 | Vintage silver print, double-weight semi-matte paper, in excellent

OSKAR BARNACK (1879–1936) | Hanna Barnack with doll, Wetzlar c. 1913 | Vintage silver print, double-weight glossy paper, brown-toned contact print of two negatives, with signs of wear (creases)