ADOLFO HOHENSTEIN (1854-1928) CHIOZZA E TURCHI. 1899.

Adolf Hohenstein (German artist and illustrator, 1854-1928) Art Nouveau poster, Italian color lithograph advertising poster for "Chiozza e Turchi" soap manufacturers, signed in the plate and dated low

ADOLFO HOHENSTEIN (German/Italian, 1854-1928), Bitter Campari, circa 1900, lithograph in colors, (not laid to linen) sheet: 80.75 x 39.75 inches, unframed. printed by Galileo, Milano. Note: Since this

Artist: Adolfo Hohenstein, After, German (1854 - 1928) Title: Monaco Year: of original: 1914 Medium: Giclee Print Size: 24.5 x 17 in. (62.23 x 43.18 cm) Frame Size: 26 x 18 inches

Adolfo Hohenstein (18 March 1854 – 12 April 1928) was a German painter, advertiser, illustrator, and designer considered the father of Italian poster art. (Measurement 29.5 by 24 Inches)

coppia di dipinti, olio su tela, W. 116 - H. 73 Cm

《 the river 》 Oil on canvas （ Peter Edward Rudell ， 1854-1899 ， UAS)

[McMURTRY, Larry (1936-2021), his copy]. WHITE, E.B. (1899-1985). Here is New York. New York: Harper & Brothers, [1949]. 8vo. Original beige cloth lettered in red (spine sunned); original dust jacket

A One Hundred-One-Piece Jean E. Puiforcat Cannes Pattern Silver Flatware Service for Twenty-Four, France, designed 1928 Marks: (E-penknife-P), (Minerva), PUIFORCAT, FRANCE 10-1/8 inches (25.7 cm) (lon

《 The river 》 Oil on canvas （ William Henry Chandler,1854 – 1928 ， UAS)

Firenze, 1846 - 1906 Bovi grigi in Maremma Dedica, firma N Cannicci e data 1899 in basso a destra Olio su tela, cm 29X73 Reca sul retro autentica di Mario Borgiotti. Provenienza: Livorno, collezione G

Reed & Barton, one hundred and thirty-two piece "Love Disarmed" (designed by Charles Augustus Bennett; pattern active 1899-1928, reintroduced 1970) sterling silver flatware service for twelve comprisi

Louis Comfort Tiffany (American, 1848-1933), circa 1899-1928. A Tiffany Studios bronze floor lamp with favrile shade, the 10 inch favrile shade ribbed and having continuous gold design combed or pulle

A TIFFANY STUDIOS FAVRILE GLASS AND PATINATED BRONZE BALANCE ARM BRIDGE LAMP, 1899-1928. The green opalescent shade with ten vertical ribs iridized in a wavy damascene pattern of silvery green with g

A TIFFANY STUDIOS “COLONIAL” FAVRILE GLASS AND BRONZE TABLE LAMP, 1899-1928. The twelve sided panel shade with oval dichroic amber and greenish opalescent mottled tiles, arranged in ascending ord

Reed & Barton, sixteen piece "Love Disarmed" (designed by Charles Augustus Bennett; pattern active 1899-1928, reintroduced 1970) selection of sterling silver serving pieces, comprising: one partial go

George Henry Clements (American, 1854 - 1935), "Sailboat", 1899, watercolor on paper, depicts the rear view of sailboat headed towards the shoreline, mountainous horizon with stormy clouds, signed and

Leica Leitz Elmar Model A 1926 1:35 F / E LEITZ WETZLAR Germany

Robert E (Clark) Indiana (1928 - 2018) LOVE, American Pop Art iconic Sculpture 3/5, Red / Blue. Circa late 20th Century. Born Robert Clark in New Castle Indiana, America in 1928, Robert Indiana adopte

MILNE, A.A. 1882-1956. When We Were Very Young; Winnie-the-Pooh; Now We are Six; The House at Pooh Corner. London: Methuen & Co., 1924; 1926; 1927; 1928. 8vo. Illustrations by E.H. Shepard, the last

WILLIAM E. BOUCHER JR. (1822-1899), BALTIMORE, MARYLAND BANJO, the hardwood neck retains some of its original rosewood graining to the back and is set with a brass plate to the upper half; the headsto

Robert E. Indiana (American, 1928 - 2018) "GreenPeace Love" 1994 Color Serigraph Pencil signed and dated lower right, titled and numbered (55/170) lower left.

Heading: Author: Milne, A.A Title: The House at Pooh Corner Place Published: London Publisher:Methuen Date Published: [1928] Description: Illustrated by E.H. Shepard. Origi

Ancel E. Nunn (Texas, 1928-1999), prairie homestead, oil on masonite sight: 18 x 24 in., frame: 22 x 28 in. Provenance: A Dallas, Texas collection We happily provide seamless shipping services on e

Eugene Gustavovitch Berman Russian, 1899-1972 Sfinge e le Piramidi, 1964 Initialed E. B. and dated 1964 (lc); initialed E. B. within the artist's device, dated Aprile / Maggio Roma 1964 and inscribed