After Antonio Canova, "The Three Graces" Italian

After Antonio Canova, "The Three Graces" Italian carved marble statue. Signed on base, "Canova". Antonio Canova (Italian, 1757-1822). 23.25"H x 13.25"W, Circa - 20th C.

After Antonio Canova, "Three Graces" sculpture, After Antonio Canova (Italian, 1757-1822), carved Grand tour alabaster sculpture, in two pieces, no visible signature, 20.5"h x 8.5"w x 5.25"d

Italian Carved Alabaster Figural Group of "The Three Graces" , after Antonio Canova, h. 13 1/2 in., w. 7 1/2 in., d. 4 1/2 in . Provenance: Acquired in Italy by James Gallier, Sr. from dealer F. Leopo

Large patinated cast-iron fountain, The Three Graces, modeled after the original 19th c. sculpture by Antonio Canova (Italian, 1757-1822), having three graduated tiers, over floral twined central colu

bronze with brown and green patination; mounted on a marble plinth; unsigned; Provenance: The Estate of David Karpeles, the Karpeles Manuscript Museum, Montecito, CA; 6 3/4 inches wide; 4 inches deep;

After Antonio Canova 1757 - 1822, The Three Graces representing Youth (Euphrosyne), Mirth (Aglaea) and Elegance (Thalia).120 cm. high; 70 cm. wide

The Three Graces Sculpture Our rendition of Antonio Canova's neoclassical masterpiece, The Three Graces, portrays the mythological trio of charites, who were the daughters of Zeus. From left to r

12in h including base, 9.5in x 7in

A Parian Ware Figural Group Depicting The Three Graces, after Antonio Canova Late 19th/Early 20th Century Height 20 1/2 inches.

Three Figural Groups 20th Century comprising a resin figural group depicting The Three Graces after Antonio Canova's marble sculpture in the Victoria and Albert Museum, with impressed V&A mark to the

The Three Graces Bisque Porcelain Figure after Antonio Canova. Inscribed on the base: Les Tres Gracias Por Antonio Canova. Numbered. Height: 41cm. Length: 23cm. Minor repairs.

Made From Reconstitued Marble-reproduction Of Sculptor Antonio Canova- 15.5" T Base- 9.5" X 5.5"

Vintage Parian Sculpture, The Three Gracesprobably early 20th century, after Antonio Canova, a grouping of the three daughters of Zeus, no apparent maker marks. 20 1/2 x 11 1/2 x 7 1/2 in. The Collect

Large composition bust of Paris, after the model by Antonio Canova (Italian, 1757-1822), depicted gazing sinister while judging which of the three goddesses, Juno, Minerva, or Venus, was the most beau

A PAIR OF CARVED ALABASTER RECUMBENT LIONS AFTER THE MODELS BY ANTONIO CANOVA (ITALIAN, 1757-1822) MADE FOR THE TOMB OF POPE CLEMENT XIII On plinth bases, 10cm wide, 34cm deep, 18cm high (3 1/2in wide

AN ENGLISH CARVED GREEN MARBLE RECUMBENT LION After Antonio Canova (Italian, 1757-1822), circa 1830 height 9 1/4in (23.5cm); length 18in (46cm); width 5 1/2in (14cm) Footnotes: Provenance Stair & Comp

after ANTONIO CANOVA (Italian 1757-1822) A PATINATED BRONZE SCULPTURE, "Hercules And Lychas," cast by Delafontaine foundry, Paris, France, circa 1870-1900, the figural group with dark brown patination

After Antonio Canova (Italian, 1757-1822) Late 19th/Early 20th Century Psyche Revived by Cupid's Kiss carved marble inscribed Made in Italy Height of sculpture 17 1/2 x width 31 inches. Property from

After Antonio Canova (Italian, 1757-1822) "Maiden", ca. 1900 carved alabaster after the first quarter 19th century marble discovered in the artist's studio after his death and now conserved at the Nat

after ANTONIO CANOVA (Italian 1757-1822) A PAIR OF GLAZED TERRACOTTA LIONS, ITALIAN, 20TH CENTURY, each with cobalt blue enameled mane and tail tip on a white enameled body, modeled life size in a rec

After Antonio Canova (Italian, 1757-1822) Late 19th Century Psyche Revived by Cupid's Kiss marble apparently unsigned Height 21 1/2 inches. Property from Bishop's Hall and the Collection of Richard Sa

DESCRIPTION: A green patinated bronze portrait bust after Italian sculptor Antonio Canova. Features a carved and detailed portrait bust of a young Roman Possibly portraying cesar. Signed on the side "

Three Graces If Only These Three Young Beauties Could Talk! These Three Personifications Of Gracefulness From The Victoria and Albert Museum In London Were The Constant Attendants Of Aphrodite, The Go

After Antonio Canova, cast and painted vintage "Venus Victrix" tabletop sculpture, after the 1805-1808 Neoclassical marble portrait of Princess Pauline Bonaparte, now in the Borghese Gallery; possibly