After George Morland (British, 1763–1804), Shooting, Winter; together with A Day's Shooting (A

After George Morland (British, 1763–1804) | 19th Century CopiesShooting, Winter; together with A Day's Shooting (A Pair) Pair oils on canvasEach: 14 1/8 x 17 3/4 (35.9x 45.1cm)(2) Qty: (2) Prov

Arthur F. Tait (American/British, 1819-1905) for Currier and Ives, United States. Group of three prints depicting hunting dogs including:"Wild Duck Shooting: A Good Day's Sport," lithographe

Paramount Studios MacGyver "Together Forever" 2nd rev. final draft dated Jan 15, 1986, Happy Days "Fonz Meets Kat" revised shooting script dated Aug 24, 1979, Hunter "The Return of Typhoon Thompson" s

Circle of George Morland (British, 1763-1804), "The Labourer's Respite", oil on canvas, signed lower right, 15-1/4" x 12-1/2". Framed.

Attributed George Morland (British, 1763-1804), Village Cottagesoil on panel, unsigned, a typed note affixed to the verso reads "Whippingham, Isle of Wight / Home of Henry Dashwood / (Great Great Gran

A typical well-executed genre scene with farm animals, dwelling and family figures. The surface has fine craquelure that is quite stable and typical of a piece of this age. There are two small quarter

20th-century reproduction prints with hand coloring, to include "Going Out," "The Check," "Going into Cover," and "The Death," presented in uniform matting and framing. DOA 16 x 17 in. Additional hig

after George Morland (British, 1763-1804), Feeding the Pigs and The Farmer's Stablehand-colored prints, 20th century (after the etching and aquatint), both matted and framed, one not under glass. Fram

After George Morland (British, 1763-1804) Girl and Pigs Colored mezzotint engraved by William Ward (1762-1826) after painting by Morland, published 1803 by S. Morgan (fl. 1799-1814), Cavendish Square,

Figure and horse in a barn, faint signature visible under blacklight lower left: G. Morland, oil on canvas laid to canvas, 20'' H x 26'' W, est: $1500/2000 Provenance: Private Collection, Riverside, C

David Shepherd C.B.E. (British, 1931-2017) A Winter's Day signed '-David Shepherd-' (lower right) oil on canvas 66.5 x 229cm (26 3/16 x 90 3/16in). Footnotes: Provenance With Davi

Waiting for the days catch Oil on panel Unsigned Image size: 13.97 x 19.68cm. (5 1/2" x 7 3/4") Frame size: 31.75 x 36.83cm. (12 1/2" x 14 1/2")

George Wright (British, 1860 - 1942) hand-colored engraving on paper, The Music of Bygone Days. Titled in plate, lower to the center. Signed in plate, lower right. Framed. The original label of Art Lo

George Wright (British, 1860 - 1942) hand-colored engraving on paper, The Music of Bygone Days. Titled in plate, lower to the center. Signed in plate, lower right. Framed. The original label of Art Lo

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FREE INTERNATIONAL TRACKED SHPPING ON ALL OF OUR ITEMS (Albinus will securely package and send your item(s) within 3 working days of the auction end). All payments must be completed by bank transfer,

Impressed 1914-1918 man riding a horse and showing portrait of St. George, patron saint of England, #33861- W.O.CL2-S.H. Warr-Glouc.; together with another similar.

British Hunting Party Painting Gentlemen Shooting Pheasant In Moor Your Bird Sir 1 Fine British 20th Century Sporting Hunting Party Work of Art Oil Painting Hunter Shooting Pheasant Your Bird Sir! Tit

A mid 18th century British Brown Bess flintlock musket, the distinctive 'banana' shaped lock plate stamped TOWER with a test date of 1743, together with the Royal Cypher for King George II, showing a

British, mid 18th century, works engraved "David Hare London", eight day works, figured veneers, fine pierced brass fretwork, 15 in.

(British, 1860-1942), one titled 'The First of September' and the other 'Out on the Moors' signed in the plate, together with a sporting print signed illegibly l.l. "Heywood Hardy" The former: 17-1/2"

Monumental Maine winter havesting lumber scene with cabins, oil on linen, signed on stretcher, housed in grey painted molded frame, OS: 45 1/2" x 55 1/2", SS: 40" x 55", some craquelure.

Important oil on canvas painting by George Morland (English, 1763-1804), titled Gypsy Encampment; of a family seated in a wooded Midlands glen; with 1976 appraisal documentation by Dr. Joseph

HENRY ROBERT MORLAND (English, 1716 - 1797). Portrait of George Morland When a Young Man, circa 1780, Oil on canvas. Unsigned. Gilt frame with labels affixed . - 28 x 24 in; frame: 36 x 32 in