AFTER JOHN EVERETT MILLAIS (English, 1829 - 1896). A Huguenot on St. Bartholomew's Day, 1852, A late

This dramatic Pre-Raphaelite, 1857 period framed engraving of a Sir John Everett Mallais 1852 painting entitled "The Huguenot on Eve of St. Bartholomew's Day 1572", engraved by Thomas Oldham Barlow. I

Thomas O. Barlow (English, 1824-1889) Victorian Lovers engraving after A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge, John Millais, 1

Inscribed verso: Copied by Julia Cambardella / 44 Grayford Road / Holloway / London N. After the original 1746 painting by Sir John Everett Millais (English, 1829-1896) in the Tate Collection, London.

John Everett Millais Sgd Lady & Dog Painting-Signed and dated 1889 by John Everett Millais (1829-1896) English painter and illustrator who was a founder of the pre Raphaelite Brotherhood, charming oil

Sir John Everett Millais (1829-1896, UK) unframed watercolor of a horse with English saddle. 9.5" x 12" ss / 16" x 21.75" oa

Sir John Everett Millais (1829-1896) British, A Pencil study of two figures, 8.25" x 6.25" (21 x 16 cm).Provenance: Christies Sale 5 November 1993.

19th Century Portrait after Sir John Everett Millais (BRITISH, 1829-1896), oil on canvas, Girl with her pet, canvas size is 30\" x 25\" monogrammed & dated 1889 lower right

A Continental icon of Madonna and Child with St. John the Baptist, late 17th/early 18th century, holding a banner "Ecce Angus", mounted in a gilt wood niche frame with label reading 'Ave Maria', 18"h

(English, 1775-1852) depicting Melbourne House and the Banqueting Hall, Whitefall, c. 1750, with label verso Overall: 22"h x 28"w Sight: 17-1/2"h x 23-1/2"w Provenance: David Messum Fine Art, London:

JOHN FREDERICK HERRING SR RABBITS OIL PAINTING, ENGLISH John Frederick Herring Sr English, 1795-1865 A Doe Rabbit and her kits in an interior Signed: J.F. Herring. Sen’ 1852. (lr) Oil on Panel 14.0

ARTHUR FITZWILLIAM TAIT (English/American 1819-1905) A PAINTING, "A Quiet Day," CIRCA 1896, oil on canvas laid down on board, signed L/R, "AF Tait," indistinctly titled and dated and with the artist's

Monumental framed oil on canvas painting, "St. Cecilia," signed lower right Eric Reed, after the original by John William Waterhouse (English, 1849-1917), with some overall loss/ peeling to craquelure

Ink, gold and paint on vellum. St. Helena with her attribute of the cross. Reputedly from the English Book of Hours possibly made for the Knyvett Family of East Anglia, late 14th-early 15th century. A

18th century Dial signed: Moses Meigh off Rotherhith London Roman numeral hour markers with Arabic outer track and sub-seconds dial with twin train movement, day, date and astronomical calendar dials

Late 19th/early 20th century Each numbered and inscribed in Spanish Each hand-painted porcelain plaque in brass frames depicting Christ on the day of his crucifixion, each plaque numbered in Roman num

English, early 19th and 20th century, two entrees with oval with gadroon borders, hinged handle, one with marks for John Hunt & Robert Roskell, London, 1872, base marked Late Storr & Mortimer, "62

ST. PANTELEIMON THE HEALER WITH SILVER-GILT AND ENAMEL OKLAD Russian, late 19th century (icon), Moscow, 1896-1908 (oklad) Tempera on wood panel. The saint depicted half-length holding a box of medicin

London, all late 18th/early 19th century, assembled set all with reeded bases and bead borders, wooden handles and finials, including 12-1/2 in. coffee, marks for John Wakelin & William Taylor, 1782;

(1852-1928 English) "An Autumn Evening", framed oil on canavs, signed lower right, verso signed, titled, and bearing label from Cooling Galleries Ltd. of 92 Bond St./5 Temperance St. of Toronto, appro

BUCK, PEARL S. 1892-1973. The Good Earth. New York: The John Day Company, 1931. 8vo. Publisher's light brown cloth stamped in blind and gilt on spine and upper cover, top edge stained in brown, tan du

Garrard Diamond, Gold Jewelry Suite, English Stones: Pear-shaped diamonds weighing a total of approximately 6.20 carats; full-cut diamonds weighing a total of approximate

1957 Fender Telecaster Relic, John English Masterbuilt. SERIAL NUMBER: R3957. COLOR: Celadon Green Nitrocellulose Finish. WEIGHT: 7lbs (3kg/170g). This beautiful reliced 1957 Telecaster was made by th

English, late 17th/early 18th century, unsigned, the curved lateral sides of the cylinder barrel are decorated with gold scrolling acanthus fretwork, the flattened top surface is inscribed with seashe

(BIDDING FOR THIS LOT IS ONLY POSSIBLE ON TIBERIUS-AUCTIONS.COM)PETER PAUL RUBENS Siegen 1577 - 1644 Antwerp & WorkshopThe Christ Child and the Infant St. John the Baptistc. 1620/25Oil on Canvas125 x