AJ Saint James Boudrot Clank Williams

Sainte James Boudrot. Saint Expedite. Signed. Paint on board. Great condition. 24"w x 61"h. Est. $300-500. Ship: $250

The Blessings of the Sixth Year. A Sermon Preach'd before the Queen at Saint James's Chappel …1706/7, by William Lord Bishop of Carlisle, printed and sold by Henry Hills, (1708). 16 pages complete.

WILLIAM IV: (1765-1837) King of the United Kingdom of Great Britain & Ireland 1830-37. D.S., William R, as King, at the head, one page (vellum), oblong folio, Court at Saint James's, 5th January 1835.

Early 20th century Arts and Crafts marquetry panel by artist William Arthur Chase for Albert James Rowley of London's Rowley Gallery. Labeled on reverse, this piece was titled "Avenue". It is framed u

Robert William Hansen (1924-California). Printer's proof lithographs. Eight pages on two sheets from the artist's Satan's Saint series (a livre deluxe, based upon selections from Guy Endore's Satan's

Spanish school, late 16th century. "Saint James". Oil on canvas. Size: 106 x 82 cm; 128,5 x 105 cm (frame). Half-length painting of the apostle James, seated at a table, wearing a red draped cloak and

Full title: A carved oak panel depicting Saint James with a bishop, The Low Countries, late 15th C. Description: 68 x 59,5 cm Presented in a later wooden frame, with the sun in the upper right and the

Description Français: SAINT JACQUES Statue en bois cérusé représentant Saint Jacques, frère de l'apôtre Jean. Hauteur : 100,5cm / 39 5/8" English Description: Limed woo

Grand Collar, 2nd Type Set, instituted in 1789. Collar Badge, 102x52 mm, gilt Silver, one side enameled, laurel wreath suspension device. Collar made of 24 alternated medallions in gilt Silver and ena

"Indian Blood", oil on clayboard, unsigned on face, titled on Freemans label verso, and inscribed by the artist: "Indian Blood, for Melonie, Aug 9, 1998, Port Clyde, Maine, with chemistry, Bo". Housed

James William Fosdick (1858-1937): Queen Elizabeth Incised and painted wood, 1903, titled, dated and incised 'painted by J. Wm. Fosdick' and 'Adapted decoratively from an old engraving, New York' on t

DOLORES RODEIRO BOADO (Galicia, 1853-1898). "Saint James the Apostle". Carved and polychrome wood. Measurements: 113 x 47 x 28 cm. The image of Saint James the Apostle, whom we recognise by his attrib

Spain, ca. 17th century. Rare and quite wonderful iron brazier. Certainly used in religious rites, the scallops a representation of Saint James who took his ministry to the Iberian Peninsula and to th

Mexican retablo, depicting San Guillermo (Saint William), oil on tin, circa 19th century height 14 in. x width 10 in. Provenance: The collection of San A

Bartlett, Bo (James William III) (American, born 1955); Anima (Six Seconds), 1983-1990, oil on linen with touches of gold leaf, 82 x 64 inches, signed IGN with B lower edge, Provenance: PPOW Gallery,

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

A Victorian silver-gilt ewer and a matched stand James & Josiah Williams, Exeter 1865, the stand Hamilton & Inches, Edinburgh 1873 With spreading baluster form neck over a bulbous body, hinged dome c

William James Glackens (1870-1938, PA/NY/CT/FR) oil on canvas titled "Mixed Bouquet, White Vase" monogrammed lower left. Provenance: Chapellier Galleries, Inc., NY, NY to Thomas A. Campbell, Jr. & Mil

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

William James (American, 20th century) Springtime, Lincoln Park (Chicago, Illinois), 1951 oil on canvas signed and dated lower left and signed verso 12" x 15"

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

"Gray Day, Monhegan", oil on masonite, signed lower left, titled on Salmagundi Club label verso, Newcomb-Macklin tagged fatigued frame, OS: 17" x 21", SS: 11 1/2" x 15 1/2". Good condition.