William James Grant (British, 1829-1866) The bridge of sighs

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

"A Mountain Torrent", a mountain landscape with figures, depicting a bridge over a rough river, by William James Muller (British, 1812-1845). Bears Malcolm Innes Gallery label. Provenance: Christie's

William James Müller (British, 1812-1845) Carpet bazaar, Cairo signed and dated 'W. Muller 1843' (lower left) oil on board 60.5 x 43cm (23 3/4 x 17in). Footnotes: A very similar composi

William James M&#252;ller (British, 1812-1845) Mandraki harbour, Rhodes signed 'WJMuller' (lower left) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in). unframed Footnotes: Provenance</

WILLIAM JAMES MULLER, (BRITISH, 1812-45), OIL ON CANVAS, H 32", W 53", "AFTERNOON IN LYCIA" Signed and dated 1843 lower left. identification tag with title is on the gilt frame (frame size: 37" x 59")

James Hayllar (British, 1829-1920) Oil on Canvas 1879, signed and dated lower right, depicting male and female figures in a forest including an architectural structure visible in the background betwee

James Hayllar, RBA (British, 1829-1920) A wandering minstrel in a quiet square signed with monogram and dated '18HJ58' (lower right), titled, signed, and inscribed with artist's address (on a label at

James Hayllar, RBA (British, 1829-1920) The welcoming party signed 'J. Hayllar' (lower left) oil on canvas 50.8 x 74cm (76.5 x 29 1/8in).

oil on canvas signed lower right Civil War battlefield with Union cavalry Provenance: Goldfiield Galleries, Los Angeles, California 26 x 38 inches canvas; 35 1/2 x 47 1/2 inches

Signed William Mellor (British, 1851-1931), Dairy Bridge, Rokeby, near Barnard Castle, England, oil on canvas, 36" x 28". Provenance: Collection of Gentlemen, Lisbon, Portugal.

William Frederick Paskell (British-born American, 1866-1951). Oil on canvas, late 19th to early 20th century. Signed at lower left. A stunning, large-scale landscape painting by William Paskell, one o

Lucien Whiting Powell (American, 1846-1930), "Classical Landscape with Ruins, Figures and Pond", oil on canvas, after James Mallord William Turner (British, 1775-1851), signed and inscribed "After J.M

Reverend Wilson Williams British, 19th Century Rose: A Portrait of a Dog Signed Rd. Wilson Williams, dated Dec. 27, 1852 and inscribed Rose/The Property of Mr. Collett/Menai Bridge on the reverse Oil

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

WILLIAM E. HARRIS (British 1856-1929) A PAINTING, "A View of the Bridge on a Sunny Day," oil on canvas, signed L/R. 16 1/2" x 24"

Benjamin Williams Leader, RA (British, 1831-1923) Near Whittington signed with initials and dated 'B.W.L 1866' (lower left) oil on board 22 x 45cm (8 11/16 x 17 11/16in). Footnotes: Provenance Anon. s

Wells, Herbert George (1866-1946) The Time Machine, 1st British edition (1895) Description: Octavo. London: William Heinemann, 1st British edition, original decorated tan buckram. Dimension (PO): 7 1/

James Lynwood Palmer, 1868-1941, British, Active in NY, Canada, o/c, "Jenkintown Coach", 20" x 34" , signed and dated '95 lower left. This was done early in his career at the age of 27, perhaps before

1808 document granting land in west to William Craighead. The piece is signed at top and bottom by Jefferson and then at bottom by James Madison as Secretary of State. H8 5/8" W15 1/2" Sold from the c

WILLIAM GAY YORKE (1817-1892), BRITISH/CANADIANBARK MOKANNA IN A GALE, 1866Oil on canvas; signed &#8220;Wm York&#8221; lower right, titled, dated and inscribed: &#8220;Bark Mokanna in a gale / in Lat.

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

Large archive of 100 plus items, including land grants signed by Tennessee Governors James K. Polk, Willie Blount, Joseph McMinn, and William Carroll, pertaining to John Davis (1770-1853), early surve

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

William James Glackens (1870-1938, PA/NY/CT/FR) oil on canvas titled "Mixed Bouquet, White Vase" monogrammed lower left. Provenance: Chapellier Galleries, Inc., NY, NY to Thomas A. Campbell, Jr. & Mil