American Walnut Frame 23 1/2" x 28 3/4"

American, circa 1860, walnut frame with lemon gold liner. Overall 30" x 35 3/4", Rabbet 23 1/2" x 28 3/4", Molding .

David Herskovitz MOTHER & CHILD, 1959, pastel on paper, signed and dated upper right, sight 18 ¼ x 23 ¾”, frame 22 ½ x 28” with glass; Elizabeth Turner Leigh-Taylor PENSIVE WOMAN, 1968, pastel

UNTITLED, 1971, watercolor on paper, signed and dated lower right, 23 x 28 ¾”, frame 24 ½ x 30 ½” with glass, retains Michael Smith Gallery, Los Angeles label on frame verso

American, ca. 1860, Hudson River School frame with guilloche top edge. Overall 33 1/4" x 38 1/4", Rabbet 23 1/2" x 28 1/2", Molding 5"

American, ca. 1870. Overall 30 1/2" x 36 1/4", Rabbet 23 3/4" x 29 1/2", Molding 3 1/2".

1890's American School Walnut Frame. Rabbet Size: 28 x 22 in. Overall Framed Size: 34 x 28 in. (87-46) (22) Provenance: The historic period frame collection of Eli Wilner. The collection previously in

SENORITAS IN COACH, oil painting on Masonite, signed lower right, 23 ½ x 28 ¼”, frame 29 ½ x 34 ¼”.

THE PROMINENT STUMP, 1995, toned gelatin silver print, signed and titled and numbered 1/10 in pencil lower right verso, sheet 16 x 23 ¾”, frame 20 ½ x 28” with glass.

DEATH VALLEY, 1994, toned gelatin silver print, signed and titled and numbered 2/10 in pencil lower right verso, sheet 16 1/8 x 23 ¾”, frame 20 ½ x 28” with glass.

UNTITLED, 1972, watercolor on paper, signed and dated lower right, 28 ¾ x 23”, frame 33 x 26 ¾” with glass.

EMMA WARFIELD THOMAS, American, 1950s Palacial Museum Park with Figures. Signed, Oil on Canvas Painting, Original Frame. size: 23 x 29, 28.25 x 34.5 outside frame. ASKart: Emma Warfield Thomas (mid 20

Late 19th C carved and gilt wood frame, rabbet 19 x 12 ¾, frame 28 ½ x 22 ½. American Art Association label.

YELLOW MOTION, 1981, watercolor on paper, signed and dated lower right, titled lower left, sight 21 ¾ x 29 ¾”, frame 28 ½ x 36 ½”.

LOSTUTTER, Robert (American, b. 1939) A Sign of My Time: Miltonia Species. 1970. Color lithograph on paper. 28 ¾ x 36 ½”. Frame (glass): 35 ¾ x 45 ½“. Edition 48/60. Si

HORSE RACES, 1966, acrylic painting on canvas, signed and dated lower left, 28 ¾ x 34 ½”, frame 32 ¼ x 37 ¾”.

BRITANNIA; AMERICAE, two engravings with hand-coloring and center-fold as issued, the first published by Milliaria Gallica, frame 19 ¾ x 25” with glass, the second sight 19 ½ x 23”, frame 28 x 3

STILL LIFE, colored pencil drawing on paper, signed lower right, sight 18 x 23 ¾”, frame 28 x 33 ½” with glass.

American, ca. 1820, early cove molded portrait frame. Rabbet 18" x 23 1/2", Overall 23" x 28 3/4", Molding 3".

American, ca. 1870, flat profile with flowers and vine on trellis decoration. Overall 31" X 38", Rabbet 16 3/4" X 23 1/2", Molding 7 1/2"

American, ca. 1940, having raked gessos. Overall 24 1/2" x 28 1/2", Rabbet 19 1/2" x 23 1/2", Molding 3".

American, ca. 1860, cove molded walnut frame with lemon gold liner, 22 1/2" x 34 1/4" overall, 16" x 28" rabbet, 3 1/2" molding.

AS I OPENED FIRE, triptych, three offset color lithographs, sheets 25 x 21”, frames 27 ¾ x 23 ½”. (3)

STILL LIFE WITH FLOWERS, oil painting on canvas, signed upper right, 29 ½ x 23 ½”, frame 34 ½ x 28 ½”.

HOLLEY, Lonnie (American, b. 1950). Portrait. 1995. Acrylic gouache on paper. Visible area: 29 ¾ x 22” Framed and glazed (frame size: 31 ½ x 23 ¾”). Signed on lower right co