Angie Yazzie. Taos Pueblo Melon Pot.

Angie Yazzie. Melon Pot. Taos Pueblo. Signed and dated, 2003. Mint condition. 6" h x diameter 10". Andrea Fisher Fine Pottery, NM. Purchased 2004, $750, original invoice included. Photo of artist at I

signed on base "Angie Yazzie Taos Pueblo N.M., 96", (Taos, born 1965), the thin walled, lobed pot with overall micaceous surface, firing clouds, 7 x 10 in.; together with a carved redware pot signed "

Angie Yazzie signed Taos Pueblo Native American micaceous melon jar with clouds measures 6.5 in. wide x 4.5 in. high x 4 in. across rim. No evidence of cracks or repairs. If lot is absent of a conditi

extremely light, with thin walls; in the form of a squash flower, signed and dated on base, height 6.75 in. x diameter 13 in. 2007 Included is a Second Place ribbon from SWAIA, Indian Market, judged b

4 7/8" diameter, 3 1/8" tall.

Chipped as shown. 6 1/8" diameter, 4" tall.

Andrew Padilla, Jr. signed Pueblo ribbed melon pot / vessel measures 4.5 in. high x 6.5 in. wide x 3.5 in. across rim. No evidence of cracks or repairs. If lot is absent of a condition report one may

Two Pots, Santa Clara Pueblo20th century, the first is a carved red melon pot (2 3/4 x 4 1/2 in.) signed on the underside by Effie Garcia; the second is a polished blackware vase (4 3/4 x 4 1/2 in.) s

Pam Lujan-Hauer(Taos, 20th/21st Century)Micaceous Pot with Turtle Lidfired clayinscribed: Pam / Lujan-Hauer / Taos Pueblo10 x 12 in. (25.4 x 30.5 cm.) Private Collection, New Mexico

To include a low bowl with lizard effigy, a more angular example with impressed roundels at the rim, and a covered pot with handles. Each is signed by Virginia T. Romero (1896 - 1998). Measures 4 x 9.

handcrafted Native American clay pot vase sculpted by M. Marcus in Taos Pueblo, New Mexico. Simple form with open mouth over sloped shouldered bulbous tapered body. Matte finish with a peppered sparkl

Large micaceous jar, pitcher, and small jar by Virginia Romero; Taos. Brownware bowl by Rowena Gibson, Taos. Lidded pot by Ethel Yazza, Picuris Pueblo. Dimensions: Largest jar 14" H x 9" diam Property

Includes pieces by Debra-Harvey, Santa Clara Pueblo, V.C. Jemez, and Ella Yazzie. Sizes range from approx. 1 in. H to 4 in. H. Weight 1.6 oz.

Framed oil on canvas painting, Taos Pueblo Rain Storm, signed lower center Porter (Dean A. Porter, Indiana, b.1939), dated 1997, sight: approx 47.5"h, 47.5"w, overall: approx 56.5"h, 56.5"w, 25.5lbs S

Gene Kloss(1903 - 1996)Christmas Eve - Taos Pueblo, 1946drypoint, Artist's Proof (edition of 75)signed lower right: Gene Klosseditioned and titled lower left: Artist's Proof Christmas Eve - Taos Puebl

Gene Kloss(1903 - 1996)South House - Taos Pueblo, 1941etching, edition of 75signed lower right: Gene KLosstitled lower left: South House - Taos Pueblo5 7/8 x 8 in. (14.92 x 20.32 cm.), Sheet: 8 7/8 x

Howard Cook American (1901-1980) Taos Pueblo Morning Smokes (Breakfast) woodcut, 1927 signed and dated in pencil lower right, signed in plate upper right Biography from the Archives of askART: Conside

Maria Martinez, Blackware San Ildefonso Pueblo Pot, signed "Maria + Santana" (1943-1954) 7" diameter, 3 5/8" , circa 1950

Albert Lujan (a.k.a. Weasel Arrow) (1892-1948) - Taos Pueblo, 17" x 20.75" framed. Signed lower right. Condition: Very good, some wear paint loss along the edges of the board. See additional images.Pr

Artist: Castan Title: Taos Pueblo Year: circa 1960 Medium: Oil on Canvas, signed 'Castan' l.r. Size: 23.5 x 47 in. (59.69 x 119.38 cm) Frame Size: 31 x 55 inches

Ansel Easton Adams (American, 1902-1984). "Taos Pueblo: Photographed by Ansel Easton Adams and Described by Mary Austin," Facsimile Edition, Boston: New York Graphic Society, 1977. Afterword copyright

Julian Robles(b. 1933)Christmas Eve - Taos Pueblooil on canvassigned lower right: Julian Robles / TAOS / [indecipherable]inscribed verso: "Christmas EVE - TAOS PUEBLO" / OIL 10x12 CAT # 1c-5

Ansel Adams book: Taos Pueblo The book cover is 17 3/4" x 13 1/4"

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis