Anton von Werner (1843-1915). Lithography "Confidential sub-rebug", 1867.

Framed charcoal drawing with colored chalk and watercolor washes on paper, Passing a Note, signed lower right A. Werner (Anton Von Werner, Germany, 1843-1915), sight: approx 12.25"h, 8.75"w, overall:

(Vienna, 1733 - Roma, 1808) Ritratto del Cardinale Carlo Rezzonico Olio su tela, cm 97X73 Provenienza: Italia, collezione privata Bibliografia: Mengs, La scoperta del Neoclassico, catalogo della mostr

William Samuel Parrott (American, 1843-1915) "Mt. Hood" oil on canvas signed lower right, a "William A. Kargas Fine Art, Los Angeles, CA" label with artist and title en verso. Period gilt frame. 42" x

Martin Brothers Pottery Vase with snakes England, 1900salt-glazed stoneware 11.25 h x 7.5 dia in (29 x 19 cm) This work originated in the collection of Sir William van Horne (1843-1915), presi

《 Donner Lake 》 Oil on canvas(1867-1915, USA, by John Englehart )

olio su tela, W. 150 - H. 200 Cm, Galleria Carlo Orsi, Milano, 1990

portrait of a girl; oil on canvas laid down on board; signed lower right; Provenance: exhibition and gallery label verso; 27 x 21 1/2 inches; 38 1/4 x 33 1/4 inches frame

Of imposing size, Anton Dominik Ritter von Fernkorn (Austrian 1813-1878) St. George and the Dragon, 1862, bronze with golden brown patination, signed A.v.Fernkorn and dated 1862, inscribed Wien. On ro

Alfred Von Wierusz-Kowalski (1849-1915), oil on canvas, Merry Ride (Horse drawn wagon with peasants), signed lower right: A. Wierusz-Kowalski, 31 1/2" x 41 1/8", Provenance: Estate of Stanislaw and An

after ALFRED VON WIERUSZ-KOWALSKI (Polish/Russian Federation/German 1849-1915) A PAINTING, "The Country Wedding Party," circa 1900, oil on canvas, signed L/L "C. Siojunow." 19" x 31 1/2"

Robert Motherwell (American, 1915-1991). This mixed-media lithograph is pencil signed and numbered (35/54) in its lower margin. This Mixed-media artwork includes lithography, collage, and embossing. I

AUGUSTUS BEAN (1850-1926) and RUDOLPH WALTON (1867-1951), TLINGIT, SITKA, ALASKA Seal Form Grease Bowl, c. 1910-1915 wood, opercula, abalone, and glass trade beads, 4.25 x 12.25 x 6.75 in (11 x 30.5 x

Attributed to Frank Lloyd Wright (American. 1867-1959) Pair of Arts and Crafts Leaded Glass Casement Windows, c. 1915-16 glass, oak H 39 1/2 x W 19 1/2 inches. These windows were purportedly removed f

European School (19th century), "Portrait of Duke Ernst I (Anton Charles Louis of Saxe-Coberg-Gotha, 1784-1844)," oil on canvas, unsigned, canvas (unframed): 26"h x 19"w. Provenance: Estate of E. von

H:21cm, Currency: Price In USD

***Auction Highlight*** 1895-o Morgan Dollar 1 Graded ms61+ By SEGS. A Corey's Pick, Bid to Win, Don't let it get Away, you might not find its equal Coin. I give this coin my highest recommendation

This is a very hard to find Soda Fountain collectable. It is a very unique nickel plated apparatus with an etched glass sign that reads "Hot Soda". Originally the Glass sign would rotate from the heat

CHINESE FAMILLE VERTE PORCELAIN SEED-FORM VASE19th CenturyWith enameled decoration of the The Monkey King presenting a peach to a child in a landscape with deer and other figures.Height 7.5". Mou

ZWEI SCHALEN MIT ''NINE PEACHES''-DEKOR, Porzellan, in den Farben der Famille Rose dekoriert, Pfirsichbaum und ein Lingzhie-Pilz, auf der Wandung stilisierte Ranken, Goldrand, Dm 18,3, min.ber., Boden

34. Art Nouveau Gold Dress Cane-Ca. 1890-18 karat yellow gold knob fashioned in a stretching mushroom shape and embellished with a flush set half pearl at the top and a row of square and calibrated,

Outsider/Folk Art-Sam Doyle "Dr. Buz". Paint on tin, signed, 26" x 33 3/4"Provenance Presently in the collection of Kentucky Folk Artist Greg Adkins ( Minnie's grandson and partner artist),formerly in

ANTON GIULIO BRAGAGLIA (1890–1960) | ‘The Cellist’, 1913 | Vintage silver print, sepia-toned, double-weight semi-matte paper on the original cardboard 34,5 x 31 cm, in excellent cond

aus dem persönlichen Besitz des Hauses Preußen Silber. Über quadratischer Plinthe trompetenförmig aufgewölbter Stand, umlaufend mit breitem Ornam

circa 1966; bronze wires with added patina; unsigned; Provenance: with Harry Bertoia Foundation certificate of authenticity; originally purchased at Fairweather Hardin Gallery, Chicago, 1966 by James