ANTONIO TEMPESTA (Florence 1555-Rome 1630) La dé

The Resurrection From The Passion' after Lucas Cranach the Elder (1472-1553)'Batavorum cum Romanis Bellum' after Antonio Tempesta (1555-1630). The Cranach image size 6.5 x 8.25, sheet size 7.5 x 9.25,

Florence Italy, 1555 - 1630 "Battle of Greeks and Trojans", 1st edition "Phaeton", 1st edition sight 5" wd. x 4" ht. Provenance: The Collection of the Art Academy of Cincinnati

By Antonio Tempesta, originally published by Giovanni Domenico de Rossi in 1645, hand colored and done on eight sheets which are mounted on linen. Unknown age. Dimensions: 43" x 97", folds into 22" x

Politianus, Angelus. SILVA CUI TITULUS RUSTICUS. Florence: Antonio de Bartolommeo Miscomini, 1483. Small 4to, 199 x 140mm. 11 leaves (of 12, final leaf in good facsimile.) In decorative paper covers.

circa 1873 oil on canvas signed and dated lower right Condition: with patch 30 x 39 1/2 inches

Herrera, Antonio de. "Segunda Parte de la Historia General del Mundo de XI Anos del Tiempo del Senor Rey Don Felipe II…". Madrid; Pedro Madrigal, 1601. Vellum bound, 4to (12" high). Some wear an

Breislak, Scipione Voyages physiques et lythologiques dans la Campanie, suivis d'un Mémoire sur la constitution physique de Rome. Mit 2 tls. gef. Tafeln u. 4 tls. teilkolor. Karten 2 Bde. Paris, Dent

Jose Vives-Atsara (Spain / San Antonio, Texas, 1919-2004), landscape inscribed "de la meva terra" (Catalan, "of my land"), ink and crayon sketch on paper sight: 5 x 8 in., frame: 13 x 15.5 in. Prove

19th C. Painting Edouard Cortes "Rue de la Madelaine". About Artist: Cortes was born on August 6, 1882, in Lagny-sur-Marne, about twenty miles east of Paris. His father, Antonio Cortes, had been a pai

Mexican retablo, depicting La Virgen de Apocalipsis, oil on copper, framed, circa 19th century sight: 16.5 x 12 in. / frame: 20 x 16 in. Provenance: a San Antonio, Texas collection We happily provi

after Antonio Lanzirotti (Italian, 1839-1921), signed "A.G. Lanzirotti Paris" and titled on base. 33"h

by Dante Alighieri (Italian, 1265-1321), illustrated by Salvador Dalí (Spanish, 1904-1989), Roma/Firenze (Rome/Florence): Arti e Scienze Salani, 1963-1964, six volumes (complete), one of 2,900 from a

Pietro Antonio de Pietri (Premia 1663-1716 Rome) Pope Paul III visiting the studio of Michelangelo to see the statue of Moses oil on canvas laid down on panel 28.8 x 23.7cm (11 5/16 x 9 5/16in). Footn

ANTONIO RODRÍGUEZ VALDIVIESO (1918 - 2000) Granada painter NIÑO DE LA OBRA, 1959 Oil on canvas of 80 x 117cm. Signed and dated in the lower right corner. Framed: 88 x 122cm. Valdivieso began

Mexican retablo, depicting La Alegoria de la Redencion (The Allegory of Redemption) , oil on tin, circa 19th century 14 x 10 in. Provenance: The collection of Joe and Jane Edwards, San Antonio, Texa

Mexican retablo, depicting Nuestra Senora de la Saleta, oil on tin, framed sight: 13.5"h x 10"w, frame:16"h x 12"w Provenance: The Collection of Chris Hill (San Antonio, TX) Please note: All the Me

JEAN-ACHILLE BENOUVILLE (1815-1891) Le colisée vu de la Domus Aurea Signée et datée : Ach Benouville Rome 1850 Aquarelle et réhauts de gouache blanche View of the Coliseum from the Domus A

ANTONIO MURADO LÓPEZ (Lugo, 1964). "Marañas", Madrid, 1996. Oil on linen. Signed, dated, located and titled on the back. With label of the Antonio de Barnola Gallery. Measurements: 116 x 130 cm

La Virgen de Fuencisla, Cusco School, 18th century, oil on canvas, framed, signed frame: 37"h x 30.5"w Provenance: A San Antonio, Texas collection Please note: All the Mexican folk art pieces in t

Sin Titulo, 1899 Conjunto de tres dibujos sobre papel Medidas: 63 x 48 cm (cada uno) Conjunto de dibujos realizados por el artista Antonio Cano y Louis François Biloul en París. El conjunto se c

Buen estado de conservacion.Coleccion privada.

GIORGIO DE CHIRICO (1888 - 1978) La partenza di Giasone 1966 Coloured litograph, ed. 2/99 Tav. V, Carlo Bestetti - Edizioni d'Arte, Rome (blindstamp) 49,5 x 64 cm Signed in pencil lower right, numbere

ALVAREZ, FRANCISCO-editor Noticia del establecimiento y poblacion de las colonias Iglesias en la America Septentrional. Religio... Madrid: Antonio Fernandez, 1778. First edition. Cream period vellum l

A gilt bronze figure titled La Musa by Giorgio de Chirico, 1974. The Muse is made in the form of an upright figure in the tunic of ancient Rome with a conventionally designated face with round eyes on