Artist Unidentified (20 th Century) (six)

ARTIST’S PORTRAITS: Matisse, Picasso, Braque, Chagall, Leger, & Bonnard, six lithographs, each signed and numbered 70/350 in pencil, sheets 19 ¾ x 13”, each stamped France on the r

Orange glass with LED light in cork cap with 8-foot green power cord, a signature not found, 9 x 17 x 13”, weight 10 lbs. From the Ellie Gorman Estate.

UNTITLED, acrylic painting on canvas, 32 x 36”, frame 35 x 39”. Retains Erika Meyerovich Gallery San Francisco label on verso of frame.

Emil Pooley Dancer Kachina, carved and painted wood with leather and yarn and horsehair and metal appointments, signed underneath, 16” tall; Mudhead Clown Kachina, carved and painted wood with l

SEATED GIRL IN RED DRESS, oil painting on canvas, signed lower left, 16 x 20”, frame 22 ¼ x 26 ¼”. From the Ellie Gorman Estate.

HUMMINGBIRD, 2009, oil painting on canvas with high gloss finish, signed and dated on verso, 8 x 6”, frame 10 ½ x 8 ½”.

UNTITLED, color pastel on black paper, initialed DZ lower right, 30 x 44 ½”, frame 34 ½ x 48 ½” with Plexiglas.

A CHILD’S THOUGHTS, painted stained glass with illuminated wood box, possibly signed lower center, 19 ½ x 11 x 3 ¼”. From the Ellie Gorman Estate.

THREE LADIES WITH FISH BASKETS, watercolor on paper, signed and or inscribed along the right side, sight 26 ¼ x 26”, frame 35 x 34 ½” with glass. From the Ellie Gorman Estate

UNTITLED, black acrylic free form sculpture with metal post and swivel stand, a signature not found, overall 16 ½ x 13 x 7 ½”. From the Beatrice Breslaw collection.

FULL CIRCLE, 1998, acrylic painting on canvas, signed and dated lower right and titled on verso, frame 36 ¼ x 38 ¼”.

FLORAL STILL LIFE, oil painting on canvas, signed lower right, Gabriel Van Thienen Brussels label on frame verso, 19 ¾ x 23 ¾”, frame 24 ¾ x 28 ¾”.

UNTITLED, watercolor on paper, signed or inscribed lower left, sheet 19 ¾ x 25 ¾”, frame 26 x 32” with glass.

FISHERMAN AT BEACH, 1900, oil painting on canvas, signed Ehrenburg and dated lower left, 21 x 30”, frame 26 ½ x 35 ½”.

STORE FRONT, acrylic painting on canvas with wood construction, signed lower right, 60 x 62 x 16”. Provenance: Orlando Gallery, Sherman Oaks, CA

TWO HANDS CHASING A FLY ACROSS THE HUMAN CONDITION, 1980, color etching, signed and numbered 4/7 in pencil, blind stamp lower right, sheet 33 ½ x 23 ½”, frame 37 ½ x 27 &fra

BOAT, 1953, oil painting on Masonite, signed lower left, signed and dated on the verso, 13 ¼ x 16 ¼”, frame 19 ½ x 22 ½”.

UNTITLED, 1995, paper collage with pencil and watercolor, signed and dated lower right, sight 10 ½ x 7 ½”, frame 19 x 16” with Plexiglas.

UNTITLED, 1975, objects and paper collage with acrylic and spray paint on panel, signed and dated lower center, sight 11 ¾ x 14”, heavy frame 20 ½ x 22 ½” with glass.

BLUE MOUNTAIN, color pastel on paper mounted to canvas, 16 x 24”, frame 23 ½ x 31 ½” with glass.

BATHERS, 1967, oil painting on paper or board, sight 12 ¼ x 14 ¼”, frame 19 x 21 ¼” with glass, label with name K. Amass and date on verso of frame.

UNTITLED, two etchings, each signed and numbered 4/5 in pencil, plates 21 ¼ x 16 ½ & 15 ½ x 16 ½”, each with full margins, frames 30 ½ x 26” & 27 x 26&rd

WINTER SCENE, oil impasto painting on canvas, signed lower left, 24 x 30”, frame 31 ½ x 37 ½”.

UNTITLED, acrylic painting on canvas, a signature not found, 36 x 48”.