”Astor Place”, Bo Kass

Louis Vuitton Monogram Vernis Astor Place Bag, 2000 Louis Vuitton Monogram Vernis Astor Place bag with shoulder strap and front buckle closure. Label: Louis Vuitton Style/Serial Number: SR0070 Detaile

Depicting a New York City subway station and a modern woman walking towards the station. Signed l.l. DiCicco and signed, dated and titled verso. 8 1/2"h x 11"w

Two (2) 3.3 fl oz (100ml) bottles of Bond No. 9 Eau de Parfum spray in original bottles. Presented in original Pop Art style star form bottles. Includes: one (1) Astor Place eau de parfum (having appr

Alexandra Dell 'Amore Subway Tracks, Astor Place NYC 1992 Honorable Mention Pen and Brush Dimensions: H: 18 inches: W: 24 inches: Frame Height: 19.5 inches: Frame Width: 25 inches --- -- This painting

Under of piece has tag which reads LAURICE & CO. Front of bottle reads BOND NO 9 NYC ASTOR PLACE. Perfume bottle partially full. Piece has multi toned geometric detail. Measures approx 5.5 inches tall

Bernard J. Rosenthal aka Tony Rosenthal (American 1914-2009) "Coriolis, A Bench", Painted Steel, 1996. Known for Large Public Geometric Abstract Sculpture, ex. "Alamo" at Astor Place in Manhattan NYC.

"Indian Blood", oil on clayboard, unsigned on face, titled on Freemans label verso, and inscribed by the artist: "Indian Blood, for Melonie, Aug 9, 1998, Port Clyde, Maine, with chemistry, Bo". Housed

Including: NANCY ASTOR VISCOUNTESS (LADY ASTOR) (1879-1964) first woman MC; JAMES G. BLAINE (1830-1893) US Senator from Maine; JOHN DIEFENBAKER (1895-1979) Canadian PM; JOHN FOSTER DULLES (1888-1959)

Heading: (Family Dog) Author: Mouse, Stanley Title: Bo Diddley and Big Brother and the Holding Company at the Avalon Ballroom - August 12-13, 1966 Place Published: San Francisco Publisher: Date P

Heading: Author: Mouse, Stanley and Alton Kelley Title: Earthquake. Bo Diddley / Big Brother & the Holding Co. at Avalon Ballroom Place Published: San Francisco Publisher: Date Published: 19

LOCKPORT MASON JAR WITH ZINC LID, HOTEL ASTOR COFFEE PAPER BOX AND PHILIP MORRIS CANNED CIGARETTES Size: JAR 5" H Terms: PLEASE READ THIS CAREFULLY AND FULLY BEFORE BIDDING - THIS IS AN ON-SITE AND LI

"Study for Lighthouse", 2003, mixed media on toned board, signed lower left, titled and dated on Frank E. Fowler of Lookout Mountain, TN label verso (Representing Andrew Wyeth). Housed in water gilt m

"Kyle and the Influence", 2000, mixed media on board, signed lower right, titled and dated on frame tag, Christie's labels verso, in silverleaf mitered molded frame, under linen mat with silver edge,

"The Pantry", 1969, watercolor on paper, signed lower right, titled and dated on Nicholas Wyeth of Cushing, Maine label, also with labels from Special Exhibition at Boston Museum of Fine Arts & a 1973

"Boatman Delivering Goods on the South Fork Shenandoah River, Virginia", c1850s, oil on canvas, unsigned, depicting cattle at a fork in the river, single boatman hauling material downstream, mountain

Cubist Landscape, oil on canvas, signed lower left 'Alb. Gleizes' and dated 1914, a polychrome orchestration of linear and circular forms, having black cartooning. Housed in a contemporary gilt frame

Color Composition, impasto oil on canvas, signed lower right, a blended confetti of pale teal, pink and yellow, unframed, SS: 28 3/4" x 23 1/2", very good condition.

"Campbell's Soup I (Tomato)", 1968, serigraph on paper, signed verso and stamp numbered 28/250, from Campbell's Soup I (F. & S. II.50), (there were also 26 artist's proofs lettered A-Z), published by

Magnificent and Monumental Carved and Painted Figure of Guanyin, 1450-1495, with 18th and 19th c. embellishments, crafted of bai and camphor wood with layers of polychrome lacquer and pure pigment, wi

"Minotaure Aveugle", from the Vollard Suite, pencil signed in margin, ed. 97, Picasso watermark on left hand margin of print, in gilt molded frame, linen mat with gilt liner, glazed, OS: 19 1/2" x 23

"Sir William Headworth Williamson, 10th Baronet", 1924, charcoal on paper, signed and dated along bottom, labels verso from Adelson Galleries of NYC and John G. Hagan of Westwood, Mass. Housed in a re

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

"Listen Lord", oil on canvas, signed verso "A. Douglas", signed and numbered on stretcher in pencil, a New Negro Art Movement / Harlem Renaissance era book illustration for James Weldon Johnson's book

"Banks of the Loire", depicting mother and daughter picking lilies at the river's edge, circa 1880, oil on canvas, signed lower right, titled on tag, housed in an ornate matched corner gold gesso fram