Attributed J.F. PETO (1854-1907) American

In the Manner of John Frederick Peto (American/Pennsylvania, 1854-1907), "Still Life of Flowers," oil on board, signed "J.F. Peto" lower right, presented in a gilt wood frame, H.- 24 in., W.- 19 7/8 i

Attributed to John Frederick Peto, "Lodging" – books and a candle on a shelf, oil on board, 10 x 11 ¾ inches. Signed lower left.

J.F Peto (American, B. 1854-1097) "Still Life". Signed. Oil on Canvas. Measures 15.5 inches high x 19.5 inches wide in a 3 inch frame. Overall Piece measures 20 inches high x 24 inches wide.

Oil on canvas. 5 x 6 1/2 in. Featuring an incredible level of detail in such an intimate painting, Ginger Pot, Cake, Lemons perfectly communicates the loveliness of teatime. Peto often looked at objec

Henry Pember Smith (American, 1854-1907), Landscape with Cottageoil on canvas, signed at lower right, presented in a period style gilt frame branded "Wiley's." Stretcher size 10 x 14 in.; Frame dimens

A 19th century antique oil on canvas painting by Henry Pember Smith (American, 1854-1907) depicting a mountainous European seaside village with several small boats approaching the shore. It is signed

Spring". Signed lower right, plaque on frame. Henry Pember Smith (American, 1854 - 1907). - Dimensions: 22" high x 30" wide.

Henry Pember Smith(American, 1854-1907)Country Cottageoil on canvassigned lower left21 x 27 1/4 inches (sight)30 x 36 1/4 inches (frame)

(American, 1854-1907). "Summer at Chesterfield, Connecticut," oil on canvas, signed "Henry P. Smith" lr, 14 x 18 in., framed

Henry Pember Smith (American, 1854-1907) Oil on canvas. Signed 'Henry P. Smith' (on reverse). 22 x 30 in.

Smith, Henry P. (American, 1854-1907). Oil on canvas. Landscape. Signed l.l. 11 3/4" x 15 1/2".

Henry Pember Smith (American, 1854-1907)Wooded landscapeoil on canvassigned lower right HENRY P. SMITH28 x 20in (71 x 51cm)

Henry Pember Smith (American, 1854-1907)Wooded landscapeoil on canvassigned lower right HENRY P. SMITH28 x 20in (71 x 51cm)

Charles Henry Alston (American, 1907-1977)Attributed: Oil on canvas, signed lower right. Br> Charles Henry Alston was an African-American painter, sculptor, illustrator, muralist and teacher who lived

Henry Pember Smith (American/Connecticut, 1854-1907), "On the Flanders Road, East Lyme, New London, Conn.", oil on canvas, signed lower right, 14 in. x 20 1/8 in., framed.

HAROLD HACKER (AMERICAN, 1907-1989) ATTRIBUTED FLORAL LAMPWORK STUDIO ART GLASS PAPERWEIGHTS, LOT OF TWO, each having a central flower with six small blooms to the exterior, each having six green leav

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL PAINTED PLASTER MAQUETTE BUST OF PRESIDENT GEORGE WASHINGTON (1732-1799), unsigned. Third quarter 20th century. 21 1/2"

JAMES VINCENT CUPOLI (AMERICAN, 1907-2002), ATTRIBUTED, LANDSCAPE PAINTING, oil on canvas, a moonlit scene in the Impressionist style with elements of impasto, no signature located, retains an old typ

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL PLASTER MAQUETTE FRAGMENT BUST OF UNITED STATES SPEAKER OF THE HOUSE SAM RAYBURN (1882-1961), unsigned. Circa 1960. 10&q

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL GEORGE WASHINGTON SCULPTURE MOLD, bust-length depiction. Third quarter 20th century. Approximately 24" H.Catalogue Note:

FELIX WEHLS DE WELDON (AUSTRIAN-AMERICAN, 1907-2003), ATTRIBUTED, ORIGINAL COLOSSUS SCULPTURE MOLD, after the Colossus of Rhodes. Third quarter 20th century. Approximately 26" HOA.Catalogue

Oil on canvas, framed. Featuring a portrait of a man. Signed Bill Traylor on the lower left corner. Attributed to Bill Traylor (1854-1947, American). 43 x 39 cm (17 x 15.5 inches). Framed size: 51 x 4

Gouache and pencil on paper depicting two men boxing attributed to Bill Traylor (American, 1854-1947). Signed in pencil lower right. Includes Hill Gallery, Birmingham, Michigan receipt from 1983. View

Attributed to Andrew Wyeth (American, 1907-2009). A pencil sketch portrait of male figure. Attached is a letter from Frank E. Fowler stating that the grouping of drawings was from the estate of N.C. W