Attributed to Ferdinando Galli Bibiena (1657-1743): A

(Bologna, 1657 - 1743) Capriccio architettonico Matita su carta, cm 21X30 Il disegno reca un'attribuzione a Ferdinando Galli Bibiena e si potrebbe riferire al suo momento farnesiano, ma nel suo moment

École italienne du XVIIIe siècle, suiveur de Ferdinando Galli BibienaProjets pour un palais(recto - verso)Crayon et encre brune18th century Italian school, foll. of F. G. Bibiena, Project for a pala

Giuseppe GALLI BIBIENA 1696-1757 Ecce Homo. XVIII secolo Acquaforte. 490x320 mm. Piccoli margini. Immagine riquadrata con linea nera. Filomargine. Nel margine superiore a dx. “P. III. Tracce di

Giuseppe GALLI BIBIENA 1696-1757; 1737-1825Different Royal Gardens.post 1750 - ante 1774Incisione su rame. 355x495 mm. Ampi margini. Iscrizioni: sotto l’immagine, a sinistra “J.B. Bibiena

Giuseppe GALLI BIBIENA 1696-1757Royal Courtyard with view.post 1750 - ante 1774Incisione su rame. 360x484 mm. Ampi margini. Iscrizioni: sotto l’immagine, a sinistra “J.B. Bibiena inveni et

Giuseppe GALLI BIBIENA 1696-1757; 1737-1825Royal Square.Bassano, Remondini, post 1760Incisione su rame. 315x480 mm. Margini. Iscrizioni: sotto l’immagine, a sinistra “Bibiena inv.”;

Antique ITALIAN Milanese INLAID and PENWORK EBONISED Secretary writing DESK. A LATE 19TH CENTURY fine desk Attributed to FERDINANDO POGLIANI of Milan Italy with possible Ivory in lays. Measurements 42

MICHAEL DAHL (SWEDISH-BRITISH, 1659-1743), ATTRIBUTED, PORTRAIT OF PHILIP BYERLEY, oil on canvas, striking three-quarter length depiction of a standing figure wearing large powdered wig, vibrant red c

Nice early tiger maple violin and case labeled Carlo Ferdinando Landolfi 1743. Has an old finish, looks to be in good condition, consistent with age.

Carved marble grouping. Young Girl with Mandolin. Attributed to Ferdinando Vichi; 23in.H. x 5in.W. x 7in.D.

Attributed to Ludwig Galli (active c. 1715): Portrait Richard Jones, Age 10 Oil on canvas, unsigned, titled on an old paper label on the stretcher, lined. 26 1/2 x 30 1/2 in., 37 1/4 x 33 in. (frame).

Italy, 1970s, 77x45 cm., brass and perspex table lamp, complete with fabric lampshade

English, early 18th century oil on canvas depicting a young boy, identified as Richard Jones, in fine clothes with two doves, attributed to Ludwig Galli, 26" x 30 3/4" canvas.

Attributed to Hyacinthe Rigaud (1659 - 1743), King Louis XIV, oil on canvas, unsigned, Groussay Sale 1999 by Poulan Le Fer in cooperation with Sotheby's. 33" x 26".

Fine portrait of a soldier (knight?) with coat of arms in the top right corner.Canvas.Formerly attributed to Hyacinthe Rigaud (1659-1743). This portrait bears some resemblance to a drawn male portrait

attributed SPOLVERINI, Ilario Mercanti, (Italian, 1657-1734): 17th/18th Century old master depiction between the Turkish and Christian cavalry, Oil/Canvas, no visible signature, several older labels v

the first: Carlo Maratta (1625-1713), The Virgin and Child with the Young St. John the Baptist, on cream laid paper; the second: a nativity scene attributed to Bartolomeo Biscaino (1629-1657), sheet t

Michael Dahl (attrib.), oil on canvas, Attributed to Michael Dahl (Swedish, 1659-1743), portrait of a gentleman, no signature observed, auction labels verso, 49"h x 39"w (sight), 58"h x 47.5"w (frame)

Mark of Zhang Xuezeng 署名 张学曾, scroll painting, Attributed to Zhang Xuezeng (Chinese, active 1590-1657), Landscape after Huang Gongwang, ink in colors on silk mounted

Richard Earlom (British, 1743-1822) After Frans Snyders (1579-1657) Published by John Boydell, London, 1 December 1778 A Concert of Birds, 1778 engraving 14 1/4 x 22 1/4 inches. This lot is located in

A Chinese painting depicting vegetables, ink and color on paper, inscribed with seals, attributed to Qi Baishi. Height 40.5" Width 13"

Attributed to Pieter van Bloemen, called Standard (Antwerp 1657-1720) Horses and figures outside a stable oil on canvas 49 x 61.5cm (19 5/16 x 24 3/16in).

(South Carolina/Pennsylvania, 1743-1812) Portrait of a Lady, unsigned, oil on canvas, 30 x 25 in.; painted wood frame by Perry Hopf, Maine, gilt sand panel, 35-3/4 x 30-3/4 in

Continental School oil on board portrait of a gentleman, identified as Ferdinand III, Holy Roman Emperor (1608-1657). Ferdinand III is depicted as a middle aged man in 17th century armor and partially