Attributed to Thomas Barker of Bath, 18th / 19th

Attributed to Thomas Barker of Bath (1769-1817) British, watercolor. Barker was heavily influenced by Gainsborough. He became highly popular in the first half of the19th Century and was extremely prol

Manner of Thomas Barker of Bath (WELSH, 1769–1847) oil on panel, Landscape/Pasture with animals and herdsman, in early 18/19th Century Frame, panel size 8-1/4 x 11-1/2 inches

19TH C. FRAMED OIL ON CANVAS PORTRAIT OF THOMAS CAMPBELL (POET, AUTHOR OF "THE PLEASURES OF HOPE" 1777-1844), ATTRIBUTED TO SIR THOMAS LAWRENCE; ALONG WITH AN 18TH C. QUEEN ANNE MAHOGANY DEMI-LUNE TEA

Thomas Barker of Bath (United Kingdom, England, 1769 - 1847) Oil on canvas painting of figures on a pathway. Signed and dated lower left. Sight Size: 40 x 30 in. Overall Framed Size: 46 x 35.5 in.

ARTIST: Thomas Barker of Bath (United Kingdom, 1769 - 1847) TITLE: Resting Travelers MEDIUM: oil on canvas CONDITION: Relined. Minor scratches/paint losses. No visible inpaint under UV light. ART SIZE

oil painting on canvas, c1800, comes with a non guaranteed COA from Global Fine Art, 29" X 33" some rough spots on corner of frame, frame is very heavy

After Thomas Barker of Bath. Watercolor depicting a bustling port. Unsigned. Minor surface grunge and toning, various light nicks/scrapes, some foxing. Image 26 x 20 1/4", under glass and framed, 35 3

After Thomas Barker of Bath (English, 1769-1847) mezzotint of The Woodman and his dog. Engraved by Francesco Bartolozzi (Italian, 1727-1815) Sight: 11 3/4" H x 8 1/2" W. Frame: 17" H x 12 3/4" W.

ATTRIBUTED TO THOMAS JONES BARKEREngland, 1815-1882"Landscape with Two Donkeys and a Peasant Boy". Signed illegibly lower left. Titled on label verso, which also notes the artist as "T.

Joseph Barker of Bath (early 19th century) Joseph Barker of Bath (early 19th century) A wooded landscape with figures and cattle on a path at dusk signed 'J. Barker' l.l., oil on canvas 76 x 63cm Cond

O/C RIVER VIEW ATTRIBUTED TO THOMAS CHAMBERS NEW YORK 19THC. UNSIGNED CANVAS STENCILED I. W. GEAR NEW YORK 1866 No 1067 18" X 24"

After Thomas Green (British, 18th/19th Century) From 'Universal Herbal, vol. 1'. Two hand-colored engravings dated to 1820. Together with three color lithograph botanicals 8" x 9.75" Frame: 14.5" x 16

Oil on artist board. Gilt framed. Signed lower right indistinctly. Attributed to Thomas Buttersworth. 19th century. Approx. 5 1/2" x 9" sight, 10" x 13 1/2" frame.

THREE CERAMIC EYE BATHSEnglish, 18th to 19th century. Two with circular footing including one with "Hunstanton St. Edmunds", another plain white with circular footing, the last stemless also of plain

Cattle watering oil on paper 15 x 22cm33 x 40cm (framed)

Group of (3) Irish George III sterling silver table articles, Dublin, to include: stuffing spoon with strainer, 1805; footed creamer, possibly Thomas Baker, late 18th/early 19th century, with engraved

Thomas Hellyer (late 18th/early 19th century), "The Stray'd Favorite Restored: Le Favori Recouvre," 1798, stiple engraving, after a painting by William Redmore Bigg (1755-1828), overall (with frame):

(lot of 3) Attributed to Christian Ahrbeck, (18th/19th century), Three Portraits, mixed medias, each unsigned but artist labels affixed verso possibly identifying the sitter, overall (oval framed/each

An English Majolica Jardiniere attributed to thomas forester, late 19th century of tapering cylindrical form, modeled to show a continuous band of deer in a forest against a cobalt ground. Height 9 7/

A DUAL SIDED PARCEL GILT POLYCHROME CHINOISERIE PANEL FRAGMENT, ATTRIBUTED TO VENICE, ITALY, 18TH/19TH CENTURY, oil, gesso, gilt on board, one side painted as an arched window centering a "Tree of Lif

Thomas and William Daniell (British, 18th-19th Century) Two Hand-Colored Aquatints. 'A Baolee Near the Old City of Delhi' 1802, and 'The Entrance to Kailasa' engraved by Thomas Daniell after James wal

18th or 19th Century Oil on Canvas PaintingSigned G Barrier attributed to Gustave Barrier, 18th or 19th Century Oil on Canvas Painting depicting a 3/4 length portrait of a courtier noble31.75"H x .75"

Attributed to Matthew Egerton (American, 18th/19th C.). Mahogany, brass. c. 1800-1810. Height: 30", Length: 19 1/2", Depth: 15 1/2". Hepplewhite inlaid mahogany sewing stand with concave front, one dr

English Act of Parliament japanned clock case, 18th/19th c., signed "Thomas Hackney", 63"h x 31"w x 9"d Provenance: Property from a Major Corporate Art Collection