Audubon, NYSE Best Watercolor Ed - Pair: Brown Pelican & Reddish Egret

This exquisite large folio bird print is from the commission of The New-York Historical Society Edition of Audubon's Fifty Best Watercolors. The work was done by the New-York Historical Society and Op

Oppenheimer Audubon Plate 421 Brown Pelican, Young, J. J. Audubon's 50 Best Watercolors - The New-York Historical Society Edition, signed and numbered on back of print, 25/200, unframed, sheet size 23

Oppenheimer Audubon Plate 256 Reddish Egret, J. J. Audubon's 50 Best Watercolors - The New-York Historical Society Edition, signed and numbered on back of print, 25/200, unframed, sheet size 25.5" x 3

Oppenheimer Audubon Plate 251 Brown Pelican, J. J. Audubon's 50 Best Watercolors - The New-York Historical Society Edition, signed and numbered on back of print, 25/200, unframed, sheet size 37.75" x

Oppenheimer Audubon Plate 421 Brown Pelican, Young, J. J. Audubon's 50 Best Watercolors - The New-York Historical Society Edition, signed and numbered on back of print, 25/200, unframed, sheet size 23

After John James Audubon (American, 1785-1851) Reddish Egret. Color offset lithograph from "Audubon's Fifty Best Watercolors" with blindstamps of New York Historical Society and Oppenheimer Editions,

After John James Audubon (American, 1785-1851) Brown Pelican, Young. Color offset lithograph from "Audubon's Fifty Best Watercolors" with blindstamps of New York Historical Society and Oppenheimer Edi

[NATURAL HISTORY] (AUDUBON, John James, after) 48 chromolithographs from The Oppenheimer Field Museum Edition of Audubon's Fifty Best, on rag watercolor paper, sheet 38 5/8 x 25 3/4 in. or 25 3/4 x 38

Pair of Ib Kofod-Larsen "Elizabeth" Chairs , designed 1956, model U-56, teak and original reddish brown leather, unmarked, h. 28 in., w. 31 in., d. 29 in

19th century; each with rectangular top inset with a scagliola panel in cream with reddish-brown linear borders, over a plain frieze on columnar legs joined by a wavy X-form stretcher, on flattened bu

18th cen bronze Lohan of Sino Tibet influence, rich reddish brown patina, heavy in cast, measures 7.5" in height, 5" in width; Provenace: from a Northeast Coast Collection

wood, rich reddish brown shiny patina, black paint, abundantly adorned (three strings of glass beads/coconut discs each), encrusted with camwood powder, slightly dam., insect caused missing parts, cra

A pair of cufflinks tested at 14K gold with satin finish and "JL" on the front, each engraved "To My Best Man From Dr. Ed 11-25-89" on the back; a pair of 14K gold "JL" cufflinks with the letters sepa

A Roman marble mosaic panel Circa 2nd-4th Century A.D. Comprised of delicate polychrome tesserae in shades of cream, grey, brown, reddish brown and green, the scene dominated by the torso of a horned

Walter Lamb Sleigh chairs model C-5720, pair Brown JordanUSA, c. 1950bronze, cotton-nylon cord 30 h x 23 w x 30 d in (76 x 58 x 76 cm) Literature: Walter Lamb, ma

Paper manuscript of 160 pp. numbered plus some white at the end, 160 x 202 mm., written by a single hand, with diagrams, drawings, tables, moving parts, schemes, mostly watercolored, datable to around

Rare Tiffany Studios, New York Pond Lily Table Lamp Early 20th century. On a bronze decorated cushion base with reddish-brown patina. Shade impressed 'TIFFANY STUDIOS NEW YORK 1490-8'. Base impressed

明 红皮压经炉 Ming, Bronze Censor with Reddish-brown Patina 高(Height):8.5cm 宽(Width):19.8cm 重(Weight):2348g

circa 1898-1899; woodcut in black, hand-colored in violet, green and reddish brown, on Japon paper, framed floating under acrylic; Mongan, Kornfeld and Joachim's Edition A (of D), the only entry, a un

Edgar Brandt bronze lamp base is in the form of a coiled Cobra resting on a circular bronze platform. The bronze is finished in a reddish brown patina with dark brown highlights. The snake holds an in

Lwalwa D.R. Congo carved wood mask, with protruding domed forehead, nose, and mouth, in a typical reddish brown wood patina of age and use, largest: 11"h x 8"w x 7.5"d. Provenance: Property from the e

Dark reddish brown ink drawing on wove paper, landscape with distant buildings (possibly a study for a painting), attributed* to/in the manner of Vincent van Gogh (1853-1890). Signed lower left quadra

STEINBECK, John (1902–1968). The Grapes of Wrath. New York: The Viking Press, [1939]. 8vo. Original publisher’s beige cloth stamped with line drawings in reddish–brown, a portion of

Charles Marion Russell Lone Wolf Bronze Sculpture with Reddish Brown Patina Circa 1941-1943 Aprox. 6 inches in Height Edition 4 of 5 Inscribed and Stamped Nelli Art Bronze Works Deluxe Fine Art LLC ac