Bernardo Bellotto (1722-1721)-follower

Bernardo Bellotto (Italian, 1721-1780) Perspective de la Place de la grande Garde, 1750 etching 20 3/4 x 31 7/8 inches. Literature: De Vesme 15

Bernardo Bellotto (Italian, 1721-1780) Perspective de la galerie et du Jardin de son Excellence Monseigneur le Comte de Bruhl, 1747 etching 20 7/8 x 32 1/2 inches. Literature: De Vesme 10

(Nove, 1824 - Venezia, 1884) Veduta Olio su tela, cm 65X131 Provenienza: Venezia, Semenzato, 25 aprile 1993, lotto 69 (come attribuito a Bernardo Bellotto) Londra, Christie's, 6 dicembre 2006, lotto 1

(after) Bellotto Bernardo (1720-1780) Photochrom Art Print. Measures 29 1/2"x 17 1/2" framed. Good Condition.

AVATARA Scarce series of original engravings of 1721-1722 representing Avatara or the ten incarnations of Hindu God Vishnu finally engraved by Bernard Picard (1673-1733). The eight incarnation is Kris

A collection of 12 various disbound British Abstracts of "Publick Acts." All folio (each varying very slightly in height.) All printed in London, dates varying: 1721, 1722, 1724, 1726, 1728, 1748, 175

Title: 1722 English Act Shipwrecked Mariners Off Portugal Publishing: Passed in 1721 and printed here 1722, London English Act of Parliament for relief of shipwrecked Mariners and Distressed subjects

English Act passed in 1721 and printed here in 1722 during the reign of King George I regarding punishment for mutiny and desertion. Decorative cover leaf, and pages 107-134 complete. In black letter.

[GREAT BRITAIN] A Collection of Twelve Georgian Copper Coins comprising: George I 1720, 1722 and 1723 half-penny, George I 1721, 1723 and 1724 farthing, George II 1739, 1742, 1745 and 1750 half-penny

Follower of Jean-Antoine WatteauFrance, The Netherlands, (1684-1721)L’Accordee de Villageoil on canvasan early copy from the original in the collection of Sir John Soane’s Museum of London, gilt-f

MäRKLIN track 0, R890, tow-tender-locomotive B, green / black, clock mechanism is intact, used good, 2 passenger coaches, 1721, green and red, good condition, 1 baggage coach, 1722 German Description

A RARE LARGE PAIR OF EARLY 20TH CENTURY CHINESE FAMILLE VERTE CHARGERS Late Qing/Republic bearing Fang Gu Ruo Shen Zhen Cang marks to top. 33 cm diameter.

A SUPERB 18CT GOLD AND DIAMOND SCREW BANGLE set with six single stone diamonds and twelve rows of eighteen small diamonds

Heisey #5035 Bernard 9” footed vase with elaborate oriental scene cutting depicting man fishing, woman feeding ducks & woman reaching for fruit and a deer is beside her, cut by Willabard or Emil

Includes scarce original box with beautiful paper label of early dreadnought style boat. Some paint flaking and wear where super structure meets hall. Box is original but maybe not to this boat. Condi

Andy Warhol Apple Macintosh Original Serigraph Silkscreen Trial Proof 38x38 inches includes certificate and official stamp for Andy Warhol and his publisher Ron Feldman. 1985

A floral chain zigs, zags and runs straight to enclose four speckled petal palmettes in rose-coral and dark brown on the sandy straw ground. Additional flower sprays contour the chains’ curves.

Various sizes and medium, all unframed

(Campo Ligure, 1581 - Venezia, 1644) Santa Apollonia Olio su tela, cm 71X56 Provenienza: Roma, collezione Chigi Roma, collezione del Marchese Franco Navarra Viggiani Roma, Jandolo (1950) Londra, merca

CHINE - Epoque KANGXI (1662 - 1722)Bol a bord evase en porcelaine decoree en bleu sous couverte de trois beliers parmi les pins. L'interieur orne d'une qilin. Au revers, la marque apocryphe de Jiajing

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

Follower of CANALETTO (Italian, 1697-1768), The Grand Canal, Venice, oil on canvas (laid to board), canvas: 26 x 35 inches, framed: 27.75 x 37 inches, not signed.

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) The Madonna oil on canvas, possibly a fragment 48.4 x 37.8cm (19 1/16 x 14 7/8in). Footnotes: Provenance Priva