Bruce Conner framed pencil signed & numbered 22/25 etching "Geryon" 1957 10 3/4" x 12 3/4" O.D.

Bruce Conner framed pencil signed & numbered 22/25 etching "Geryon" 1957 10 3/4" x 12 3/4" O.D. with accompanying book "The Bruce Conner Story" - etching pictured on page 101 with other ephemera inclu

Pencil signed lower right, titled numbered 34/150 lower left. Dimensions: Framed: H 17" x W 18" Sight: H 10.5" x W 12.75" Condition: Light age toning to paper. Small chips to frame.

Alexander Calder large framed pencil signed & numbered 100/150 lithograph - 36 3/4' x 49 1/2" O.D.

Eugene Larkin framed pencil signed & numbered 28/ 65 print "The Violinist" 26 3/4" x 37 1/2" O.D.

DOROTHEA TANNING (M.929), 1974, color lithograph on Arches 1970’s watermarked paper, signed in pencil, numbered 10/60, sheet 15 ¾ x 20 ½”, printed by Mourlot, framed, extremely pale toning at sh

Hosford H(Harry) Lindley framed etching "Foshay Tower" - pencil signed & numbered 6/45 - 18 3/4" x 25 1/2" O.D.

K’O SZI HORSE & RIDERS, colored etching, signed and numbered 38/75 in pencil, image 8 ¾ x 10 ½”, handsomely frame 17 x 18 ½” with glass.

J. Leone original etching. Signed in pencil lower right. Numbered "43/100" in lower left in pencil. Image size 3" x 4" (7-½cm x 10cm), sheet size 10" x 12-¾" (25-½cm x 32cm). Sheet is folded at the

COMPOSITION, 1962, etching, signed and numbered 15/60 in pencil, plate 4 ½ x 5 ¾”, sheet 10 ¼ x 7 ½”. Provenance: Jack Rutberg Fine Art.

BETTE MIDLER, 1980, etching, signed in pencil, numbered XXVIII/XXX (28/30), plate 14 x 10 ¾”, full margins, framed.

TWO CHILDREN, sepia color etching, signed and numbered 27/125 in pencil, plate 10 ½ x 13 ¾”, full margins, frame 24 x 27” with glass.

CAROL CHANNING IN HELLO DOLLY, 1977, etching, signed in pencil, numbered 113/150, plate 12 ¾ x 9 ½”, full margins, framed.

BACHELORS (R.77), 1981, color mezzotint, a green variant other than Restany illustrates, signed and titled in pencil, numbered 54/100, image 13 ½ x 10 ¾”, full margins, framed.

SOUTINE, etching, signed in pencil, numbered 47/50, plate 8 ¾ x 7 ½”, sheet 17 ¼ x 15”, framed with glass.

THE GENERAL, aquatint and etching, signed in pencil, numbered 19/100, plate 14 ¾ x 17 ½”, full margins, framed with glass.

LE BOMBE ET LE COQUILLAGE, 1965, aquatint etching, signed and titled in pencil, numbered 183/210, plate 10 ½ x 10 ¾”, sheet 18 ¾ x 15”.

SCENE MYTHOLOGIQUE (Bloch 1398), 1966, drypoint etching and scraper, signed and numbered 16/50 in pencil, plate 10 ½ x 15 ¾”, full margins, frame 23 ½ x 26 ½ x 2&rdqu

UNTITLED from the Holy Land Series, etching, signed in pencil, numbered 23/50, plate 25 ¼ x 36 ¾”, sheet 29 ½ x 41 ¾”, framed, some surface dried bug debris in the lower margin, otherwise in a

WINTER HOME, etching, signed in pencil, from the numbered edition of 70, image 4 x 4 ½”, sheet 6 ¾ x 10 ¼”, in good condition.

COUPLE, etching signed in pencil, numbered 12/19, plate 10 x 7 ¾” sheet 15 ½ x 13”; COUPLES, etching, signed in pencil and inscribed trial proof, sheet 5 ½ x 4”, DREAM, color lithograph, sign

THE GENERAL, aquatint and etching, signed in pencil, was numbered 80/100 (erased), plate 14 ¾ x 17 ½”, full margins, framed with glass.

ROYAL INSECT (F.74-10-Q), 1974, four-part color lithograph, signed in pencil, numbered 220/250, overall 59 ¾ x 63 ½" including frame. Bruce Hochman OS has kindly confirmed the authenticity of this l

UNTITLED, 1974, two color linocuts, each signed and dated in pencil, one numbered 5/5 and the other inscribed AP (artist’s proof), images 10 x 13 ¼” & 15 ¾ x 12”, full margins, both framed. (2

STREAM; PANIC, two color etchings, each signed in pencil, from the numbered editions 35, images 8 ½ x 5 ½”, sheets 10 x 6 ¾”; FOUR WINDOWS, color etching, signed in pencil, from the numbered ed