C. Pierre Latour - Cloister Arches

C. Pierre Latour (French, 1935 - 2006) Cloister Arches, oil on canvas. Signed lower left. Dimensions: 30 x 40" unstretched (HEAR596)(EL)

Lot 71 Pierre Latour Brazilian (1935-2006) Cloister Arches (20th Century) oil on canvas (unstretched) signed lower left 44 x 33 1/2 inches Provenance: from the collection of a fourth-generation New Yo

C. Pierre Latour (Brazil, 1935 - 2006). Courtyard Arches, oil on canvas, signed lower left. (HEAR221)(EL) Dimensions: 30 x 24" unstretched

(French, 1935-2006). Signed "C. Pierre Latour" ll, 36 x 45 in., framed; Renaissance Fine Arts, Baltimore, MD label on verso

C. Pierre Latour(1935-2006) Oil on Canvas Flower Market. Gallery framed in gilt wood frame with linen liner. Measures 27"x32"x2" in frame. Weight 8 pds. PROVENANCE: A Private Charleston SC Estate. Lui

C. Pierre Latour (French, 1935 - 2006). Group of four oil on canvas, all signed.Dimensions: Largest 20 x 24.5 unstretched Shipping is the buyer's responsibility! We recommend obtaining a quote from a

C. Pierre Latour (French, 1935 - 2006) View of Italian coast, oil on canvas. Signed lower left. Dimensions: 30 x 40" unstretched (HEAR597)(EL)

C. Pierre Latour (Brazil, 1935 - 2006). Venice, oil on canvas, signed lower left. (HEAR222)(EL) Dimensions: 30 x 24" unstretched

C. Pierre Latour (Brazil, 1935 - 2006). Venice, oil on canvas, signed lower left. (HEAR223)(EL) Dimensions: 30 x 24" unstretched

C. Pierre Latour (Brazil, 1935 - 2006). Coast view, oil on canvas, signed lower right. (HEAR220)(EL) Dimensions: 24 x 30" unstretched

ARTIST: C Pierre LaTour (French, American, 1935-2006) NAME: Cityscape MEDIUM: oil on canvas CONDITION: Unstretched (In-House stretching available). Very good. No visible inpaint under UV light. SIGHT

8 x 36 in, 54 x 42 in (framed)

George-Pierre Guinegault (French, 1893-1982), "Heures Galantes Quatre Poémes de Jean Noury", c. 1920, 4 pochoirs on arches paper, signed in plate, in original decorated cover and original tissue

Eugene Joseph Constant Pierre Petit (French, 1839-1933) "Hunter and English Setter" "Hunter and Golden Setter" two oils on canvas signed and unsigned, respectively. Framed alike. each 21-1/2" x 25-1/

French bronze horse and dog figure, signed P. Lonordez. Horse is hitched to post and dog is antagonizing horse. 16”H x 19”W

Lot 151 Pierre Latour Brazilian (1935-2006) Flower Market Bridge oil on canvas (unstretched) signed lower left 63 x 53 inches Provenance: From the collection of a fourth-generation New York art galle

Pierre Latour, flower market scene, oil on canvas, signed, 36" x 48", framed 46" x 57". Provenance: purchased at Charles Hecht Galleries, 18555 Ventura Blvd, Tazana, California; originally pd $3500.

Lot 147 Pierre Latour Brazilian (1935-2006) Flower Stand By The Barges oil on canvas (unstretched) signed lower right 53 x 63 inches Provenance: From the collection of a fourth-generation New York ar

Lot 149 Pierre Latour Brazilian (1935-2006) Evening Lights In The City oil on canvas (unstretched) signed lower right 53 x 63 inches Provenance: From the collection of a fourth-generation New York ar

Lot 152 Pierre Latour Brazilian (1935-2006) Trellis By The Lake oil on canvas (unstretched) signed lower left 63 x 53 inches Provenance: From the collection of a fourth-generation New York art galler

Lot 25 Pierre Latour Brazilian (1935-2006) Venetian Landscapes (4) oil on canvas (unstretched) each signed largest: 27 x 38 3/4 inches Provenance: From the collection of a fourth-generation New York

Lot 86 Pierre Latour Brazilian (1935-2006) Venice Bridge oil on canvas (unstretched) signed lower right 38 1/2 x 52 1/2 inches Provenance: From the Collection of a Fourth-Generation New York Art Galle

Lot 148 Pierre Latour Brazilian (1935-2006) Venice oil on canvas (unstretched) signed lower left 53 x 63 inches Provenance: From the collection of a fourth-generation New York art gallery

This work was engraved by Pierre Picault Blesensis ( Pierre Picault, French 1680 - 1711 ) who was a pupil of Gerard Audram. It was inspired by the works of the great master Jacques Callot, changing th