Charles Meryon (1821-1868) 'Passerelle Du Pont-Au-Change, Paris, 1860'

Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after Della Bella) 1860. Etching by French ar

Charles Meryon (French 1821-1868) Le Pont au Change (Schneiderman 40 v/XII) etching with drypoint, 1854.   6 3/16 x 13 3/16"

*Charles Méryon (French, 1821-1868) Le Pont Neuf, Paris, 1853 etching; seventh state 6 1/2 x 6 1/2 inches. Estimate $300-500 Framed: 15 1/4 x 13 3/4 inches. Property from The Estate of Anne Haffner,

Charles Meryon (French, 1821-1868). "Pont-Neuf", etching and drypoint on laid paper, later state of 10, unsigned. Print depicting a view on le Pont-Neuf, the oldest standing bridge across the Seine Ri

Charles Meryon (French, 1821-1868), Old Paris Ten Etchings by C Meryon Reproduced on Copper by the Autogravure Process and Accompanied with Preface and Illustrative Notes by Stopford A Brooke MA, Whit

Charles Meryon (1821-1868), Eaux-Fortes sur Paris, complete portfolio, Edition Mazarene, Paris, 1926, pencil numbered from the limited edition of 611, containing 20 plates including the portrait of Me

Charles Meryon (French 1821-1868)- ''Rue des Mauvais Garcons, Paris'' (Delteil 27iii)- etching, 1854, 2 hinge remnants upper corners, well away from image. 4 7/8 x 3 3/4''

Charles Meryon (french, 1821-1868) The Abside of Notre Dame Paris, english 19th C engraving on laid paper, 5" x 9 3/4" for the image and 13 1/2" x 10" for the sheet, for condition see pictures.Dimensi

Etching, L'Arche du Pont Notre-Dame, Charles Meryon,Paris 1853 sheet size is 12.75" by 18", actual scene is 5" by 6.75".

European (France), mid 20th Century. Watercolor on paper, matted and framed. View of the Pont au Change Bridge over the Seine in Paris. Signed on lower right. Very light toning, slight mat burn. 14"h.

Framed oil on canvas painting, "Pont Au Change", signed lower right Edouard Cortes (Edouard Leon Cortes, France, 1882-1969), authenticated by Expert Nicole Verdier, Paris, sight: approx 15"h, 21.75"w,

PAL (JEAN DE PALÉOLOGUE, 1860-1942) [EXPOSITION DU CENTENAIRE DE LA LITHOGRAPHIE]. 1895. 56x42 inches, 142¼x106¾ cm. Imp. Paul Dupont, Paris. Condition B+: repaired tears at edges, som

Paul Rene Schutzenberger (French, 1860-1916) "Au Jardin du Luxembourg" post-Impressionist oil on canvas painting depicting a family and figures at the park in Paris, signed and dated "1908" lower righ

Dimension:Large mantle clock by Charles Dupont

DESCRIPTION: Oil on canvas painting entitled "Minuet Au Tabarin, Paris" ("Midnight in Tabarin, Paris") by Michel Richard-Putz depicting several socialites conversing and partying while a line of dance

Paris: Au Pont des Arts, 1966. Deluxe Portfolio of the limited edition in 100 copies on Rives woves, with an etching with aquatint by Pablo Picasso, signed and numbered in pencil by the artist. The po

[Art] [Toulouse-Lautrec, Henri de] Clémenceau, Georges Au pied du Sinaï Paris: Henri Floury, (1898). First and limited edition, #125/380 numbered copies, on Arches wove paper. 4to. Illustrated w

The lot features a fantastic, circa 1860 Osage Gunstock War Club with Spontoon blade from the DuPont family collection. The piece exhibits a notch-cut hand-forged iron spear or lance blade inset into

The lot features an terrific, circa 1860 spontoon war tomahawk attributed to the Nez Perce Indians of Idaho from the DuPont family collection. This is a hand-forged iron head with upward curled basal

Cannelee gilt brass glazed case with hinged swing handle. Gilt metal face with inset porcelain mixed figure radial dial signed "HORLOGEE" and "11 Rue de Turenne PARIS", with blued arrow hour and minut

Charles Emile Jacque (French, 1813-1894) , "Retour du Troupeau au Clair de Lune", oil on panel, signed lower right, pencil-inscribed and "Cambridge Art Gallery, Santa Monica, CA" label with inventory

SCHMIED, FRANÇOIS-LOUIS. 1873-1941. MARDRUS, JOSEPH-CHARLES. 1868-1949. Histoire charmante de l'adolescente sucre d'amour. Paris: F.L. Schmied, 1927. 4to (305 x 237 mm). 14 full-page wood engrav

SCHMIED, FRANÇOIS-LOUIS. 1873-1941. MARDRUS, JOSEPH-CHARLES. 1868-1949. Le Livre de la vérité de parole. Paris: Chez F.-L. Schmied, 1929. 4to (337 x 238 mm). 12 hors-texte color wood e

Le Hay, Jacques (c. 1645-1713) & Charles de Ferriol (1652-1722) Recueil de Cent Estampes Representant Differentes Nations du Levant. Paris: Jacques Collombat, 1715.Oversized folio, a3, A-F2, G1; engra