Charles Meryon. "La Tour de L'Horloge," etching

La Tour de l'Horloge. etching and engraving on cream laid paper, 1852, from the edition of 600 printed for L'Artiste (Vol.V No. 9, 1858), Hudelist watermark. 10 3/8 x 7 1/4" Schneiderman 23 vi/X <

Group of Three Etchings by John Taylor Arms (American, 1887 - 1953), to include "La Tour de L'Horloge, Dinan", 1932, 11 x 5 inches; "Memento Vivere, Notre Dame, Evreux" also called "The North Transept

2 paintings, Parisian scenes, La Conciergerie, showing l'horloge de la tour, oil on canvas & street scene with houses, oil on Masonite, 10" by 8", both signed illegibly. Part of a collection of art be

Charles Meryon etching titled 'Tourelle, Rue de L'ecole de medecine, 22'. Signed in the plate upper right. Measures 10 5/8" (27cm) x 6 7/8" (17.5cm).

*Charles Méryon (French, 1821-1868) Tourelle, rue de la Tixeranderie, 1852 etching; third state 9 1/2 x 5 inches. Estimate $500-700 Literature: Schneiderman 24 Framed: 18 x 12 1/2 inch

Charles Meryon (France, 1821-1868). This lot contains two etchings: Le Ministere de la Marine ("The Admiralty"), published by Cadart & Luquet; and New Zealand - Presqu'ile de Banks, Pointe des Charbon

Booklet of Nine (9) Early French Postcards, c1910s, featuring: 204. Paris - Avenue de l'Opera 109. Paris - La Tour Eiffel 115. Paris - Le Trocadero Versailles - L'abbé Charles-Michel de l'Ép�

House with a Turret, rue de la Tixeranderie, Paris, 19th Century, Charles Meryon, etching and drypoint. - 5 1/4" x 9 7/8"

"London as Seen by Charles Dana Gibson" dated 1897 copyright. The cover and pages have discoloration and some loss. There is also "La Vie et L'Oeuvre de Maurice Quentin de la Tour" 1930 Paris includin

**First Time At Auction** Louis Brion de la Tour (French, 1743-1810) & Louis Charles Desnos (French, 1725-1805), "Suite De L'Histoire De Rome", ca. 1760 to 1770. Copperplate engraved with original han

Passerelle du Pont-au-Change, apr&#195;&#168;s l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after Della Bella) 1860. Etching by French ar

"L'Indicateur Fidele du Voyageur Francois" Copper Engraved Map Published 1765, Paris for "Coup d'oeil general sur la France" by Louis Charles Desnos & Louis Brion de la Tour. Paper Size: 14 x 11 inch

"L'Indicateur Fidele du Voyageur Francois" Copper Engraved Map Published 1765, Paris for "Coup d'oeil general sur la France" by Louis Charles Desnos & Louis Brion de la Tour. Paper Size: 14 x 11 inch

"L'Indicateur Fidele du Voyageur Francois" Copper Engraved Map Published 1765, Paris for "Coup d'oeil general sur la France" by Louis Charles Desnos & Louis Brion de la Tour. Paper Size: 17 x 11 inch

Group of Approximately 21 Etchings and Engravings, to include Caroline Armington, La Cathedrale De Tours, 64/100; Paul Geissler, Philadelphia; Charles Watson, cathedral; Nathaniel Sparks, street scene

La Vertu est Digne de l'Empire du Monde / Digna Orbis Imperio Victus. After Charles Le Brun. Etching and Engraving. Signed and dated 1674 in plate on the lower left-hand side. Size: 31 3/8 in. x 67 13

the first and second: John Taylor Arms (American, 1887-1953), La Torre Del Mangia, Siena (1927) and Place Planicocau, Tours (1925), each pencil signed and dated; the third: Frank Short after JMW Turne

Victor Jean Baptiste Petit (French 1817-1871). Tour De L'Horloge De St. Fargeau, Yonne (St. Fargeau Clock Tower, Yonne). Original tinted lithograph on strong vellum paper. Year: 1860. Signed in the pl

The Golden Tower of Seville, with San Telmo bridge and the Suburb of Triana. Title: Veue de la Tour de l'Or du Fauxbourg de Triana at du Pont de Sevilla Published by: Pieter van der Aa (Leiden, 1659 &

Charles Meryon (French, 1821-1868), "La Pomp Notre Dame", etching on paper, 7th State, edition of 600, signed in plate, measures 6-1/2" x 9-3/4" pl, 12-7/8" x 19-1/2" sheet, good coniditon

CHARLES MERYON (FRENCH, 1821—1868), ETCHING, PLATE SIZE: H 6 7/8", W 10 15/16", "LA POMPA NOTRE DAME" :From the Schniederman Collection; image 6 1/4" x 9 1/2"; signed in the plate lower left; i

Charles Meryon original etching. Signed in plate 'C. Meryon' lower left. Titled "La Pompe Notre Dame" lower center in plate. Measures 6 3/4" x 9 7/8" (plate size), and measures 9 11/16" x 12 11/16" (s

Jacques Callot (French, 1592-1635), La Vie de L'Enfant Prodigueetchings, likely 17th century, presented in long horizontal frame. Frame dimensions 11 x 57 1/2 in. From a Private Collection, Washington

After Marc Chagall (1887-1985) By Charles Sorlier Le Coq et l'Horloge (Sorlier 49) Etching and aquatint in colours, circa 1950, on Rives BFK wove paper, signed and numbered 64/300 in pencil, published