Chie Yoshii (Japanese/American, B. 1974) "Ecdysis," 34" x 19"

Chie Yoshii (Japanese/American, B. 1974) "Ecdysis," 2014, oil on canvas. Framed. Ecdysis- The shedding of an outer integument or layer of skin, as by insects, crustaceans, and snakes; molting. Provena

O/B, SLR, 1974, 28 1/2 x 19", Leonard Tshela Mohapi Matsoso was born in Pimville, Soweto. From 1962 to 1970, while still at school, Matsoso studied at the Jubilee Art Centre under Cecil Skotnes, Sydne

No labels, yellow with lavender and green, 19" L x 34" B x 30" W

Louis XV Style Commode, parquetry veneer, bombe form, serpentine molded edge, green/black veined marble top, acanthus scroll cast brass hardware & mounts, 20th C, 34" x 19 1/2" x 49" Condition: VG min

Akio Takamori, (Japanese/American, b. 1950), Untitled (Envelope Vessel), porcelain, signed, 14.5"h x 19"w x 6"d Provenance: Provenance: Phillips, New York, New York, June 3, 2009, Lot 82 Private Colle

TORNADO DRAWING #21, Sumi ink on Washi paper, signed and titled on the verso, 25 ¾ x 19 ½”, Plexiglas box frame 30 ½ x 24 ½ x 2”.

RENOIR’S LATER YEARS, 2010, oil painting on canvas, signed lower right, 40 x 30”, frame 49 ¾ x 39 ¾”. Provenance: Galerie Michael, Beverly Hills.

CASUAL SHOES, oil painting on board, signed lower right, 69 ¾ x 43 ¾” including frame. Provenance: From the CODA Collection, CODA Gallery, Palm Desert CA. Certificate of Authenticity a

CUIDAD EN BLANCO, c.1961, oil painting canvas, signed lower right, 15 ¾ x 19 ¾, framed. Provenance: Galeria Proteo, Mexico City.

CARA NORTENA, 1964, oil painting on canvas, signed lower right, 23 ¾ x 19 ¾", signed and dated and titled on verso, framed.

PEAR LADY (A&R 77-106), 1977, color lithograph, signed in pencil, numbered 90/100, sight 14 ¾ x 19 ¾”, printed by Western Graphics Workshop, published by Houston Fine Art League, framed with glass

CORAZONES AMARGOS DE CAIBALES DULCES, 1972, color screenprint, signed and numbered 27/50 in pencil, image 19 ¾ x 19 ½”, full margins, frame 29 ½ x 28 ½” with gl

Acrylic on board of girls on a playground; Illegibly titled, 2006; 34" x 42"

CIUDAD DE UN MILLON CON VEINTICINCA HUEVOS DUROS, 1972, color screenprint, signed and dated in pencil, numbered X/L (10/50), image 19 ¾ x 19 ¾”, sheet 21 ¾ x 21 ¾”, frame 25 ¾ x 25 ¾” with

SEATED WOMAN IN PINK, oil painting on canvas, signed lower left, 27 ¾ x 19 ¾”, frame 35 x 27 x 2 ½”.

L’HOMME AU CANOTIER, 2005, hand-colored pastel over lithograph, signed and dated and numbered XXXVIII/CC (38/200 Roman numeral) in pencil, sight 15 ¾ x 18 ¾”, frame 32 &frac

AVRAM, Ben (Israeli, b. 1939) Scenes of Jerusalem including the Lions Gate and Al Masjid Al Aqsa. Watercolor and ink on paper. Signed lower left. Image: 13 ¾ x 19 ½ ”. Unframed. Light

MANDARIN, watercolor and gouache on paper, signed upper left, 24 ¾ x 19”, frame 35 ¾ x 28 ¾” with glass. Provenance: Fairweather Hardin Gallery, Chicago.

EL CAMPEON, 2014, etching, signed and dated and numbered 2/7 in pencil, signed and dated in ink on artist’s label plate 5 ¾ x 7 ¾”, full margins, frame 15 ¼ x 18 &fra

TETE DE GABRIELLE, 2005, lithograph on grey wove paper, signed and dated and numbered 11/200 in pencil, sight 17 ¾ x 15 ¼”, frame 41 x 34 ½” with glass. Provenance: Ga

LITTLE JOYS OF LIFE I, oil painting on paper, signed lower left, 13 ¾ x 19 ½”. Provenance: Michael Hittleman Gallery Los Angeles.

NU AU DRAP, 2005, extensively hand-colored lithograph on grey wove paper, signed and dated and inscribed Trail Proof in pencil, sight 21 x 18”, frame 34 x 31 ½” with glass. Provenan

UNTITLED, 1990, five cast paper reliefs, each signed and dated lower right, each sheet 26 x 18 ½”, frames 26 ¾ x 19”. From the collection of Selma & Herbert Moskowitz. (5)

MUSICIANS, four gouaches on paper, each signed, one dated 1958, sights 11 ¾ x 8 ¾” & 12 x 9” (2), three frames 15 ¾ x 19 ¾” with non-glare glass, one matted unframed. (4)