David Solomon (b. 1943, California)

"Lag Town," 1981-82 Oil on canvas Signed, titled, dated, and inscribed lower right: David Solomon / Laguna Beach, CA, signed, titled, dated, and inscribed again verso 30" H x 40" W

Sandy Scott (American, b. 1943) Elk Head, edition 1/35 bronze numbered (verso) height 15 x width 16 x depth 16 inches Property from the Estate of Norma and David McIntyre, Los Angeles, California

SPARTAN CAD RED DAYS, 1988, oil and wax painting on canvas, signed and dated and titled on verso, 55 x 46”.

UNTITLED, 1985, pigment, glass and cement on wood, signed and dated on verso, 48 x 84 x 2 ½”, heavy weight.

UNTITLED, 1980, cement and polymer and glass on wood in welded metal frame 25 x 13 x 2”, 22 lbs. Provenance: James Corcoran Gallery.

UNTITLED, 1984, pigment, glass and cement on wood table top or wall sculpture, signed and dated on verso, 12 x 24 ½ x 7 ½”, weight 18 lbs. From the Stuart Lampert & Stephen Tomar Colle

RED BUTTE COUNTRY, oil painting on Masonite, signed lower right, 30 x 40”, framed, minor surface soiling, otherwise in good studio condition. Special thanks to the artist for confirming the authenti

UNTITLED, triptych, three cast bronzes, each 16 x 12”, overall 16 x 36”, each approximately 20 lbs., overall approximately 60 lbs.

GRACE’S COWPOKE BAR, oil painting on canvas, signed lower right, signed and titled fainted on verso, 30 x 40”, framed, minor surface soiling, some speckling on verso, speckling in the mat, otherwi

LIGHT TRAP, 2007, manipulated brushed metal, signed, titled and dated on verso, 96 x 48 x ½”, wall cleats included, heavy weight.

UNTITLED, glass, pigment and cement on wood, triptych, overall 24 x 36”.

UNTITLED, 1994, pigment and cement with glass on wood, signed and dated on verso, 23 x 56 x 4 ½”.

UNTITLED, 1986, acrylic painting on pigmented cement on foamcore, signed and dated, 30 ¾ x 48 ¾ x 2 ¾” including Plexiglass box frame. From the collection of Bruce and Shary

UNTITLED, 1989, pigment and cement with glass on wood, signed and dated on verso, 12 x 30 x 2”.

KING’S HARBOR, 1984, oil painting on canvas, signed and addressed on verso, 60 x 60”. Provenance: Los Angeles County Museum of Art Rental Gallery.

UNTITLED, 1985, cast pigmented paper mixed media relief, signed and dated lower left, 30 x 48 x 2”, Plexiglas box frame 36 ½ x 55 ½ x 3 ¾”.

THE INDETERMINACY OF UP, 2007 watercolor, ink and pencil on paper, signed lower right, 22 ½ x 30 ¼”, frame 27 x 34” with Plexiglas. Provenance: Frederieke Taylor Gallery, NYC

UNTITLED, 1993, pigment and cement with glass on wood, signed on verso, 9 x 9”.

RED, 1987, color screenprint, signed and numbered 63/150 in pencil, printed by Jeff Wasserman with blind stamp lower right, sheet 20 ½ x 42”, frame 23 x 44 ¼” with Plexiglas.

UNTITLED GREEN AND RED, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26”

UNTITLED GREEN AND RED; UNTITLED GREEN AND BROWN, 1982, two color aquatint etchings, each signed and numbered 43/50 in pencil, printed and published by Centrum Press with blind stamp, sheet 15 &frac12

UNTITLED GREEN AND BROWN, 1982, color aquatint etching, signed and numbered 2/5 in pencil (Centrum Press Impression), printed and published by Centrum Press with blind stamp, sheet 15 ½ x 26&#822

BLUE, 2002, color offset lithograph, signed and numbered 66/250 in pencil, image 17 x 33 ¾”, full margins, frame 27 ½ x 43 ¼” with Plexiglas and small loss of molding

DRAWINGS/PLAN FOR INSTALLATION AT THE PASADENA ART MUSEUM, 1973, ink drawing on paper, signed and dated in pencil lower right, inscribed in pencil lower left, sheet 18 ½ x 23 ¼”, f