Edgar Degas - Portraits in a New Orleans Cotton Office, 1873

Pastel on paper 12" x 14". Certificate of authenticity provided by the fine art expert George Miller. Provenance: Hurt and Jeanne Henderson, New Orleans. Acquired by a private collector in 1945. Edgar

Photographer: John Ernest Joseph Bellocq (1873 – 1949) - American professional photographer who worked in New Orleans during the early 20th century. Bellocq is remembered for his haunting photograph

William Maw Egley (British, 1826-1916) "Portrait of a Spanish Lady on a Balcony", 1873 oil on canvas signed and dated mid-left. Presented in a period giltwood and gesso frame stenciled with the artist

WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT OF A MAN, oil on board, a rare New Orleans scene, featuring full-length depiction of African-American subject in tattered clothes, cotton bales and

EDGAR DEGAS "FEMALE PORTRAIT" LITHOGRAPH, 1865. Height: 22 & 14 in. by Width: 26 & 9 in.

DESCRIPTION: After Edgar Degas " Self Portrait " sign by artist with pencil lower right side. CIRCA: 20th Century ORIGIN: European DIMENSIONS: ( height: 7 inch, width: 6 inch) framed ( height: 17 inch

James Michalopoulos (American/Louisiana, b. 1951), "Untitled, Moonlit Portrait of a New Orleans Cottage", oil on canvas, signed lower left, verso with a "Michalopoulos Gallery" label, 48" x 36". Frame

Tony Mose (American/New Orleans, b. 1968) , "Portrait of a Young Woman", acrylic and charcoal on gallery-wrapped canvas, signed lower left, 48 in. x 36 in., unframed Condition: Very light surface dirt

William Aiken Walker (American/South Carolina, 1839-1921) "Miss Kiley, Fruit Vendor, Port of New Orleans" "Smoking a Pipe, Bales of Cotton" two oils on board signed lower left and lower right, respect

Nathalie Comte (American, 1874-1940, active New Orleans, 1924-1937) , "First Portrait of Huey P. Long", 1926/1936, oil on canvas, signed and dated "1936" lower left, signed, titled and dated "1926" en

(American, 1873-1952). Portrait of New York and Washington D.C. socialite Lucille Bauer, aka Lucille Ong, Lucille Bacon Penfield and Lucille Bacon, known as "Dovie," oil on canvas, signed and dated "H

James Michalopoulos (American/New Orleans, b. 1951), "Standard Portrait", 1997, oil on canvas, signed lower left, signed, titled, dated and artist gallery label en verso, 48 in. x 36 in., framed. Prov

Ferdinand, Roy (New Orleans, LA. 1959-2004). Portrait of Mary T. Smith. 1990. Mixed media on paper. Signed l.r. Frame: 34 1/2" x 27 1/2". Sight: 27 1/4" x 21 1/4". Shipping: This lot does not qualify

Ashley Longshore (American/New Orleans, 20th c.), "Ashley Self-Portrait with Flowers and Butterflies", acrylic and mixed media on gallery-wrapped canvas with heavy resin, unsigned, 24 in. x 24 in., un

After Edgar Degas (1834-1917) Tete, etude pour le portrait de madame S. Includes COA and original receipt from Art on Royal. Signed Degas. Stamped with foundry mark. Bronze with dark brown patina. app

George Lance (British, 1802-1864) "Now Reigns Here a Very Very Peacock" oil on canvas unsigned, with "Owen Edgar Gallery" label en verso. Framed. 68" x 52", framed 75" x 59" Provenance: Owen Edgar Gal

Louis McClellan Potter (American, 1873-1912), pair of cast bronze andirons, ca. 1900, each in the figure of a kneeling Native American, each with cast signature and stamped "Roman Bronze Works, NY",

Clementine Hunter (American/Louisiana, 1886/87-1988) "The Cotton Gin" oil on board monogrammed lower right. Framed. 22" x 28", framed 23" x 29"

Rolland Harve Golden (American/Louisiana, 1931-2019) "Cotton Blossoms", 1984 acrylic on canvas signed and dated lower left, accompanied by a framed pencil sketch for the painting. Framed. 41-1/4" x 47

Dutch School (17th Century) "Pendant Portraits of Husband and Wife" pair of oils on canvas unsigned. Framed. 35-1/5" x 27-3/4", framed 45-3/4" x 37" Provenance: Private collection, Mississippi.

Contemporary Sofa upholstered in Madeaux by Richard Smith "Aviary 03 Midnight Forest" linen-cotton chintz fabric, with a padded back joined to the cushioned seat by padded arms, above the skirted base

Seth Thomas "No. 5" Office Calendar Clock ca. 1875-1886, Connecticut, in a modern Gothic-style walnut case decorated with burl walnut veneer and incising, with an arched crest and matching finials, se

William Aiken Walker (American/South Carolina, 1839-1921) "Black Man with Cane, Standing in a Cotton Field" oil on canvasboard signed lower right, and labels from "Didier's" and Louisiana State Museum

Collection of Sevres-Style Portrait-Decorated Porcelain ca. 1900, Limoges, including a pair of bronze-mounted covered urns decorated with portraits of Napoleon and Josephine, h. 16-3/4", w. 4-1/2", d.