Embroidered Sino-Tibetan Thangka, 19th/20th c

Sino-Tibetan Thangka, 18th/c, depicts the four-armed Avalokitesvara seated in the center, eight smaller Bodhisattva in the corners56 x 106cmProvenance: Property from a Private Collection, Ottawa&#2816

Tibetan thangka painting, 19th/20th c., gouache and gold on textile, possibly silk, depicting horse-mounted deities surrounding a central figure, 12"h x 9"w (sight), 21.25"h x 17.5"w (frame)

Large collection antique Tibetan Thangka prints, Late 19th/20th c., title sheet plus approx. (79) woodblock prints on handmade paper, some with text, image size ranges from approx. 8"h x 5"w to 25"h x

Sino Tibetan Thangka of the Deity Avalokiteshvara, c.early 20th century, gouache on cotton, 34 x 24 inches, matted and framed 48 x 35 inches. Provenance: The Estate of Charles H. Booth Jr., New Kensin

Pair Sino-Tibetan Buddhas and Garuda, 19th/20th c., Buddha riding Lion and Seated Buddha, cast copper statues, with bronze Garuda with hanging loop on back, smallest: 8"h x 13"w x 2.5"d, largest: 12.2

Early 19th century Sino-Tibetan watercolor thangka painting, framed under glass, 19 1/2" h x 13 1/2" w (image), 32 3/4" h x 22 1/2" (frame). Provenance: from a Massachusetts estate.

19-20th C. Tibetan embroidered thangka. 27in by 31in. Age wear.

Partially gilded bronze, polychrome painting China/Tibet, 19th/20th century Detailed bronze figure of the female Bodhisattva The White Tara is a symbol of compassion, peace and healing and is also kno

Sino-Tibetan silvered overlay double gourd vase, 19th/20th c., inset with lapis lazuli, turquoise and cabochons, silvered metal overlay and stopper, inscribed with idioms, 13.5"h x 5.5"dia.

Sino-Tibetan silvered overlay double gourd vase, 19th/20th c., inset with turquoise and cabochons, silvered metal overlay and stopper, inscribed with idioms, 13.5"h x 5.5"dia.

19th century Sino-Tibetan thangka depicting Vajrabhairava mandala. Vajrabhairava is the wrathful manifestation of Manjushri (Boddhisattva of Wisdom), translates as 'Diamond Terrifier’ and has conque

Beautifully woven with multicolored threads and depicts a Buddha centers on a lotus throne, surrounded by ten smaller deities. H: 42 in ., L: 23 1/4 in.

Sino-Tibetan School. Multi-figure thangka - 19th century, watercolor/gouche on paper, apparently unsigned. Polychrome thangka painting depicting a central buddha in a landscape flanked by two monks. A

Title: A Sino-Tibetan parcel-gilt bronze figure of Manjusri, 19th/20th C. Description: H 29,2 cm The bottom inscribed with a letter 'B'.

An Antique Sino-Tibetan Painted Thangka, Depicting Vajradhara seated at the center of a mountainous temple surrounded by various deities and monks. Framed within multiples bands of embroidered satin.

An Antique Sino-Tibetan Painted Thangka, Depicting Vajradhara seated at the center flanked by multiple deities and monks. Framed within multiples bands of embroidered satin. Framed dimensions: h: 40 1

IMPORTANT, RARE 17th/18th C. Large Chinese Sino-Tibetan embroidery silk ThangKa, finely embroidery illustrated the scene of "The 8 forms of Padmasambhava" (Padmasambhava (Tibetan: pema Jung ne. Englis

17th/18th Century Qing Dynasty Chinese Sino-Tibetan woven silk Thangka. Depicted the Four Guardian Kings of the Directions: Vaishravana the leader, Virupaksha, Dhritarashtra and Virudhaka. Each figure

Southeast Asia, Sino-Chinese, ca. 18th century. This thangka features a central depiction of Guhyasamaja Akshobhyavajra Father Mother. Guhyasamaja Buddha symbolically represents the union of all of th

Southeast Asian, Sino-Tibetan, ca. early 20th century CE. This thangka features the manushi buddha Shakyamuni with his hands in the Bhumisparsha mudra and holding a treasure pot to convey the idea of

**Originally Listed At $500** Southeast Asian, Sino-Tibetan, ca. early 20th century CE. This thangka features the manushi buddha Shakyamuni with his hands in the Bhumisparsha mudra and holding a treas

Large 19th Century Tibetan Thangka Painting "Vajrabhairava" on Cloth Mounted in Frame. Typically elaborate Icongraphy scene with several windows of villages, embroidered border. Good condition. Measur

Tibet, late 19th to early 20th c. CE. An embroidered silk thangka painstakingly created with a very fine "Dazi" stitch (also called "Forbidden Stitch" or "Blind Stitch") depicting Avalokiteshvara, the

18th Century Chinese Sino-Tibetan Mantle Worn by a Buddhist Monk (Jiasha), Silk and gold-wrapped thread slit-tapestry weave, also called KASAYA (patchwork Buddhist robe), "Buddha's Robe". Embroidered