Engraving, S. Bourdon [1616-1671]

A FOLLOWER OF SEBASTIEN BOURDON (French, 1616 - 1671). Member of the Swedish Royal Household, Oil on Canvas. Frame with a plate "Sebastian Bourdon." Framed. - 21 x 17 in. / frame: 31 x 26 in.

A FOLLOWER OF SEBASTIEN BOURDON (French, 1616 - 1671). Member of the Swedish Royal Household, Oil on Canvas. Frame with a plate "Sebastian Bourdon." Framed. - 21 x 17 in. / frame: 31 x 26 in.

ATTRIBUTED Sebastian Bourdon (French, 1616 -1671) antique oil painting on canvas. A very finely painted scene depicting The descension of Christ from the Cross.

18th Century Old Master Drawing, bearing monogram lower center, pen and ink with wash on laid paper with white heightening, Verso inscribed S. Bourdon (Sebastien Bourdon French, 1616-1671), Sheet-13"

Details: OGILBY, JOHN. Sinus Omnium Sanctorum. London: Ogilby, 1671. Engraving; 10 3/4 x 14" visible. French mat. Overall: 19 1/4 x 22". Small margins. Mat closely adhered to backing, not negatively

Copper plate engraving, 1671. Attributed to John Ogilby (1600-1676) and Arnoldus Montanus (1625? - 1683) Cartographer. Boavista. Overall good condition considering age, print has been pasted to a ligh

Copper plate engraving, 1671. Attributed to John Ogilby (1600-1676) and Arnoldus Montanus (1625? - 1683) Cartographer; Ostrium Flumines Paraybe, Entrance to the Paraibe River, Brasil. Overall good con

Copper plate engraving, 1671. Attributed to John Ogilby (1600-1676) and Arnoldus Montanus (1625? - 1683) Cartographer. Angra op Tercera. Overall good condition considering age. Chipping at edges and d

Copper plate engraving, 1671. Attributed to John Ogilby (1600-1676) and Arnoldus Montanus (1625? - 1683) Cartographer. I. Tamaraca. Overall good condition considering age, print has been pasted to a

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Continental, 17th century. A lot of 17 prints pasted onto backing. Dating to around c. 1671. Each measures about 8 x 6 inches.

An engraving from a work by Arnoldus Montanus from his Dutch work "De Nieuwe en Onbekende Weereld ", printed in 1671. Removed from a book with text on verso. Fine, mounting traces on verso, measures 7

An engraving from a work by Arnoldus Montanus from his Dutch work "De Nieuwe en Onbekende Weereld ", printed in 1671. Removed from a book with text on verso. Fine, mounting traces on verso, measures 7

John Ogilby (British, 1600-1676), "Nova Hispania Nova Galicia Guatimala (with part of Florida and Cuba)," 1671, hand-colored engraving, sight (image): 14"h x 11.5"w, overall (with mat/unframed): 17.5"

After Adam Olearius (1603-1671), 18th century, Engraving, Soltanie / Soltania / Soltaniyeh, View of the town of Solanie in Arabia, with figures, camels, horses, etc. Approx. 11" x 14 1/4"

Vincenzo Scamozzi (Italian, 1548-1616), three architectural engravings first published in 'L'Idea della Architettura Universale,' the first titled 'Colonnato Dorica Con Piedestili,' the second titled

German, 17th century. An engraving of prosessional figures by Christoph Fischer.

Arnoldus Montanus (circa 1625-1683) and Jacob van Meurs, Nova Virginiae Tabula, 1671, black and white engraving, 11-1/2 x 14-1/8 in. (plate), 12-1/4 x 14-1/2 in. (overall); unframed Notes: This copy o

Arnoldus Montanus (c.1625-1683). Engraving. Amsterdam: Jacob van Meurs, 1671. 11 3/4 x 14 1/2 inches sheet, 29 1/2 x 23 3/4 inches framed.

Arnoldus Montanus (c.1625-1683).Engraving. Amsterdam: Jacob van Meurs, 1671. 11 3/4 x 14 1/2 inches sheet, 29 1/2 x 23 3/4 inches framed.

16th Century Last Supper Engraving By ORAZIO BORGIANNI (1578-1616) Rome. After Da Vinci (1615). 17 1/2 x 10 in Paper. 16 1/2 x 9 Folio.

JAN DE BISSCHOP ENGRAVING – THE WRESTLERS (Dutch, 1628-1671), engraved plate #20, laid on paper, bearing Bisschop’s monogram (J.E.F.) in plate, left margin trimmed, minimal stains at lower left, i

16th Century Last Supper Engraving By ORAZIO BORGIANNI (1578-1616) Rome. After Da Vinci (1615). 17 1/2 x 10 in Paper. 16 1/2 x 9 Folio.

Engraving on paper, approx. 6,1 x 9,8" (15,6 x 24,8 cm). Print from steel, engraving titled "Modes de Paris, Petit Courrier des Dames" #1616, 20 Febr. 1840. The engraving is painted by hand tinted col