Etching After Rembrandt van Rijn, circa 1800

Rembrandt Van Rijn, etching, circa 1632, "The artist's mother seated, in widow's dress and black gloves", image area approx. 4 1/2" X 5 3/4", no borders, small corner tear upper right, some foxing, pe

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Triumph of Mordecai," circa 1641. Matted and housed in an old wooden frame. Provenance: Doyle auction house. Please

Item: Rembrandt van Rijn Etching (Dutch 1606-1669) Size: 5 3/8 x 4.25 in. Rembrandt van Rijn (Dutch 1606-1669). Christ Carried to the Tomb, circa 1645 Etching and drypoint. Signed in the plate, lower

Rembrandt, Van Rijn Original Etching of Artist Jan Asselyn, Circa 1647. Signed lower right. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good with fox

Rembrandt, Van Rijn Original Etching of Lieven Willemsz van Coppenol, Writing Master, Circa.1658. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good wi

Antique Van Rijn Rembrandt Self Portrait Etching. This antique self portrait etching of Rembrandt (Dutch, 1606-1669) titled "Self-Portrait Wearing a Soft Cap (The Three Moustaches)" circa 1634. In a c

This circa 1641 Rembrandt etching on Ingres d'Arches is titled "The Card Player" and measures 3 1/2" x 3 1/8" (plate size) on 12 7/8" x 9 3/4" off-white laid paper with watermark and large margins. Si

Rembrandt Van Rijn (Dutch, 1606-1669) Antique Etching Old Man with Square Beard & Cap (Circa. 1880), measures 3" x 3", 3" frame & matte includes certifcate of authenticity Dublin Kahn Art Gallery

Rembrandt Van Rijn (Dutch, 1606-1669) Antique Etching Self Portrait Frowning (Circa. 1880), measures H" 3" x W: 3", 3" matte includes certificate of authenticity Dublin Kahn Art Gallery

REMBRANDT VAN RIJN Man Drawing from a Cast. Etching, circa 1641. 97x66 mm; 3¾x2½ inches, narrow margins. Biörklund's third state (of 3); Usticke's third state (of 5); White and Boon's t

Rembrandt Van Rijn (1606-1669 Netherlands) etching and drypoint "Adoration of the Shephards: A Night Piece" circa 1652. Bequest of John Bass to the Bass Museum of Art collection. Image size measures 6

After: Rembrandt Van Rijn, Dutch (1606-1669) Etching Drypoint and Engraving "Jan Cornelis Sylvius, preacher" Circa 1816, London. Measures 16-3/4" H x 5-3/4" W, frame measures 12-1/2" H x 11-1/2" W. Co

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

Rembrandt van Rijn (Dutch, 1606-1669) "The Old Bearded Man in a High Fur Cap, with Eyes Closed," etching, circa 1635, Bartsch 290, signed in image in upper left quadrant, FM stamp along right, bearing

REMBRANDT VAN RIJN The Presentation in the Temple: Oblong Print. Etching on thin, cream laid paper, circa 1640. 215x292 mm; 8½x11½ inches, narrow margins. Biörklund's third state (of 3)

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

THE STROLLING MUSICIANS circa 1635 (B.119; H.142; HOL.119), etching, plate 5 ½ x 4 ½” with thin margins, edition not determined (there is a Basan edition circa 1790), frame 14 ½ x

Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, circa 1652, but a later impression of New Hollstein's final state (of seven) on cream laid paper without watermark,

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat