Etching Signed in the plate "Figures Exploring Ruins of an Amphitheatre" w/COA 9x12"

Etching Signed in the plate "Figures Exploring Ruins of an Amphitheatre" w/COA 9x12"

Etching Signed in the plate from "Figures and Horses, 1651, Horse Drinking from a Basin" w/COA 9x12"

Original and Framed "Cervantes" By Salvador Dali Original Etching Signed in Plate W/COA12x15

Etching with Mezzotint Signed Fautier in Plates 28/50, "Untitled Figures", 5 3/4" x 7 1/4".

E.T. Hurley, (American, 1869-1950) Untitled (Barnyard Steps with Two Figures and Chickens) brass etching plate, signed, oak frame, plate: 10" x 5"; frame: 18.5" x 14.5"

After Giovanni Battista Piransei (1720 - 1778) Roman Ruins. 19th Century etching, signed in plate "Cavalier Piranesi F" Sight: 19.5" x 28.5" Frame: 29" x 38"

After Rembrandt van Rijn (Dutch, 1606-1669) Christ and the Woman of Samaria: Among Ruins. Etching, signed in the plate Sight: 4.75" x 4.75" Frame: 10.5" x 10"

Two small etchings by James Swann and Harold Altman James Swann, (American, 1905-1985), Winter in Texas, etching: Signed lower right. Harold Altman, (Pennsylvania / France, 1924 - 2003), Two Figures,

Etching signed in plate "Chagall" to lower left. Depicting a wolf or dog to right with shepherd and sheep figures to left in an open field. Housed in a wood frame with single matte. 12 inches height,

Framed etching on paper, Figures, signed in the plate lower right Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]90,lacking glass, sight: approx 19"h, 25.5"w, overall

"Three Grotesque Figures", c.1638 Etching on paper, signed in plate by the artist lower left off center. Dimensions: H 8.25" x W 7.25", sight H 3" x W 2.25" Condition: brown tone to the paper, old hin

Hyman William Katz (1899-1988) original pencil signed etching. Signed and dated in pencil 'Hyman Katz 1928' lower right. Signed and dated 1928 in plate lower right. Titled "Figures on a Bridge" in pen

(1904-1989 Spanish) Winged surreal figure in landscape, framed etching, signed lower right, approximate plate size 10 1/4" x 8", frame 26' x 23".

Dock-side scene with figures, signed in plate, dated '86, titled and numbered in pencil Marblehead 5/12, sight size 14 x 18 inches, matted and framed 16 3/4 x 20 3/4 inches

Giovanni Battista Piranesi (Italian 1720-1778), Le Rovine del Castello dell'Acqua Giulia (The Ruins of the Fountainhead of the Aqua Giulia), posthumous restrike, etching on paper, signed in the plate

"Old houses near site of Metropolitan Hospital, London," street scene with storefronts and figures. Signed in plate on lower left. Title on verso. Tears and foxing as shown. 9.5" X 6.5" (15" X 11")

Titled "Sur La Plage, a Berneval", drypoint etching on laid paper, signed in the plate lower right. After Renoir's 1892 etching, likely printed later. Two female figures sitting on the beach watching

(1874-1943 English) Architectural scene with figures, framed etching, signed in pencil lower left, approximate plate size 18" x 15 1/2", frame 23 1/2" x 20 1/2".

Marc Chagall, Russian-French, 1887-1985, Three Etchings from "Dead Souls", including: Figures Imbibing, 1923-1927, signed in plate at lower left; "The Entire Party Moves to the Chief of Police's for a

William Meyerowitz (New York 1887 - 1981) etching. Signed 'Wm Meyerowitz' in pencil lower right. Signed and dated 'Wm Meyerowitz 22' in plate lower left. Title 'Theresa's Mother' in pencil lower left

Harold Altman (American, 1924-2003). An etching titled "Figure". Signed in pencil lower right under plate and titled. Out of an edition of 40. Framed under glass. Mat opening: 2-1/8 in x 5-3/4 in.

"The Oriental Figures", 1694 Etching and dry point on paper, signed in the plate upper left side. Dimension:( Frame) H18.5" x W17", ( Image) H5.75" x W4.25" Condition: Water stains and brown spots to

LOVE AMONG THE RUINS (Katharine Hepburn & Sir Laurence Olivier), etching, signed in pencil and inscribed AP XXX/XXXIII (artist’s proof 30/33), plate 14 ¼ x 11 ¼”, full margins, framed with glass

PREHISTORIC FIGURES, 1980, color etching, signed and numbered 5/50 in pencil, published by L.A. Louver, printed by Robert Aull with blind stamp lower right, plate 1 ¼ x 17 ¾”, shee