Fine 19thC 37 1/2" x 27" o/c painting titled "Napoleon

VARIOUS, 1957-1962, eight woodcuts, each signed, dated, numbered, titled and inscribed in pencil in the margin, various editions, sheets from 30 x 20” to 12 x 19 ¾”, one frame 37 ½ x 27” with

CLASSIC FLORAL, oil painting on wood board, signed lower right, signed on tape on verso, 30 x 20”, frame 37 ½ x 27 ½ x 3”.

THE GAME, 1999, pigment painting on fabric, signed and dated lower center left, sight 18 ¾ x 28”, frame 27 ½ x 37” with glass.

WOMAN WITH BRAIDED HAIR, color giclee with hand-painting on canvas or textured paper, signed and numbered 9/200 in gold ink, sight 22 ½ x 27 ½”, frame 37 x 42”.

USNS: PETALUMA, oil painting on canvas, signed and titled lower left, 18 x 21”, frame 24 ½ x 27 ½”.

REINFORCING THE ACTION OF THE MUSCLES, acrylic painting and mixed media on paper, signed and dated lower right, 27 ½ x 37 ¼”. Provenance: Michael Hittleman Gallery Los Angeles.

USNS. PETALUMA, oil painting on canvas, signed and titled lower left, 18 x 21”, frame 24 ½ x 27 ½”.

PORTRAIT OF A NOBEL EXPLORER, oil painting on canvas, 35 x 27 ½”, frame 44 ½ x 37 ½ x 4”, old auction chalk marks on verso along with remnants of an unknown label.

UNTITLED, a pastiche painting on canvas, inscribed P. Gauguin lower left, 19 ½ x 29 ½”, frame 27 ½ x 37 ½ x 3”.

A STRING OF COWS, 2000; VIEW OF DUTTON, each, oil painting on board, signed and dated and titled on verso, 16 x 25 ¾”, frames 17 ½ x 27 ¾”. Provenance: From the CODA Collect

POESIA IN AZZURRO CON NUDINI, oil painting on panel, signed lower left, 19 ½ x 27”, frame 29 ½ x 37”. Provenance: Atelier Internazionale D’Arte.

HADLEY POINT (RIVER SCENE), 1977, oil painting on canvas, signed lower left, signed and dated and titled on verso, 14 x 20”, frame 21 ½ x 27 ½”.

MORNING, diptych, oil painting on two canvases, signed lower right on right panel, signed and dated and titled upper left verso of right panel, each 31 x 31”, overall 37 ½ x 62 ½&#8221

JOHN RINGO, 1959, oil painting on canvas, signed and dated lower right, titled lower left, 40 x 30”, frame 47 ½” x 37 ½ x 3”. Provenance: Marcus Ashley Fine Art Gallery, La

Gabriel Cohen HANAUCA HABAIT, 1987, oil painting on paper, signed and dated and titled lower right, 27 ½ x 39 ½”; Yoram Merose THE (Political) ARTIST ILLUMINATES REALITY BY HIS DIS

TOWARD THE GAP, 1995, acrylic painting on canvas, signed and dated and titled on verso, 24 x 36”, frame 27 ½ x 39 ½”. Provenance: Kohn Turner Gallery, Los Angeles.

Peder Mork Monsted (Denmark/Netherlands:1859 - 1941) Pre-war European landscape oil painting on canvas titled "The Haystack At Tulstrip". Hand signed to lower right. Date: 1933. Measures: 39" W x 27"

CONTESSA DE MEDICI, oil painting on panel with artist’s selected iconoclastic frame, signed lower right, signed and titled in pencil on verso, overall 27 ½ x 20 ½ x 4 ¼”; co

BIRCH GROVE, 2000, oil painting on canvas, signed lower right, signed and dated and titled and inscribed #00135 on verso, 22 x 28”, frame 27 ½ x 33 ½”.

WILD SEA, 1989, oil painting on canvas, signed lower left, signed and dated and titled on verso, sight 27 ½ x 21 ½”, frame 35 ¾ x 30 x 2 ½”. Provenance: Acquired direct

YOUNG DONATELLO 1967 FIRENZE, oil painting on canvas, signed lower left, signed and dated and titled on verso, DuMouchelles auction label on back, 20 x 16”, frame 27 ½ x 23 ½ x 2 &

COMPOSITION DESDOBLASTA, oil painting on canvas, signed lower right, signed and titled on verso, 27 ½ x 21 ½”.

PORTRAIT OF A FARMER’S WIFE, NOORD BRABANT 1964, oil painting on canvas, signed lower left, signed and dated and titled on verso, 24 x 18”, frame 27 ½ x 21 ½”.

Jose Marie Mijares Fernandez (Cuban: 1921 - 2004) geometrical abstract mixed media painting on board titled "Ciudadela III". Circa: 1963. Measures: 37" W x 28" H. Exhibited at the Gallery Init Vedado