Fine Farahan Design 12'11'' X 15'11''

UNTITLED, 1954, color lithograph, signed in ink lower right and with remarque ink drawing lower centered (both faded), initialed and dated in the design lower right, sight 15 ½ x 11 ½&rd

UNTITLED, color lithograph, signed and dated 1929 in the design lower right, numbered 25/100 in pencil, sight 15 ½ x 11”, framed, in apparently good condition.

Exceptional Antique Persian Kerman rug having fine powder blue color, 15' 11" x 12' 6". Good condition.

Artist: Nishimura Hodo Subject: Rabbits & flowers Date: c.1940 Medium: Japanese Woodblock Print Size: Oban design measures 11" x 15.5" Condition: Fine color, impression, condition. Please note that th

Coca-Cola Glascock Salesman Sample Cooler Repro. Authorized reproduction of a painted metal cooler with two hinged doors and two wooden bottle racks. 18 ½ x 15 ½ x 11 ¾”. Fine.

DRESSING FIGURE, oil painting on canvas, signed lower left, 15 x 11 ½”, framed. Provenance: Michael Hittleman Gallery Los Angeles.

PRESENTATION, 1972; NOTE PLAY, 1973, two color wood block prints, each signed and dated and titled in pencil, the first numbered 47/75, the second 75-6, sheets 14 ¼ x 11” & 15 x 11 ½”, full marg

COMPOTE WITH WATERMELON & STRAWBERRIES, 1954, mezzotint, signed in pencil, numbered 24/50, image 11 ½ x 15 ¼", full margins framed with glass. From the collection of Irene Manning.

COMPOTE PEACH, mezzotint, signed in pencil, numbered 22/50, image 11 ½ x 15 ¼", full margins framed with glass. From the collection of Irene Manning.

LOBSTER, 1965, gelatin silver print mounted to card, image 11 ½ x 15 ½”, board 25 ½ x 19 ½”, artist’s estate stamp and authorized signature of Edith Adam on verso

YELLOW WOMAN, 1964, watercolor with pencil drawing on paper, signed and dated lower right, sheet 8 ¼ x 11 ¾”, frame 11 ½ x 15” with glass. Provenance: Purchased from the Car

THE ETERNAL JOURNEY; MADE IN USA, two, each mixed media and collage on metal, the second inscribed on recto, both with label on verso, 11 ½ x 15 ¼”. From the collection of Laurie Frank

LAKE SCENE, oil painting on canvas mounted to board, signed lower right, canvas 11 ½ x 15 ½”, board 12 x 16”, frame 16 x 20” with glass , with hand-written note on back of

WOMAN IN RED SKIRT IN CAFÉ, color screenprint, signed and numbered 233/350 in pencil, image 11 ½ x 15 ¼”, full margins, frame 24 x 28 ½” with glass. Provenance: Marcus

WALVIA (Medicine Root) TAOS, copyright 1905, photogravure on artist’s watermarked paper, image 11 ½ x 15 ½”, sheet 19 ¼ x 23”, print’s byline lower right, framed with glass.

BEACH SCENE, gouache on paper or board, signed lower left, sight 11 ½ x 15 ½”, frame 19 x 23 x 2” with glass.

Garstin Cox UNTITLED LANDSCAPE, gouache and colored pastel, signed lower right, sight 11 ½ x 15 ¼”, frame 17 ½ x 21” with glass; Together with Artists Unidentified HUD

John Austin Monks (American 1850-1917)- ''Rams Head''- etching, c. 1895, signed in pencil, staining in the margins and with in image. 15 x 12 11/16''

SUSUMU (INA BUSHI DANCE), 1960, color woodblock print, signed in pencil, from the numbered edition 50, image 11 ½ x 15”, sheet 13 x 16 ½”, crease lower left, pale toning and light roughness in m

THE LILIES, 1905, color wood engraving on thin chain laid paper, signed with cypher in pencil lower right, image 7 ½ x 6”, sheet 15 ½ x 11 ¼”, strong impression of this very

L’OFFRANDE (Mourlot 291) 1960, lithograph, signed and numbered 2/40 in pencil, printed by Mourlot, sight 15 ¾ x 11 ½”, frame 29 ½ x 25 ½” with glass.

AMOUREAUX A TARANG, YAP, QUEST CAROLINES (M.32), 1935, color woodblock print, signed in pencil, with Mandarin duck seal, image 15 ½ x 11 ¾”, sheet 18 ½ x 14 ¼”.

Stevan Dohanos (American 1907-1994) ''State Fair'' - wood engraving, 1948, edition of 255 plus 10, The Print Club of Cleveland publication no. 26, very good condition. 12 11/16 x 8 15/16''

UNTITLED III (standing), 1966, gelatin silver print, 15 ½ x 11”, mounted to card 25 ¼ x 19 ¾”, artist’s stamp and authorized signature on verso of card, framed.