FOLLOWER OF THOMAS HUDSON, PORTRAIT OF SIR JOHN RAWDON

Follower of Thomas Hudson (British, 1701-1779) "Portrait of a Gentleman" oil on canvas unsigned, verso with hand-inscribed inventory label "Godfrey Inv/154, 5.15. Oct. 52/ 133". In a Georgian-style c

Circle of Thomas Hudson (Devon 1701-1779 Twickenham) Portrait of Captain John Wingate RN. (1688-1760), seated, three-quarter-length, a navy vessel at sea showing through a window oil on canvas 125.7 x

Framed portrait of Sir John Handyside. Bearing a strong resemblance to Sir Thomas Lawrence (Portrait of the Provost of Edinburg University, c. 1815). Sight- 17" x 19" Overall- 24" x 26" In-house shipp

Vice Admiral Sir Peter Warren after the portrait by Thomas Hudson (1701- 1779), and now hanging in the National Portrait Gallery, London. Early 19th century reverse painting on glass, gilt frame - pai

Circle of Thomas Hudson (1701-1779) British. Portrait of Edward Crichton, Wigged, wearing a Red Coat and Pink Embroidered Waistcoat, Oil on Canvas, Inscribed 'Edward' on a label on reverse, In a Carve

This is an original oil painting portrait by Sir Thomas Lawrence PRA FRS (English, 1769 – 1830) of John Porter, Bishop of Clogher (d. 1819). Sir Lawrence was born in Bristol and began drawing i

John Jackson, R.A. (British, 1778-1831) Portrait of Sir Thomas Lawrence, PRA. Oil on canvas. Unsigned. Verso bear original plaque reading "Sit Thos Lawrence, P.R.A. Painted by John Jackson, R.A. 1778-

Follower of Sir Thomas Lawrence Follower of Sir Thomas Lawrence Portrait of a young lady, half-length, in a white dress and red wrap oil on canvas 35.5 x 30.5cm Condition Report: overall: 46 x 41cm so

Sir Thomas Lawrence (British, 1769-1830) Two Works: Portraits of Sir Robert Baker and His Brother, Captain John Baker circa 1820 pastel on paper 11 1/4 x 9 1/4 inches. Both inscribed on reverse, ident

oil on canvas Provenance: The Collection of Sir John Thornycroft Thomas Agnew & Sons, London 50 x 40 inches

Portrait of Sir Harbord Harbord Bart., 1st Lord Suffield (1734-1810) engraved mezzotint, 1783 61 x 39cmThis print is after the original painting now in the Norwich Castle Museum, commissioned by the c

Oil on canvas, portrait of miss Fanny Kemble, by Sir Thomas Lawrence P.R.A. , some cracks in paint, restretched, 22.5" by 19.25"

Oil canvas, painting, portrait of Augustus Peterson, by John Berridge, circa 1750, pupil of sir J. Reynolds, original condition (not relined), 30.5" by 25.

Portraits in crystal of the founding fathers, including Benjamin Frankin; Alexander Hamilton; James Madison; John Adams; Thomas Jefferson; and George Washington. All in original boxes, and all but Ham

Early 19th century OIL ON CANVAS. After sir Thomas Lawrence. Provenance: A San Diego Private Collection Dimensions: Height: 30 1/2 in.Width:22 in.

BEECHAM, Thomas, Sir (1879-1961). Black and white photographic portrait signed and inscribed ("To my friend John Broconlee? With every good wish Thomas Beecham May 30, 1944"). 10 x 8 in. Provenance: T

1826 portrait of Rosamund Hester Elizabeth Croker after a painting by Sir Thomas Lawrence (1769 -1830). Appears to be pencil signed by John Cother Webb lower rignt. Printer's mark lower left. Very goo

19th Century Portrait after Sir John Everett Millais (BRITISH, 1829-1896), oil on canvas, Girl with her pet, canvas size is 30\" x 25\" monogrammed & dated 1889 lower right

John Hoppner (1758-1810), a British portrait painter, trained at Royal Academy, and in 1789 he was appointed portrait painter to the Prince of Wales (later George IV) and after the death of Reynolds,

Original oil on canvas portrait signed by listed artist Edwin Williams and dated 1857 (we are assuming that the signature and date are behind the frame as stated on the accompanying paperwork, we have

Sir John Watson Gordon (1788 - 1864) Scotland, United Kingdom. Dimensions: 24" x 30".

A 17th century oil portrait on canvas of a gentleman identified as Sir John Spottiswoode, son of the archbishop and grandson of the Scottish reformer, each of the same name. The canvas measures 34 3/4

Item/Description: Portrait of a Lord in antique gilt frame. Noble looking gentlemen in white wig. Written in / on the old wood are the names of the artist and his subject.Sir John Watson Gordon (1788

Follower of Thomas John Baines Follower of Thomas John Baines Port Elizabeth, South Africa from the sea; Views of Middelburg and further topographical subjects five, watercolour 12.5 x 17.5cm, unframe