FRANCESCO SOLIMENA (Italy, 1657 – 1747) AND ANDREA DEL BELVEDERE (Naples, 1652 – 1732). “Two

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

Artist: Francesco Solimena (1657-1747), circle of Title: Medium: Oil on canvas Size: 25" x 20" (63.5 x 55.8 cm) canvas size Date: 17th century

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Neapolitan School, After Francesco Solimena (1657-1747) "Saint Paul with the Word of God and the Sword by Which He Died" Oil on canvas Unsigned. Verso inscribed "Saint Paul ascending into Heaven, 18th

Circle of Francesco Solimena (Italian, 1657-1747), Giambattista Pittoni (Italian, 1687-1767) or Francesco Trevisani (Italian, 1656-1746), Baroque/Rococo, 18th century. A stunning 18th century painting

Study of the Heads of three Elderly Bearded Men, en sanguine and charcoal on heavy wove paper, unsigned, with backing marked "Andrea del Sarto, Coll. of Dr. Ed. Riggall." Unframed, 6 5/8" x 8 3/4" she

After Andrea Del Sarto (Italy,1486-c.1530) large oil on canvas painting of "Madonna of the Harpies" depicting the Virgin standing on a pedestal holding the Christ child with putti at her feet, and two

(pair) Venetian Baroque Revival throne armchairs, 19th c., in the manner of Andrea Brustolon (Italy, 1662-1732), raised foliate-carved ears, padded back and seat in damask upholstery, scrolling foliat

1629 Francesco Bertelli ITALY Geography Atlas Venice Pisa Rome Naples A rare 17th-century travel and geographical atlas of Italy published by Francesco Bertelli. This atlas covers cities and villages

Francesco Ferro e Figlio Screziato vases, pair Italy, c. 1880 screziato glass with applied handles and foot 3.25 w x 2.5 d x 10.25 h inches Literature: L'Arte del Vetro, Silice e Fuoco: Vetri del XIX

Of a naked boy with water jugs, with integral plaque on back that reads "Dall Originale Propr. del Re di Napoli, SM Francesco II, Napoli Gemito", on integral plinth, 21 3/4" x 8" x 11", fine condition

Artist: Andrea del Sarto (Attributed to) Title: Untitled (Holy Family) Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

Artist: Andrea del Sarto (Attributed to)Title: Untitled (Holy Family)Medium: Oil on wood panel Size: 21" x 26" Approximate panel size (not including frame) Date: 1540 Circa Very good quality Italian l

16th/17th century painting after Andrea Del Sarto,on wood.The composition follows closely the composition of Del Sarto's "Madonna col Bambino, San Giovannino e angeli". 28" x 35"./////////////////////

Florentine School, 16th Century The Madonna and Child and the Infant Saint John the Baptist oil on panel 92 x 69.7cm (36 1/4 x 27 7/16in). unframed Footnotes: Along with many known copies af

Italy (Naples); late 19th-early 20th century. A large and fine copy of a ca. 5th century B.C. Greek bronze hydria. Rare in this large size. Ornate design, especially the 3 handles, which feature hippo

Pair 16/17th C Italian Oil on Copper Paintings after figures in Raphael's Loggia in the Vatican; in period hand carved frames; the reverse with an old attribution to Andrea del Sarto and various colle

Jusepe de Ribera, detto Lo SpangnolettoJativa / Valenzia 1591 - 1652 Naples, attributedSt. JeromeOil on canvas100 x 130 cm

Oil on canvas. Very little is known about the biography and professional profile of this Lorraine painter, active in Naples in the first half of the 17th century, whose production is dominated by this

Oil on canvas. Very little is known about the biography and professional profile of this Lorraine painter, active in Naples in the first half of the 17th century, whose production is dominated by this

"St. Pius IV Invoking the Aid of the Virgin during the Battle of Lepanto", oil on canvas, unsigned, in gold and black molded frame, OS: 19 3/4" x 18 1/4", SS: 15 1/2" x 13 1/2". Good condition. The Ba

A vibrant, bold & gorgeous Warhol Screenprint, extremely rare at Auction. Vesuvius, 1985 is an Screenprint Published by Fondazione Amelio, Naples, Italy (with their stamp reverse) and Printered Rupert