Francis Holman, R.A. (British, circa 1729-1790)

British, circa 1790, the front panel opening and resting upon a pair of pull-out bar supports, the interior fitted with a small cupboard, vertical stationary compartments, pigeonholes and twin banks o

British, circa 1790, showing two graduated dished circular shelves spaced by flute carved vase-shaped columns, raised overall on a trio of cabriole supports terminating to snake feet, minor repairs to

Francis Dodd, R.A. (British 1874-1949) Strand with Sky, S.136. Etching with drypoint, signed in pencil lower right corner, matted and framed. Dodd trained in the Glasgow School of art and was an offic

(British, 1676-circa 1729) Four architectural elevations: from [Vitruvius Britannicus], London, 1711, engraved by H. Hulsbergh, includes the [Palais Royal a Whitehall], signed lower left in plate "C C

Francis Dodd R.A. (British 1874-1949) Return From the Quarry, 1929, etching, signed in pencil, lower right . Originally from Scotland, the artist spent most of his life in England. Recognized for his

After Francis Wheatley, RA (British, 1747-1801) Shakespeare, All's Well that End's Well, Act V Scene III, Engraving by George Sigmund Facius (1750-1814) and Johann Gottlieb Facius (1750-1802) Publishe

CIRCA 1790 BRITISH BRASS BLUNDERBUSS A 31 1/2" long British "blunderbuss" with a heavy 16 3/8" brass barrel having a 1 1/4" bore at the flared muzzle. The barrel is round with step downs at the breech

CIRCA 1790 BRITISH BRASS BLUNDERBUSS A 31 1/2" long British "blunderbuss" with a heavy 16 3/8" brass barrel having a 1 1/4" bore at the flared muzzle. The barrel is round with step downs at the breech

Richard Wilson, R.A. (British, 1713-1782), L'Anconetta with Venice beyondoil on canvas, unsigned, circa 1762, retains remnants of a piece of James Orrock's writing paper of 48 Bedford Square, London,

John Northcote Nash R.A. (British, 1893-1977) Spring Landscape, Iver Heath signed 'John Nash' (lower left) pencil, charcoal and watercolour 25.5 x 42.5 cm. (10 x 16 3/4 in.) Executed circa 1914 Footno

Sir Frank Brangwyn RA (British 1867-1956) Don Quixote returns home indistinctly monogrammed (lower right) oil on board 45.4 x 30.5cm (17 7/8 x 12in). Painted circa 1895 Footnotes:

(18th century) Portrait of a Gentleman Seated in a Red Chair, circa 1790, unsigned, oil on canvas, 30 x 25 in.; 19th century gilt wood frame, 36-3/4 x 31-3/4 x 3 in. Provenance: Property from a Histor

Circa 1790. Having a rectangular top with nicely molded edge above two over three drawer configuration atop a bracket base. H40" D20 1/2" W40 1/2" Sold from the collection of a private Camden family.

Circa 1790. Having a thin top with molded edge centered by inlay of shore bird above four slightly graduated and banded drawers all resting atop a bracket foot. H36" W42" D21 1/2" Sold from the collec

Circa 1790, likely by John Holloway working in London. The piece having a very fine cylinder form with wood handle and tapered spout. The piece has a family crest at the top of the lid and on the side

Circa 1790. Oil on canvas having been very nicely rendered featuring a gentleman in well appointed clothing looking onward. The piece has not been re lined. The backside has what looks to possibly be

Circa 1790. Having a rectangular top with molded edge above two over three drawer configuration resting atop bracket feet. H36 3/4" W35 3/4" D18 1/4":

Circa 1790. Having a fall front configuration with nicely appointed interior. The prospect door at interior having a nicely crafted hidden compartment. The case having four slightly graduated drawers

Circa 1790. Having a hinged fallfront opening to very nicely carved and appointed interior boasting a shell carved center drawer atop four slightly graduated drawers on a bracket foot. H41" W37" D22"

Circa 1790. Having a carved back centered by grain or rice carved center leading down to arms that continue down to lower frame supported by four tapered legs. H37" W23 1/2" D18" Sold from the collect

Circa 1790, upholstered slip seat, pierced splat. H: approx. 37".

Circa 1790, by George Smith III & William Fearn working in London. The tongs having good chased surface and in good condition. No apparent restoration or breaks. L5 1/2" .9 oz standard

Eighteenth Century British Copper Coinage and Tokens including: Farthings 1750, 1754; Halfpennies 1718, 1733, 1799 plus three circa 1790's Conder Tokens. The coins are all in the Fair+ to Good+ range,

British, circa 1920, retailed by Davis Collamore & Co. Ltd., New York, pattern no. RA.6962/6.519 New York, each depicting naturalistically hand painted freshwater fish, titled on the reverse, within g